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14 of 15 people found the following review helpful:
5.0 out of 5 stars
Troubled album manages to yield a growing artist, May 23, 2002
Not to be cynical, but the new Lauryn Hill album seemed doomed from the very start. It was kept in the vaults for well over a year before the release because her record label didn't feel it was commercial enough....boy were they right. Then she had the Unplugged show on MTV2, which hardly got any decent air time. And to top it off the album was recieved with mixed reviews at best and will undoubtedly fall off the charts quickly with little promotion.There are alot of good reasons why the album deserves some of it's criticism. Lauryn's vocals are very weak and it cracks alot. And she tends to ramble on in her oh-so-long redundant interludes about "keeping it real". And yes, she's preaching again....but it doesn't come off as heavy handed as it did in her last album. But all is forgiven once you listen to the material. The fact that Lauryn decided to abandon her band to give us an almost 2-hour emotional folk-fest on acoustic guitar is worth hearing. The songs are mostly about love ("Mr. Intentional", "I Remember"), making social change ("I Find it Hard to Say", "Mystery of Iniquity"), and reflection (the interludes, "Oh Jerusalem", "The Conquering Lion"). Here is a young artist dealing with her newfound fame and is trying to relinquish it. She speaks to her audience as a teacher of life's lessons while literally in tears. At times she embodies the ghost of Bob Marley and Bob Dylan when she tells her audience to rebel against the system. It's not a new concept, many other artists have written albums reflecting on their fame while being socially conscious. And like those artists, she finds a way to make her story worth listening to without getting defensive, without the gimmicks, and without the pandering. The sparcity of any other instruments and the rawness of her soulful voice (despite my initial criticisms of it) only enhances the songs. She also manages to make her most profound statements in her simpler songs. For example she repeatedly sings the line "I just want you around, I just need you around" for 3 minutes straight, and each saying is more powerful than the next. "Unplugged" is very self-indulgent as the critics mentioned. I admit it can be off-putting at times, but there's alot of heart and soul in it. It will never see the commercial and critical success of "Miseducation..." but several years from now it will go down as an underrated classic.
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