Us [Original recording remastered]

Peter Gabriel

Product Details

• Audio CD (May 7, 2002)
• Original Release Date: September 29, 1992
• Number of Discs: 1
• Format: Original recording remastered
• Label: Geffen Records
• ASIN: B000065V9Y
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (111 customer reviews)
• Amazon.com Sales Rank: #59,356 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com

Since his departure from Genesis, Peter Gabriel has crafted a very successful career blending his slight, anguished voice with studio sorcery and a bevy of world-music influences. However, Us does very little to build a case for his artistic growth in the six years that separate it from the commercial milestone of So. During the hiatus, Gabriel's marriage broke up, which undoubtedly contributes to the self-consciousness and introspection that permeate the album. The pop psychology of "Love to Be Loved" and "Washing of the Water" is overwrought. The exotic instrumentation on "Come and Talk to Me" seems intrusive and contrived. "Steam" and "Kiss the Frog" lighten the tone, but, as good-natured rockers, they are no matches for "Sledgehammer" or "Big Time." The production values and supporting players are of the highest order, but, with this material, Gabriel comes across as hypersensitive. Except for die-hard fans, Us is So-lite. --Rob Stewart

Customer Reviews

Most Helpful Customer Reviews

33 of 34 people found the following review helpful:

5.0 out of 5 stars The struggle of being human, September 29, 2000

By	NotATameLion (Michigan) - See all my reviews (TOP 500 REVIEWER)

This review is from: Us - Peter Gabriel (Audio CD)

Desires, relationships, communication, the struggle of being imperfect humans in an imperfect world...Grace, and what it means to love and live in this world. All of these things echo throughout this collection of songs. "US" is one of my favorite recordings. It has a depth that few others in my collection have ever even come close to matching.

The music varies greatly in sound and style; with all of it working to great effect:

The pulsing rhythms of the percussion on "Love to be Loved" flow as a gentle undercurrent working in combination with very understated keyboards. The way the instrumental music on this song serves as a canvass for Gabriel's whisper-like vocals is pure genius. The song itself is about cutting loose the habitual need for human love. It is a musically gentle yet emotionally searing exposition on the pain caused when a relationship dies.

The "Blood of Eden" contains some of the most beautiful lyrics ever written in English (just my not-so-humble opinion). It speaks of the human habit of constantly starting to love, to seek union, without taking stock of our true selves and our true motives. It speaks of coming to the realization of who one really is with beautiful language: "I caught sight of my reflection, I caught it in the window; I saw the darkness in my heart. I saw the signs of my undoing. They had been there from the start." It speaks of our wanting union. The song begins by focusing on the union of women and men. Upon deeper reflection the song moves on to speak of a deeper need for union than the marital framework provides: "I can hear the distant thunder of a million unheard souls, of a million unheard souls-watch each one reach for creature comfort for the filling of their holes." One should look at this particular song in the context of the main theme of this album: relationships. In the context of the language of these songs and the theme of relationships, it is notable that the way in which the "Blood of Eden" speaks of the desire of union between people is much the same as it (and a few of the other songs) later comes to phrase the desire of union with something higher-namely: God. The desire for union with God is wholly natural. It is what we were created for. It is the only way can truly be fulfilled. However, when we begin to put God-like expectations on our relationships with others, we are bound to fail. It is desire of this kind of union, that of one person to another with expectations that only God can fulfill, that is at the root of much of the pain expressed in this album-and if we are honest-our own lives.

"Washing of the Water" is a song that I can relate to in a very deep way. It is possibly my favorite track on the disc. For those who have found themselves adrift in the seeming nothingness of this life, this song speaks eloquently of how hard it is to finally find freedom in that very sense of what can only be termed as "adrift-ness". The very river we are drowning in can lift us up when we pass through the roar and ceaseless motion of our daily lives. Having done this one may enter into the silence; where we are able to hear that still, small voice. It is then, and only then, in that total surrender to our loving Father's will, that we grasp the direction and purpose of this life. In this peace, in this truth we are finally at rest and capable of not only laying aside our pain, but upon further consideration of it, to realize that it too is joy.

"Secret World", the final track, serves as a retrospective summation of the theme of relationships that permeates the entire recording. The summation is not a statement but a question that each of us who has ever experienced the death of a relationship would do well to ponder over: "in all the places we were hiding love, what was it we were thinking of?"

The other tracks of the album are wonderful as well. "Kiss That Frog" is endearingly humorous. "Come Talk To Me" heroically kicks off the album and contains some great lyrics. "Steam" is a typical Peter Gabriel expression (dare I say celebration) of lust. "Only Us" is a powerful statement of self-awareness and the journey back to the land we once called home. "Digging in the Dirt" combines the beauty and rage encountered when we make that self-discovery. "Fourteen Black Paintings" is a truly beautiful musical/spoken word piece about the temporal reality of humanity.

This album confronts the listener about the challenges inherent in being human. It is one of my favorite albums. It leads one to cry out for grace-and that cry, when answered, leads us to fulfillment. I give this disc my highest recommendation.

40 of 43 people found the following review helpful:

5.0 out of 5 stars Peter's Torch Album, September 20, 2002

By	Alan Caylow (USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

1992's "US" is truly a "from the heart" body of music from Peter Gabriel, his most personal album to date. He recorded "US" during a time when his 15-year marriage to his wife Jill had recently broken up, and a following relationship with actress Rosanna Arquette had also dissolved, so Peter certainly had a lot of personal, romantic demons to exorcise from his system, which he did with this album. Gabriel totally wears his heart on his sleeve with these songs, which may have irked some listeners, but not me. "US" is a Peter Gabriel album that's very close to my heart, because I can certainly relate to what he's singing about on it. Like Peter, I love to be loved, too.Gabriel explores many aspects of love & relationships on "US": lack of communication ("Come Talk To Me"), the desire for love in one's life ("Love To Be Loved"), relationships between men & women ("Blood Of Eden"), sexuality ("Steam"), loneliness ("Washing Of The Water"), emotional pain ("Digging In The Dirt"), and seeing someone's inner beauty beyond their physical appearance ("Kiss That Frog"). Gabriel explores these subjects honestly & beautifully, and not without moments of playfulness along the way, too (as the upbeat numbers "Steam" & "Kiss That Frog" clearly show). As always, Gabriel's singing, songwriting, and playing throughout are extraordinary. He also gets great help from the likes of Sinead O'Connor, Led Zeppelin's John Paul Jones, William Orbit, and Gabriel's band regulars Tony Levin on bass, guitarist David Rhodes, violinist Shankar, and drummer Manu Katche, as well as a few holdover players from Gabriel's "Passion" album, like Doudou N'Diaye Rose & Hossam Ramzy. And "US" has definitely benefitted greatly from the new remastering job done on it, as the album has a much more spacious sound to it now than it did on the original version.When I listen to "US," I don't hear anything excessive or "overwrought" on it. What I hear is a very gifted man opening his heart to his listeners in a very bold, personal way that he had never done before, and God bless him for it. Peter Gabriel's "US" is a very special album.

11 of 11 people found the following review helpful:

4.0 out of 5 stars A beautiful, rewarding listen, June 15, 2000

By	Michael Rengel (Cape Girardeau, MO USA) - See all my reviews

This review is from: Us - Peter Gabriel (Audio CD)

Actually 4 1/2 stars. After releasing 1986's excellent "So," Peter Gabriel took six years to complete a new album. The result is "Us," which is an exploration of love and relationships. Gabriel continues his interest in world beats, incorporating African and Middle Eastern sounds into many of the album's songs. To be honest, the album's impact isn't immediately obvious--the true genius lies in the subtle, cascading melodies and gentle rolling rhythms that are gradually discovered. Tracks like "Come to Talk to Me, "Love to Be Loved" and the gorgeous "Secret World" percolate rather than explode, gradually building to a release. The lyrics are great in the typical Gabriel fashion, and his vocals are perhaps the best of his career. If you like Peter Gabriel and are willing to invest a little bit of time to get to know the music, "Us" is a richly rewarding record.