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5 of 5 people found the following review helpful:
3.0 out of 5 stars
Has its ups and downs, August 13, 2002
Thoroughly Modern Millie is one of those shows that pleases 90% of the crowd as a fun, fluffy, musical that harkens back to shows like Bells are Ringing and 42nd Street. As for the other 10%, there's only so many times you can see a show like Millie and therefore, to me at least, is generally unimpressive. I think the show's saving grace is Harriet Harris, whose comic timing is divine. Sutton Foster, while she fits the part, starts off as a fresh new talent and then by the end of the show becomes repetitive. As for the score, it does give a pretty good representation of 1920s fare, and some of the songs' lyrics have a nice wit to them. Forget About the Boy is pretty catchy, same for Not for the Life of Me. However, after a while, the songs seem to blend into one another and all sound the same. I think the two I play most are the Nuttycracker Suite (a rather clever salute to Tchaikovsky) and Muqin for the showcase of Harris' talent. Marc Kudisch has a talent, but it seems to me it is the same talent I saw in Bells are Ringing, and he's merely continuing that role. All in all, you could do worse when buying a cast album, and for most people it will be guaranteed to please with toe-tapping rythms and a somewhat solid cast with a story that translates well onto CD. However, if you're a 10 percenter, it may get played once or twice and then stay on the shelf. Hey, you could do worse and get something like By Jeeves.
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