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12 of 12 people found the following review helpful:
5.0 out of 5 stars
An Excellent Collection of Soulful Tracks, November 3, 2000
True hip hop heads have always known that Talib Kweli is a nice emcee. Still, for most of his career Kweli has been overshadowed by his long-time partner, Mos Def. On thier joint project, "Black Star", Mos Def came off nicer than Kweli, and Mos Def released his solo album a full year before Kweli did the same. However, after listening to "Train of Thought", any doubts about Kweli's ability will be eliminated.The 21 tracks on this album (including skits) are diverse, ranging from up-tempo bangers to quiet and introspective. The album starts off with a bang with "Move Somethin'", a straight-up bumping horn-influenced track which Kweli absolutely kills. The momentum is kept up with the nice "Some Kind of Wonderful". Subsequently the album mellows out a bit, as Mos Def makes an appearance on the jumpy "This Means You," a feel good track with absolutely unforgettable violin chords. The album abruptly ends the mellow vibe with the funky "Down For The Count" in which Xzibit and Rah Diggah drop some of thier nicest verses to date. Highlights from the second half of the album include "Ghetto Afterlife," (featuring Kool G Rap), "Love Language," and the hidden track "For Women." DJ Hi-Tek produces the entire album (a rarity in hip hop these days) and doesn't make one wack track. He chooses from a variety of instruments, and gives each track its own unique feel. For example, a tranquil saxaphone plays during the thoughtful "Love Language" whereas bold horns scream on the battle-track "Move Somethin.'" The fact that Hi-Tek is in on every track gives the album a continuity, as no track sounds out of place. From start to finish the album is on a nice organic vibe, and while some tracks are fast and some tracks are slow they all have the same soulful feel to them. Just as Hi Tek brings the beats, Kweli brings the lyrics. There are jaw dropping punchlines like: "Your wack set is faker than a bomb threat By a nervous terrorist who's so scared that his palms sweat" from "Down For The Count." There are also poetic, thoughtful lines such as: "She lived from n***** to colored to negro to black To afro then african-american and right back to n***** You figure she'd be bitter in the twilight But she alright, cuz she done seen the circle of life yo" from "For Women" that will continue to resound in your mind long after you've stopped listening. Overall this album shows us what hip hop can be. Although there are up-tempo battle tracks, there's no mindlessly materialistic braggadocio to be found here. Rather, this is music which analyzes life and gives us Kweli's unique take on things. It's almost like a one-sided conversation in which Kweli talks to us and tells us about himself and about what he thinks. He often proves insightful and provokative. For instance, on "Too Late" he ponders: Nowadays rap artists coming halfhearted Commercial like pop, or underground like black markets Where were you when hiphop died? Is it too early to mourn? Is it too late to ride? A thoughtful collection tracks such as "Train of Thought" is rarely found in hip hop these days and Kweli rightfully assumes his place among this era's top emcees with this release. This album is easily one of the best of the year and should be purchased by anyone who likes to think hip hop, or simply anyone who likes to think.
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