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19 of 23 people found the following review helpful:
4.0 out of 5 stars
Kracker plays it safer here, but still has a good time, September 26, 2002
Uncle Kracker's debut LP Double Wide was unlike anything else that had come before, but it had the misfortune of containing a hit single that was wholly unlike almost anything else on the album ("Follow Me"). A lot of people bought it expecting a country album, but were unable to enjoy the rap / blues / country / southern rock hybrid that the rest of the album contained. Still, it had a sound that was brilliant, and a great vibe that flowed through from start to finish.This time, Uncle Kracker has decided to adopt a more straightforward, radio hit friendly approach. Rap is almost absent, only present on three songs, and the emphasis is placed on just writing good, fun pop tunes. I don't consider this selling out, since the rap dominance of the debut was probably due at least in part to Kid Rock's extensive co-writing credits. On this album, Kracker is merely trying to get out from under Kid Rock's shadow, and get attention for his own style. On the plus side, there are more individual songs that stand out this time around, as opposed to the original, where much of the second half of Double Wide blended together and coasted on a good vibe. Thankfully, Kracker hasn't gone completely Sugar Ray on us (despite that band's singer making a negligible guest appearance on the title track), since he jumps back and forth from country, to blues, to funk, and to simple radio friendly pop tracks. Standouts include the oughta-be huge single "In A Little While", which takes the standard "summer song" sound, ala LFO and Sugar Ray, and finally does it right, with a surprisingly emotional chorus. "To Think I Used To Love You" is a straight-up country song, which is really catchy, and avoids the typical country sappiness (unfortunately, "Letter To My Daughters" does not, but it's a pretty song anyway). The cover of "Drift Away" accomplishes little that the original didn't, but it's one of my favorite songs anyway, and since it fits here, I'm always glad to hear it again. "Memphis Soul Song" is the ballad that should have been a hit instead of "Follow Me". It's lyrically rich, and a beautiful song in general. And "Baby Don't Cry" is a powerful blues wail about moving on from a bad relationship. If there's a shortcoming with this album, it's that it lacks the quality that has made all Kid Rock / Twisted Brown Trucker related albums up to this point favorites of mine, and that is the fusion of disparate musical elements into a new sound. There are a lot of influences here, but each song can be easily labelled "Pop song", "Country Song", "Funk Song", etc. The only times that the classic TBT fusion is allowed to return are in the three rap numbers, the best of which is "Keep It Comin'", a great tune with a riff that rocks harder than almost anything on Double Wide. Overall, this is a solid follow up to a great debut album, and if it's less original or interesting, it will at least be a lot easier for people to digest, and there's something to be said for that too.
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