Product Details

• Actors: James Gandolfini, Edie Falco, Dominic Chianese, Michael Imperioli, Tony Sirico
• Directors: Allen Coulter Tim Van Patten
• Format: Anamorphic, Box set, Closed-captioned, Color, NTSC
• Language: French (Dolby Digital 2.0 Stereo), English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1), Spanish (Dolby Digital 2.0 Stereo)
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.78:1
• Number of discs: 4
• Rating: NR (Not Rated)
• Studio: HBO Home Video
• DVD Release Date: August 27, 2002
• Run Time: 780 minutes
• Average Customer Review: 4.6 out of 5 stars See all reviews (106 customer reviews)
• ASIN: B000067S1G
• Amazon.com Sales Rank: #1,429 in Movies & TV (See Bestsellers in Movies & TV)

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  #6 in	Movies & TV > Drama > Television > The Sopranos
  #45 in	Movies & TV > Television > Action & Adventure
  #57 in	Movies & TV > Television > HBO

• For more information about "The Sopranos: The Complete Third Season" visit the Internet Movie Database (IMDb)

• This is item 3 in The Sopranos Series.

Editorial Reviews

Amazon.com
"So," Tony Soprano asks analyst Dr. Melfi in the wake of not-so-dearly-departed Livia's death, "we're probably done here, right?" Sorry, Tone, not by a long shot. Unresolved mother issues are the least of the Family man's troubles in the brutal and controversial third season of The Sopranos. Ranked by TV Guide among the top five greatest series ever, The Sopranos justified its eleven-month hiatus with some of its best, and most hotly debated, episodes that continue the saga of the New Jersey mob boss juggling the pressures of his often intersecting personal and professional lives. The third season garnered 22 Emmy nominations, earning Lead Actor and Actress honors for James Gandolfini and Edie Falco for their now-signature roles as Tony and his increasingly conflicted wife, Carmela.

The Sopranos continued to upend convention and defy audience expectations with a deliberately paced, calm-before-the-storm season opener that revolves around the FBI's attempts to bug the Soprano household, and a season finale that (for some) frustratingly leaves several plot lines unresolved. The second episode, "Proshai, Livushka," confronts the death of the venerable Nancy Marchand, who capped her career with perhaps her greatest role as malignant matriarch Livia. A jarring scene between Tony and Livia that uses pre-existing footage is a distraction, but Carmela's unsparing smackdown of Livia at the wake redeems the episode. "Employee of the Month," in which Dr. Melfi is raped and considers whether to exact revenge by telling Tony of her attack, earned Emmys for its writers, and is perhaps Emmy nominee Lorraine Bracco's finest hour. The darkly comic "Pine Barrens"--another memorable episode, directed by Steve Buscemi--strands Paulie (Tony Sirico) and Christopher (Michael Imperioli) in the forest with a runaway corpse. Other story arcs concern the rise of the seriously unstable Ralph Cifaretto (Joe Pantoliano) and Tony's affair with "full-blown loop-de-loo" Gloria (Emmy nominee Annabella Sciorra). Plus, there is Tony's estrangement from daughter Meadow (Jamie Lynn Sigler), his wayward delinquent son Anthony, Jr. (Robert Iler), Carmela's crisis of conscience, bad seed Jackie Jr., and the FBI--which, as the season ends, assigns an undercover agent to befriend an unwitting figure in the Soprano family's orbit. Stay tuned for season four. --Donald Liebenson

Product Description
Some suburban households have two cars. Some have two houses. But Tony Soprano has two families. This could be why the FBI is going to such lengths to wiretap his home. Why the son of his dear late friend Jackie Aprile is causing him such agita. Why a Russian housekeeper is searching for her missing leg. Why his son is vandalizing school property and his daughter is getting her heart broken. Why his wife Carmela is both consulting a psychiatrist and confessing to a priest. And it's also why Tony Soprano is still seeing Dr. Melfi for his anxiety attacks. It isn't easy heading-up the mob in New Jersey. But that's what puts dinner on the table for the two families of Tony Soprano.

DVD Features:
Audio Commentary
Biographies
Featurette
Interactive Menus
Other
Scene Access

Customer Reviews

Most Helpful Customer Reviews

264 of 286 people found the following review helpful:

5.0 out of 5 stars A series that just gets better and better., May 20, 2002

By	darragh o'donoghue (dublin, ireland) - See all my reviews (TOP 500 REVIEWER)

The third series of 'The Sopranos' consolidates the brilliance of the first two, rather than taking it in any radically new directions. The characters, their relationships and their environment are so strong; the dramatic irony between our sympathy with and enjoyment of these people, and our knowledge of their brutal and unhypocritically presented crimes, is so complex, that any blatant originality merely for the sake of it would be a betrayal.

But, because the central components are so strong, there is plenty of room for play - in the way narratives are set up to encourage then defy expectations; in the interplay with canonical gangster texts, especially 'The Godfather'; in the consistently creative use of music - for mood and to emphasise character, yes, but also to create ironic distance, to add montages of 'commentary' over the stories, to connect apparently disparate scenes, to add a depth of texture. Because it is in texture that 'The Sopranos' has really developed - the recklessly confident film-making; the layered scripts; the rich dialogue; and the knowing acting combine to create programmes of truly, yes, operatic density.

There are a number of new plot developments in this series - Meadow goes to Columbia University; the FBI (in a supremely funny handful of episodes) attempt to bug the Sopranos; the Russian mafia grow in menacing importance; Janice takes up with a Christian musician; Anthony Jr. becomes increasingly unmanagable at school and at play, but proves an unexpectedly skilful footballer; Ralph (Joe Pantoliano) replaces Richie Aprile as the major made-guy thorn in Tony's side; Carmela feels increasingly guilty about her mob-financed luxury; Tony begins an affair with a beautiful, smart, successful car saleswoman (Anabella Sciorra) who has even more mental problems than he. Most crucial for the series is the role of Jackie Aprile Jr., college-mitching son of Tony's former mob boss and best friend, who wants to see some of the criminal action, and starts dating Meadow as a spectacularly misjudged entree. The major weakness of the second series - the tokenistic continuation of the Dr. Melfi framing scenes long after they've outrun their dramtic usefulness - is corrected by both bringing the psychotherapist (dangerously) closer to Tony's life, and by having Carmela join in the sessions, to comic effect.

There is a brooding, elegiac feel to the series, with Tony thinking not just about his mother, but his dead friends, Pussy's actions in the last series, and the future possibilities open to the younger generation. If nothing else, Series 3 boasts the best-ever episode of 'The Sopranos', directed by one Steve Buscemi, which begins farcically, with Paulie and Christopher accidentally killing an irate Russian, and bungling the disposal of his body in a snow-wasted forest; before turning into a nightmare, as they lose their bearings after the corpse runs off, and they are stranded in the middle of nowhere. Loosened from the secure ties and identity-affirmation of family and Family, the episode brilliantly encapsulates what's at stake in the series, as unforgettably as the immortal 'Seinfeld' episode when the quartet can't find their car in the shopping mall car park.

28 of 28 people found the following review helpful:

5.0 out of 5 stars BADA BING...BADA BOOM..., January 1, 2004

By	Lawyeraau (Balmoral Castle) - See all my reviews (TOP 50 REVIEWER)    (COMMUNITY FORUM 04)

If you are looking at this review, you probably already have the first and second season. All I can tell you is that the third season is as good, if not better, than the first and second. This is truly one of the best series ever to have graced the television screen. Leave it to HBO to have come up with such an engaging, well-written, well-acted, and totally addictive series.

There are some major plot developments this season. Starting off slowly, the first episode chronicles the synchronized, often comical efforts of the FBI, which is trying to get an electronic surveillance bug in place in the Soprano's household. The season then heats up considerably from thereon.

Livia Soprano, Tony's wicked mother and a canker in her children's lives, dies, bringing daughter Janice back from where she had fled, after she had bumped off her manic boyfriend, Richie Aprile, last season. Janice returns with a narcoleptic, musician boyfriend who is the antithesis of Richie. As always, Janice likes to stir up trouble, and her mother Livia's wake and funeral services are fertile country for her new machinations and self-importance. When she tries to stir up trouble with Livia's one legged, Russian caregiver, which leaves the caregiver searching for her missing prosthetic leg, however, Janice soon discovers that she has gone too far, and her chickens come home to roost with a vengeance.

Meadow, the Soprano's daughter and eldest child, a college student at Ivy League Columbia University, gets a new boyfriend, Noah Tannenbaum. He is handsome, intelligent, and articulate, and Tony hates him on the spot for reasons the viewer will quickly discern, as Tony pulls no punches with Noah. This will create a certain amount of tension between father and daughter, and an estrangement ensues. When Noah breaks her heart, Jackie Aprile, Jr. is waiting in the wings with her parent's blessing, and Meadow goes from the frying pan into the fire.

Anthony Soprano, Jr., the Sopranos' other angst ridden teenager and youngest child, who has turned out to be an unexpected gridiron wonder, is also sowing his wild oats, getting himself in deep trouble at school, much to his parents' anger and dismay. When Anthony, Jr. continues in this vein, there is a big surprise in store for him, causing him to undergo a major life change. He is not, however, the only Soprano family member to do so.

Tony finds himself head over heels with Gloria, another of Dr. Melfi's patients. A Mercedes car salesperson, Gloria, the new light of Tony's life, is gorgeous, passionate, and a totally loose cannon. She will cause quite a bit of conflict for Tony as their affair heats up, as Gloria likes to fight fire with fire. Gloria has to watch out that she, herself, does not get burned.

Carmela, Tony's long suffering and patient wife, being only human, finds her thoughts increasingly absorbed by Tony's henchman, Furio, the sexy, pony tailed Italian. The problem is that Furio, too, is experiencing deep feelings for Tony's wife, a situation that can only become increasingly dangerous for all concerned. How Furio and Carmela handle their feelings and resolve this potentially dangerous development is of great interest.

Dr. Melfi herself undergoes great personal angst this season, following her violent rape at the hands of a stranger. A very conflicted Dr. Melfi finds herself on the edge of taking a path from which there can be no return. This season also finds Dr. Melfi doing husband/wife tag team counseling with both Tony and Carmela, a venture that provides some comic relief and gives rise to potential conflict of interest.

Meanwhile, Jackie Aprile, Jr., Tony's godson and Meadow's new main squeeze, the deceptively soft spoken and good looking son of the late mob boss, Jackie Aprile, Tony's best friend, is up to no good. Lying through his teeth about everything to everyone, he is misguided by his seriously unstable step-father, mob made man Ralph Cifaretto, who is busy plying both sides of the coin. It seems that Ralph, dissatisfied with the role to which he has been relegated within the family, is doing Tony dirty, going against his wishes at every turn, and the situation with Jackie, Jr. is no exception, a situation that will culminate in heartbreak for all concerned.

Back at the ranch, Tony's other henchmen seem to have their own troubles. Corrado "Uncle Junior" Soprano, the nominal boss of the family, who is kept in check by his nephew Tony, is busy battling cancer and a federal prosecution. Young Christopher Moltisanti, Tony's nephew, gets his long desired promotion, and is told to report to Paulie "Walnuts" Gaultieri. Christopher soon finds out that with Paulie "Walnuts" business is business. Meanwhile, Christopher gets involved in a sideline that bodes ill for him and his fiancee.

When Tony sends a resentful Paulie "Walnuts", accompanied by Christopher, on a mission that should have been that of another, Christopher sees an unexpected side of Paulie. When the mission, involving a member of the Russian mob, goes bad at the hands of an angry Paulie, Christopher discovers that Paulie may not be as stand up a guy as Christopher thought. While this is a terrific episode, very funny in a macabre sort of way, it also cleverly sets up Paulie in a new light for future developments. This particular episode, one of my favorites, is a feather in the cap of actor Stephen Buscemi, who directed it.

These are just some of the highlights of the third season. There is so much more! The writing continues to be intelligent, and the story lines are as well thought out and engrossing as ever. The performances are uniformly stellar. The late, great actress, Nancy Marchand, whose portrayal of the venomous Livia Soprano was a feather in her cap, left a legacy of memories, having died after creating such a memorable character. She will sorely be missed. This third season's attempt to bridge her death and use existing footage and computer effects to create a dialogue between Livia and Tony, however, was misguided, as its effect is a tad ghoulish, as well as disturbing. Nonetheless, I absolutely love this series!

19 of 19 people found the following review helpful:

5.0 out of 5 stars The Tone Gets Darker, September 29, 2002

By	Patrick Devenny (New Jersey) - See all my reviews

The Sopranos Third Season is a very interesting installment in this magnificent television series. While it's not the best season quality wise, it probably is the most fascinating and disturbing season.

Tony is faced with a multitude of problems, some more dangerous and complex than the ones he faced in the past. First, the actual family. AJ becomes a good high school football player, but he is out of control discipline wise. Carmela begins to see Dr. Melphi with Tony, then seeks out mental help on her own. She begins to struggle with the fact that their wealth relies on the crimes of Tony, something the moral mob wife has an extremely hard time dealing with. Meadow goes to college, where she begins to date a boy of mixed race, which enrages Tony. She also begins to take drugs, and then becomes involved in a relationship with Jackie Aprile Jr.

Jackie Jr. is Tony's biggest problem this season. The son of the late Jackie Aprile, former boss of the family, and Tony's closest friend. Jackie Jr. blames Tony for the death of his uncle, Ritchie. He disrespects Tony constantly. The young Jackie then drops out of college and begins to get involved in organized crime, something Tony is deadset against. Jackie is a fool, and his escapades soon bring a lot of trouble into Tony's life. He also falls under sway of Ralphie, a new captain in the organization.

Ralphie is probably the best character introduced this season. He is a brilliant criminal who is also a borderline masogonist psychopath. The most controversial scene this season has him beating a pregnant stripper to death with his own hands. Ralphie is fiendishly clever, using Jackie Jr. to further his own goals. His resentment towards Tony and his quick rise to the top is a dark sign for the fourth season.

Other challenges include Johnny Saks, an underboss in one of the all powerful New York families. He just happens to move to North Jersey, for the schools. It's obvious he will be one of Tony's major opponents soon in the future. Even more disturbing is his courting of Paulie Walnuts, one of Tony's closest captains, who shows signs of hatred and disrespect towards Tony.

Other plot points include Tony secretly grieving over the death of Big Pussy, Dr. Melphi's brutal rape, the FBI's attempts to bug Tony's house, Tony's mentally deranged new mistress, Uncle Junior's fight with cancer, and the death of Tony's mother, Livia.

The season also has some great humor in it. Janice becomes a Christian singer, with a boyfriend who suffers from narcilepsy. The best episode of the season, and possibly of the shows history is one centering around Chris' and Paulie's search for a Russian mobster in the Jersey pinelands. Very funny stuff.

The Third Season does not end on a high note for Tony, as the first two did. It ends with some disturbing foreshadowing and a foreboding sense of approaching finality. The balance that Tony has between his personal life and his mafia business is cracking, and the problems in his organization are becoming serious. It's becoming clear that powerful forces are beginning to move against Tony's empire. The fourth season should be very interesting.