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10 of 11 people found the following review helpful:
4.0 out of 5 stars
Different, drum led, progressive house; love it or hate it, September 13, 2002
This is one of those records that comes along and, love it or hate it, you can't ignore it. "Lights out" is sort of the Lotus `Gullwing' sportscar of DJ mixes this year; it cant be ignored but produces strong opinions both ways. Lawler is a well known and highly regarded producer, and certainly Lawler's mix and sound is unique, his track selections compelling, yet quirky, and based on other reviews, many of us don't get it. But this is certainly the most unusual selection to come out this year and it belongs in your collection if you have a little time to focus and appreciate the deeper things; here is why. First of all, what it is? As the elaborate packaging and word copy makes clear, this are the cuts that Lawler plays when he `turns out the lights', meaning presumably, when things get very intense, dark and sexy. So its a very personal mix, not a pick of the hot club favs, and Lawler reaches deep into his collection, this tracks are often obscure. Its progressive house, perhaps, but very tribal too, meaning its deep, somewhat dark, stripped down, intense and sexy--with dashes of trash/glam techno pop. In case you haven't hear, Lawler is all about drums and percussion (see his "Dark Drums" series), and Lawler has a unique sound that is focused on plenty of mid high range sound in the mix, that emphasis the whoosh, grind, and tick of the percussive elements, and a deep boom that creates a sharp in your face sound that hooks you in. There is not alot of keyboard or fill in or sound effects, although there is a judicious use of vocals to leaven the mix a bit. At first blush it may seem bland or thin, particularly if you are "waiting" for a keyboard break or some melodic element--or worse, some peak anthemic moment--it won't come. But if you give into the tick, whump and pulse of Lawler's drum groove you won't regret it. Another mistake is to play this too low, its requires volume to appreciate the unique sound of Lawler, it demands your attention and won't work in the background (its the Lotus sportscar, after all.....). But this is no dilettante art mix, this is about sex and fun, and he throws in the infamous "Orgasm" record which has so many moans and groans it will embarrass you at a stop light if you are not careful. There is also on CD 2 the cross over 80 synth pop sound of "Phostograph" complete with new way sounding German female vocals, this is followed by two more techno pop type tracks that Lawler has mixed it to fit somewhat. This section of CD that surprises you with essentially a bit of trashy, attudinal gay club music, is likely to lose about 40% of listeners who will immediately say "what the [heck] is this?" and hit the skip button. Luckily three pulsing tribal tracks follow that redeems the middle section. Its a bold move, reflecting Lawler's personal taste and integrity and not what a broad band of listeners expect. I'm not sure it works, I struggle with "Phostograph" and what follows even now, but still, this is perhaps the flaw that you find even in the largest and most valuable diamonds. Buy it and get into it, people.
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