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A welcomed reunion of
Kiss the Girls costars Ashley Judd and Morgan Freeman makes
High Crimes a worthwhile thriller with vivid, likable characters. Efficiently directed by Carl Franklin, this military mystery doesn't have the unpredictable edginess of Franklin's
Devil in a Blue Dress, but its twisting plot is sure to hold anyone's attention. Judd plays a successful, happily married lawyer whose husband (Jim Caviezel) is accused of killing innocent citizens during his military service in El Salvador some 13 years earlier. A cover-up implicates a powerful Brigadier General (Bruce Davison), but when Judd hires a maverick attorney (Freeman), Judd is caught in a potentially lethal trap of threats and deception. Attentive viewers will stay ahead of the action, and alleged villains are posed as obvious decoys. Still, Judd and Freeman have an appealing rapport (shared with Amanda Peet, playing Judd's vivacious sister), and Freeman's character flaws add worldly spice to yet another rich performance.
--Jeff Shannon
From The New Yorker
The talented director Carl Franklin runs amok with paranoid-thriller plot clichés that don't hang together. The furniture-making husband (Jim Caviezel) of a tough, young San Francisco attorney (Ashley Judd) is arrested by the military and accused of massacring civilians in El Salvador years earlier. Judd defends her husband against a government juggernaut with the help of an alcoholic military lawyer (Morgan Freeman) who slips on and off the wagon. That old Ashley-Morgan magic, effective in past movies, feels flat this time. None of the key relationships in the movie are plausible (the picture has been generally miscast), the innumerable scenes of the defense team being menaced and beaten up don't make much sense, and the essential turning points, including a big reversal at the end, are poorly dramatized. From a novel by Joseph Finder. -David Denby
Copyright © 2006
The New Yorker