Product Details

• Actors: Ted Koppel, Philip Glass
• Directors: Godfrey Reggio
• Writers: Ron Fricke, Godfrey Reggio, Alton Walpole, Michael Hoenig
• Producers: Godfrey Reggio, Alton Walpole, Francis Ford Coppola, Lawrence Taub, Mel Lawrence
• Format: Anamorphic, Closed-captioned, Color, Dolby, DTS Surround Sound, DVD, Widescreen, NTSC
• Language: English (Dolby Digital 5.1)
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.85:1
• Number of discs: 1
• Rating: Unrated
• Studio: MGM (Video & DVD)
• DVD Release Date: September 17, 2002
• Run Time: 86 minutes
• Average Customer Review: 4.7 out of 5 stars See all reviews (182 customer reviews)
• ASIN: B000068OCS
• Amazon.com Sales Rank: #5,170 in Movies & TV (See Bestsellers in Movies & TV)

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Editorial Reviews

Amazon.com
First-time filmmaker Godfrey Reggio's experimental documentary from 1983--shot mostly in the desert Southwest and New York City on a tiny budget with no script, then attracting the support of Francis Ford Coppola and George Lucas and enlisting the indispensable musical contribution of Philip Glass--delighted college students on the midnight circuit and fans of minimalism for many years. Meanwhile, its techniques, merging cinematographer Ron Fricke's time-lapse shots (alternately peripatetic and hyperspeed) with Glass's reiterative music (from the meditative to the orgiastic)--as well as its ecology-minded imagery--crept into the consciousness of popular culture. The influence of Koyaanisqatsi, or "life out of balance," has by now become unmistakable in television advertisements, music videos, and, of course, in similar movies such as Fricke's own Chronos and Craig McCourry's Apogee. Reggio shot a sequel, Powaqqatsi (1988), and is planning to complete the trilogy with Naqoyqatsi. Koyaanisqatsi provides the uninitiated the chance to see where it all started--along with an intense audiovisual rush. --Robert Burns Neveldine

Product Description
Prepare to experience a truly remarkable filma cinematic masterpiece so extraordinary that it regales the senses, stimulates the mind and actually 'redefines the potential of filmmaking (The Hollywood Reporter). Celebrated director Godfrey Reggio, innovative cinematographer Ron Fricke and Golden Globe-winning* composer Philip Glass have created a 'spellbinding [film] so rich in beauty and detail that with each viewing it becomes a new and different film (Leonard Maltin). Unique profound mesmerizing and thought-provoking (Boxoffice), Koyaanisqatsi contrasts the tranquil beauty of nature with the frenzied hum of contemporary urban society. Uniting breathtaking imagery with a hauntingly evocative, award-winning score, it is original and fascinating (People) one of the greatest films of all time (Uncut). *1998: Score (with Burkhard Dallwitz), The Truman Show

Customer Reviews

Most Helpful Customer Reviews

185 of 200 people found the following review helpful:

5.0 out of 5 stars Aspect Ratio Correct (with some background info), September 29, 2002

By	Joe Beirne "Joe B." (New York, NY United States) - See all my reviews (REAL NAME)

The issue with the aspect ratio of the MGM DVDs of KOYAANISQATSI and POWAQQATSI has come up here and on the Amazon website, among other places. As a producer and technical advisor on the third Qatsi film, while I was not directly involved in the process of manufacturing these DVDs, I was well aware of the decision-making behind that process. I can say definitively that the 1:1.85 aspect ratio (letter-boxed) on the MGM DVDs accurately reflects the author's intentions and reproduces the original theatrical aspect ratio of the projected films.

KOYAANISQATSI and POWAQQATSI were both principally photographed in the 1980s, when widescreen television was a vague idea somewhere off in the future and a large picture tube was 27" across. While conceived as theatrical features, both films were shot with consideration of possible television broadcast, which at that time was almost exclusively full-frame 1:1.33 (4x3). The alternative to "protecting" for 4x3 by composing the image to work well in full frame would have been to "pan and scan" the widescreen image when transferred to videotape for home video release and TV broadcast.

I am sure that anyone who has seen KOYAANISQATSI and POWAQQATSI would agree the pan and scan approach would have yielded a ludicrous result for these films: for this reason when the films have been broadcast they are presented in the full "academy" aperture of 4x3, showing _more_of the original film frame than was shown in the theater. And when video transfers of the films were made prior to the MGM DVD they were also made 1:1.33. This reflected the conventional practice at the time, when very few films were transferred to video wide-screen.

However in the past few years there has been a markedly increased interest in wide-screen home video and the the technical means to display wide-screen video adequately in the home has become commonplace, arising chiefly from the popularity of larger displays. Reflecting this new environment the decision was taken now to release the films on DVD in their original 1:1.85 aspect ratio. I repeat that this image is exactly as originally intended by the director, Godfrey Reggio and the cinematographers.

I don't mean to imply that the 4x3 image in earlier transfers is somehow "invalid". I think this way of watching the films is very interesting.
It is a mark of how carefully crafted were these films that both ratios work very well. However, in no sense is the viewer of the MGM DVDs "losing" something by watching the films as they are shown as a motion picture, at 1.85, anymore than the audience was "missing something" watching the premier of KOYAANISQATSI at Radio City Music Hall in 1983.

Joe Beirne
Producer, NAQOYQATSI

21 of 23 people found the following review helpful:

5.0 out of 5 stars No Film Comes Close, September 29, 2004

By	Graham C. White (Longmont, CO United States) - See all my reviews (REAL NAME)

Everyone obviously has taste and opinion, but simply put, this is my favorite movie of all time (altho, as at least one other reviewer mentioned, not as powerful as the big screen). There is no film like it, except perhaps the Imax film Chronos (which is basically the eye candy with no substance) and possibly the sequel. But those are only similarities in style of filmmaking, not in quality.

But I will say, while it's my favorite movie, I can only stand to watch it about every 5 years, because for about 3-4 days after watching Koyaanisqatsi, I can barely deal with this society. It just makes me want to cry to drive on city streets.

So if you're already trying to come to grips with reality, this movie probably would be counter-productive. But for everybody who thinks everything about modern western civilization truly is "progress", I couldn't recommend this film enough.

What it will be for those people, is a priceless perspective adjustment. It won't make you permanently pessimistic or anything, it will just give you a new perspective.

26 of 32 people found the following review helpful:

5.0 out of 5 stars Were we HAD ? NO: The IRE Speaks !, September 30, 2002

By	Roy Kristiansen (Seattle, WA United States) - See all my reviews (REAL NAME)

I love pushing peoples buttons, but I very much *dislike* spreading misinformation. Since my post of September 16, questioning the 1.85:1 aspect ratio of the new MGM DVD release of Koyaanisqatsi, a few people have written in to either contradict me or uphold me. Over the weekend, I sent an e-mail to the Institute for Regional Education in Santa Fe, requesting a first-hand clarification of the matter. I received a reply bright and early this morning (Sept. 30), e-signed by Joe Beirne, Producer, Naqoyqatsi. His reply won't award the blue ribbon in this debate to any one person, but each of us will receive a piece of it to take home. I summarize:

1) Koyaanisqatsi was always intended by director Godfrey Reggio, and the cinematographers, to be shown theatrically in 1.85:1 widescreen. This was the way it was shown at its premiere in 1983 at Radio City Music Hall, New York City.

2) The decision to create a 1.33:1 Academy aperture (4:3) version was made at the time of the *first telecast* on the grounds that a pan-and-scan approach would yield ludicrous results to the film on typical home sets of the time. Fortunately, the way Koyaanisqatsi was shot, they were able to "open up" the picture to full-television-screen size 4:3 (1.33:1), and every subsequent home video version was brought out employing that particular ratio.

3) With the improvements made in television sets in recent years, chiefly the rise in popularity of widescreen sets and the ability to display widescreen films adequately in the home, the decision was made this time around to take advantage of the new technology and bring out Koyaanisqatsi (and Powaqqatsi) in the aspect ratio in which they were meant to be viewed theatrically in the first place.

4) Which is the "correct" version? On that matter I will let Mr. Beirne himself speak:

"I don't mean to imply that the 4x3 image in earlier transfers is somehow 'invalid'. I think this way of watching the films is very interesting. It is a mark of how carefully crafted were these films that both ratios work very well. However, in no sense is the viewer of the MGM DVDs 'losing' something by watching the films as they are shown as a motion picture, at 1.85, anymore than the audience was 'missing something' watching the premier of KOYAANISQATSI at Radio City Music Hall in 1983."

I *hope* that settles this debate? BOTH home video versions of Koyaanisqatsi have the blessing the IRE as being equally valid. One last word from Mr. Beirne:

"PS The Private issue DVD is no longer available, sorry."

(My own PS and "last word" - I still prefer Koyaanisqatsi in 4:3)