Turn on the Bright Lights

Interpol

Product Details

• Audio CD (October 8, 2002)
• Original Release Date: August 20, 2002
• Number of Discs: 1
• Label: Matador Records
• ASIN: B00006BTCA
• Also Available in: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.1 out of 5 stars  See all reviews (492 customer reviews)
• Amazon.com Sales Rank: #13,531 in Music (See Bestsellers in Music)

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Track Listings

1. Obstacle 1

2. NYC

3. PDA

4. Say Hello to the Angels

5. Hands Away

6. Obstacle 2

7. Stella Was a Diver and She Was Always Down

8. Roland

9. New

10. Leif Erikson

Editorial Reviews

Amazon.com

Interpol create literate, atmospheric, moody, trashy post-punk music that recalls '80s faves the Psychedelic Furs. And this is definitely a good thing. While most young bands are content to rhyme "make it" with "fake it," Interpol pens melodramatic tales of tortured and tortuous urban relationships that are truly refreshing. Like their peers the Strokes, they're bright, sophisticated, and meticulous enough to build stirring soundscapes. Turn On the Bright Lights is a must for anyone who missed Echo & the Bunnymen, the Furs, and Joy Division the first time around. --Dominic Wills

Product Description

Australian version of the absolutely stunning full-length debut from New York's Interpol. Think Joy Division meets Psychedelic Furs, Echo & the Bunnymen and the Smiths. Includes the bonus track, 'Specialist'. Matador. 2002.

Customer Reviews

Most Helpful Customer Reviews

45 of 51 people found the following review helpful:

5.0 out of 5 stars NYC by way of Manchester, England - Great Record Indeed!, September 12, 2002

By	Cary S. Whitt "Tune Junkie" (Columbus,Ohio USA) - See all my reviews (REAL NAME)

Interpol has thrown in a fantastic debut this year, really catching this listner off-guard. I had already pegged The Doves or David Holmes as my favorites of the year, but then along comes this wonderful thing.

Like the Strokes did last year, Interpol has dug up some much needed gritty influence of the past. Where the Strokes was a lighter pop affair, Interpol has gone right into the alleys and seedy clubs of both Manchester England and NYC. The record takes on a lot from Joy Division, Talking Heads and even Television. But it's the spooky quality of Joy Division that's adds some drama and beauty to the dark landscape within. Interpol draws from the past but keeps things sounding new and fresh. Songs like Untitled and NYC are as impressive as any I've heard this year. Like the Manchester music of the late 70's and early 80's, Interpol trys in vein to break out of their grime-laden roots. The result is an honest and soulful exchange delivered with art-ful passion. Matador have once again expanded their library and stumbled upon some truely great rock-n-roll. Turn on your ears to this great disc!

14 of 14 people found the following review helpful:

4.0 out of 5 stars Engulfing, March 3, 2004

By	"mememoe" (Pittsburgh, PA USA) - See all my reviews

After owning this album for about half a year, I have characterized it as being dark and dreary with a soothing undertone. I know that sounds weird, but let me explain. Lead singer Paul Bank's voice is deep and dark. It sounds like what I think of when picturing a rainy day in New York City. Even though I have never been to New York City. However, the background sounds create an amazing haze that brings you to another world. The vocal/guitar combinations are intertwined to synthesize something very fulfilling. Yeah I know they are criticized for sounding too much like Joy Division, whatever. Everything comes from somewhere. I think that Interpol has done something unique with their album, Turn on the Bright Lights.

If you're looking for happiness within this album, go somewhere else. If you're looking for thoughts, this album might help you spark some. I first loved this album for the guitar chords. It definitely grew on me with each listen, and I didn't really like it right away. Just give it a chance

34 of 40 people found the following review helpful:

4.0 out of 5 stars Arrested development (pun-?-intended...), January 12, 2003

By	Takis Tz. (Germany) - See all my reviews (TOP 1000 REVIEWER)

If you rely on the reviews to decide whether or not to give Interpol a chance you'll wind up thinking that this might be yet another copycat effort in an otherwise dry and uninspired current rock scene.
So is this true then? Do Interpol sound like the Psychedelic Furs or the Joy Division or the Smiths, etc. etc. etc? Hmm, well, in all honesty, when i first heard the album i thought i heard tens of hints and references to several legendary bands of the 80s. Nevertheless, i couldn't come up with a direct comparison. Yes, Interpol combine many elements from the aforementioned bands while at the same time standing their ground with more than enough decency (that IS possible, you know)..
But, it would be unfair to compare these New Yorkers with the Strokes (the Strokes?? please..) or any of these "new" post 80s-postpunk-post whatever-post me a postcard bands. Why? Well, cuzz Interpol are simply better than that lot and because they emit a lot more pathos and involvement in their music. Sound good enough so far?
At their most capturing Interpol are best at their darkest. And dark they are mostly throughout as they narrate everyday stories which are paradoxically rare for the everyman.
Obviously they aren't rediscovering the moon but lets be fair here. There's a reason why the rock scene is stagnant these days and that reason is that it has become damn hard to sound original any more, if not impossible. On that term, this album is one of truly wonderful quality. And, lets face it, what are your choices if you wanna hear straight-out emotional, angsty and intriguing guitars? Limp Bizkit? I didn't think so either...