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| 1. Opening "Bobby Jordan" |
| 2. Intro "Dave Baxley" |
| 3. Hallway "David Houston" |
| 4. Romeo "Dave Baxley" |
| 5. Juliet "Dave Baxley" |
| 6. Fat Legs "David Houston" |
| 7. Romeo's Dream "David Houston" |
| 8. Two Kids in Black "David Houston" |
| 9. The Last Time I Felt Like This "Bobby Jordan" |
| 10. Tic Toc "David Houston" |
| 11. Bo & Patti Opening "Dave Baxley" |
| 12. Carbon "David Houston" |
| 13. Bo & Patti "Dave Baxley" |
| 14. Bo & Patti Ending "Dave Baxley" |
| 15. Black Eyes "David Houston" |
| 16. Good King "Dave Baxley" |
| 17. Two Girls on a Hill "David Houston" |
| 18. End Montage "Dave Baxley" |
| 19. End Credits "Dave Baxley" |
After PUBLIC NUISANCES hope for a label deal eventually faded and Houston returned to Sacramento where he continued to play, occasionally visiting LA to record. Such ventures, however, were costly and Houston hit upon the idea to record at home. Using an eight-track machine, Houston built a makeshift recording studio in his mother's back yard where he recorded not just his music, but helped finance the cost of the equipment by working with other bands. In due time, the enterprise moved out of the yard, evolving into Moon Studios where Houston went on to work with such names as Club Noveau, earning a platinum record for his engineering work on Club Noveau's smash hit "Lean on Me", and Tony, Toni, Tone.
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