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9 of 9 people found the following review helpful:
4.0 out of 5 stars
Must be seen to be believed., January 27, 2003
Now here's a movie I'm surprised I hadn't heard about sooner. An early work (released 1980) directed by Dutch madman Paul Verhoeven, it begins like a standard teen exploitation flick -- the story of three working-class boys obsessed with motocross racing. They go to discos, they race their bikes, they have sex with their adoring girlfriends (there are, refreshingly, as many nude penises in evidence as there are nude breasts, by the way), they hang out in the garage and try to be macho. Enter Fientje, a gorgeous, calculating, unabashedly sexual gal who's sick of her life as a wandering french-fry-monger. She tries to attach herself to each of the three friends in turn, in the hopes they'll lift her out of poverty.You think you know where the plot is headed, right? These three lads will be undone by the gold-digging spider woman. But trust me, you have no idea what you're in for, as Verhoeven and his screenwriter almost gleefully put each character through unimaginable amounts of emotional and physical hell. Some of these tortures are so sudden, so melodramatic, and handled so very strangely that there's just no choice but to laugh out loud. Clearly, Verhoeven et al were chomping at the bit to tackle taboo social issues of the day (teen sexuality, homosexuality, police corruption, the plight of the disabled), and tackle they do, but with little regard for subtlety or, in some cases, logic. Case in point: a sequence in which a lad is gang raped by five men... leading him to realize he himself is gay! Later, one of the rapists becomes a kind of mentor to him. Riiiiight. Still, it's the filmmakers' willingness to charge headlong in unexpected directions that makes this movie utterly addictive. It shouldn't work, but you can't keep your eyes off it. I could watch it a million times and never get bored. Technical points: the photography is cleaner, crisper and more monochromatic than one would expect from the era -- in this way it's way ahead of its time. The soundtrack dates the film, though, in occasionally hilarious fashion -- the classic '70s pop tunes are cool, the ambient score of cheesy synth music is not. The acting's rather impressive throughout, particularly the older actors portraying the main characters' fathers. The DVD also features a dense commentary by Verhoeven that's worth hearing mainly for the way the director puts the film in historical context. Some -- though not all -- of the films weirder sociological ideas make a bit more sense after hearing what he has to say. Bottom line: cult film fans will love this thing. NOT a date movie.
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