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45 of 49 people found the following review helpful:
5.0 out of 5 stars
Well-chosen disc of Linda's biggest and best, November 4, 2003
Just about every major hit Linda Ronstadt has recorded is included on this excellent one-disc collection. The biggest hit missing is 1980's #10 hit "How Do I Make You" (aggravatingly, available on the British version of this disc). Many of the smashes here were already well-known in their original form, such as the Motown classics "Heat Wave," "Tracks of My Tears," "Ooh Baby Baby," and '50's rock standards "That'll Be the Day," "When Will I Be Loved," and "Back In The U.S.A." In addition to these huge chart successes are some excellent lesser hits and album tracks. "Love Is A Rose" and "Just One Look" did not do as well on the charts as, for example, "Get Closer" or her version of "Tumbling Dice," but they are clearly the superior records. Ronstadt has been both praised and vilified for her many remakes (pretty much all her Top Tens). On one hand she was the first to bring songwriters like Warren Zevon, Karla Bonoff, Kate and Anna McGarrigle to the record-buying masses. On the other hand, some of her remakes are thought to lack emotional depth. Dave Marsh, in the good version of the Rolling Stone Record Guide, called Ronstadt a "horrid interpreter of...rock and soul material, frequently missing the essence...and never cutting below the surface." Scathing, and possibly accurate regarding "Tumbling Dice" (probably why it's not included here) and "Back In The U.S.A." I would side with Linda, however, on the hypnotically-beautiful "Ooh Baby Baby" and the uptempo hits "When Will I Be Loved," "That'll Be The Day," and the #1 "You're No Good." Of course, the duets with Aaron Neville are stunning--welcome comebacks for both singers--and I have always liked both "Somewhere Out There" and James Ingram. Although the song, an omnipresent #2 pop radio staple in 1986, made most people I know very, very ill. I hope that Warner/Elektra/Asylum(?) issues a "Best of Volume 2," as they did with Rod Stewart (here, anyway). I'd still like to see a compilation of the remaining hits, even "Tumbling Dice," on disc, as well as the Nelson Riddle I-am-too-mature-for-rock-and-so-what-if-I-gained-a-few-pounds era songs "What's New" and "I've Got A Crush On You," and the gorgeous "Heartbeats Accelerating" from "Winter Light." In addition to "Get Closer," other fine singles from Ronstadt wanting to be anthologized include "I Knew You When," "Someone To Lay Down Beside Me," "Easy For You To Say," "It Doesn't Matter Anymore," "Alison" (yep, the Elvis Costello song, from "Back in the U.S.A."), "Silver Threads and Golden Needles," and "I Can't Let Go." O.K., one more: the non-single duet with James Taylor, "I Think It's Gonna Work Out Fine" from "Get Closer." Regardless, this is the best collection ever likely to be assembled on one CD. Even a fussy completist like me recommends it highly. Fans may note that the British version of this album omits "Love Is a Rose" and "Adios," the latter of which features background vocals by Brian Wilson, in favor of "How Do I Make You," "Love Has No Pride," "Desperado" (the Eagles' album-rock favorite), and "After the Gold Rush," a truet with Emmylou Harris and Valerie Carter. I'm pretty sure I made up that word; remember I invented it first. Lucky Brits.
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