I, Assassin [ORIGINAL RECORDING REISSUED] [ORIGINAL RECORDING REMASTERED]

Gary Numan

Product Details

• Audio CD (December 10, 2002)
• Original Release Date: December 10, 2002
• Number of Discs: 1
• Format: Original recording reissued, Original recording remastered
• Label: Beggars UK - Ada
• ASIN: B00006J677
• In-Print Editions: MP3 Download
• Average Customer Review: 4.7 out of 5 stars  See all reviews (7 customer reviews)
• Amazon.com Sales Rank: #63,158 in Music (See Bestsellers in Music)

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Editorial Reviews

From URB Magazine

Even the most casual of music heads are aware of England’s Gary Numan, the ‘80s electronic music phenomenon who recorded "Cars," a New Wave classic that lives on eternally.

But there’s much more to Numan than "Cars" or the album that it sprung from, 1979’s The Pleasure Principle. Still, even Numan fans have a tendency to fixate on his early recordings, which help lay the foundation for an entire new generation of electronically oriented artists. What’s not as exhaustively obsessed over are the more experimental releases he produced post-The Pleasure Principle, like the vastly underrated Dance (featuring the fretless bass gymnastics of Japan’s Mick Karn) and that album’s follow-up, I, Assassin.

I, Assassin also utilizes the warped elasticity of fretless bass lines underneath his customary monotone vocalizing and abstract lyricism. Highlighted by the upbeat synthetic funk of "We Take Mystery to Bed" and "White Boys and Heroes," I, Assassin is an in-depth examination of genuine dance music roots.

Timothy Brown

Product Description

Originally released in 1982 I, Assassin combines Numan's pioneering electronica with jazzy fretless bass and solid rock drumming. Its groove-oriented songs offer a complexity and maturity that have a contemporary edge. This Remastered edition includes the three singles, 'White Boys And Hero's', 'Music For Chameleons' and 'We Take Mystery' along with seven bonus tracks 'War Games', 'Glitter And Ash', 'The Image Is', 'This House IS Cold', 'Noise Noise', 'We Take Mystery' (early version) & 'Bridge? What Bridge?' Also contains original artwork and expanded booklet, and extensive sleeve notes and lyrics. Beggars Banquet. 2002.

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars "This House is Yours Like Friends of Mine", December 22, 2003

By	mwreview "mwreview" (Northern California, USA) - See all my reviews (TOP 500 REVIEWER)

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Any fan of Gary Numan already knows how excellent I, Assassin is. However, for those fans who do not have the ultra rare "This House is Cold" and wonder if it is worth purchasing this remastered copy, let me assure you IT IS! This track is excellent. It is not an instrumental or filler track but a synth-driven rocker that stands well on its owns and also complements the sound of I, Assassin (it also would have fit well on Dance soundwise). The CD booklet also includes comments from Numan, himself, on this track and "Bridge? What Bridge?" along with a six-page article, photos of all the 12" single covers, and lyrics to all the tracks (even the B-sides). I recommend all the Beggars Banquet remasters, especially the last three (Dance-Warriors) as they each offer an excellent "lost" track, like "This House is Cold."

11 of 12 people found the following review helpful:

5.0 out of 5 stars "Like a see-through song in disguise", June 1, 2003

By	mwreview "mwreview" (Northern California, USA) - See all my reviews (TOP 500 REVIEWER)

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Next to Dance, I, Assassin is perhaps Gary Numan's most interesting album. It also seems to be one of the least remembered. It did not receive the praise of his earlier and more recent releases and did not suffer the criticism of most of his mid-80s and early 90s albums. I, Assassin was the follow-up to the very subdued "Dance" album and, unlike the ironically titled predecessor, finally brought the Numan fans a real dance flavor. It is an experimental and often dark dance music rather than the Janet Jacksoneque sound that characterized Numan's The Fury through Machine and Soul era. Like Dance, it takes several listens to get into, but these harder-to-grasp albums are the ones to which I keep going back. Lyrically, the album has a Depression-era movie theme to it. Almost every track talks about picture heroes. "Music For Chameleons" and "We Take Mystery to Bed" are the most well-known tracks on this album, but my favorites are "White Boys and Heroes," "War Songs" (the most dance-oriented number next to "We Take Mystery"), and the title track. As for the B-sides, two of Numan's best are on this CD. "Noise, Noise" is awesome and definitely his best B-side (and one of his best songs). It was recently included in his live sets and I wouldn't be surprised if he continues to play it live because it is such a fan favorite. "The Image Is" is also excellent. It starts off very quiet and subdued and then kicks in with the saxophone. "Bridge? What Bridge?" is the only track I have to skip as it is just a lot of goofing around. To me, it is an unwelcome "bonus", but it was a B-side to "Music For Chameleons" (along with "Noise, Noise") and needs to be on here to be complete, I guess. Many fans find it a lot of fun. I recommend I, Assassin to any fan of Numan's recent industrial music. I think they will be drawn to the darkness of this album and intrigued by electronic and experimental nature of it.

6 of 6 people found the following review helpful:

4.0 out of 5 stars Numan learns to dance, January 16, 2003

By	Paul S. White (San Antonio, TX) - See all my reviews (REAL NAME)

I Assassin, long out of print and one of Gary Numan?s best records, has finally been re-released by Beggars Banquet. Numan was one of the original pioneers of both New Wave and Electronic music. He is an extremely talented artist who has unfortunately been relegated to little more than footnote status as a One-Hit wonder with 1979?s Cars (he had several more hits in England). He has actually been a very prolific recording artist over the years starting with his first record, Tubeway Army in 1978, all the way through his most recent effort, Pure from 2000. Numan?s musical styles have ranged from quasi-Punk to New Wave to Electronic to Dance to Alternative Rock to quasi-Industrial. He has often drawn on science fiction themes for his songs which tend to convey feelings of isolation, loneliness, and alienation from society. His 1979 recording, Replicas, was a collection of short stories centered around a theme similar to the Terminator movies. He has also drawn on Blade Runner as inspiration for several of his songs, even using samples from the movie on two songs from 1985?s The Fury.

I Assassin represented a move away from the trademark synthesizer-heavy sound that characterized such songs as ?Car? to a more bass-heavy, Electro-Dance sound. The synthesizer is still a prominent instrument on this record but it shares the stage with Pino Palladino?s fretless bass playing. This lends a warmer more human sound to the songs (despite the subject matter) in contrast to the colder, more machine-like feel of his prior records. The bass line is immediately evident in the opening track, ?White Boys and Heroes?. A similar sound and feel continues through most of the songs through the closing tune ?We Take Mystery to Bed?. The lyrics from this record rely very little on Numan?s characteristic science fiction elements, but the trademark feel of isolation and alienation permeates the music. An example from ?I, Assassin?: ?I?ve never felt good/I?ve never felt bad/I?ve never felt much at all?. All eight of the original tracks are strong and rank among the best of Numan?s output. This record marked the beginning Numan?s move toward the Electro-Dance sound that would characterize the rest of his recordings from the 80?s (oddly enough, the album released prior to this, titled Dance, was surprisingly sedate). Just as Numan had been a pioneer with New Wave and Electronic music, he was also one of the pioneers in this area, though he rarely receives credit for it. Aspects of the ?80?s Sound? from the mid to later 80?s that was characterized by such groups as Duran Duran, Depeche Mode, and Tears for Fears can be traced back to the work Numan was doing in the early 80?s.

The re-release also includes seven bonus tracks. There is nothing spectacular to be found from the additional tunes, but they do not detract from the overall record. The early (and much different) version of ?We Take Mystery to Bed? is interesting and ?Glitter and Ash? is a nice instrumental piece.