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25 of 28 people found the following review helpful:
5.0 out of 5 stars
One of my all-time favorite Tulls, January 7, 2003
I haven't yet bought the newly remastered CD with all the extra tracks, so this review will comment only on the content from the older CD and the original LP.This is one of my favorite Tull albums. I personally think that this is where they were really hitting their stride as a _great_ band. The personnel at this point: Jeffrey Hammond is doing his last turn on the bass, Barrie Barlow is on drums and percussion, and John Evan is handling the keyboards. (David Palmer is here, as always, doing orchestral arrangements, but he's not yet a full member of the band.) The content: searing electric rock and acoustic balladry, in a seamless mix that blends the influences of British folk music and modern rock into an organic whole. Turn it up and stand back. The major highlight here is, of course, "Baker Street Muse," one of Ian Anderson's most autobiographical pieces (and the title of which makes a punning reference to the Baker Street mews in which he lived at the time). By turns bawdy seamy, earnest, cynical, and self-parodying, this sprawling, multifaceted opus continues Anderson's deeply ambiguous exploration of the harsh realities of poverty, homelessness, and such, with no easy resolution anywhere in sight. There are also some delightfully gentle acoustic tunes alongside the serious rockers. Martin Barre shines, too, taking center stage as needed with his blistering electric-guitar work and also doing some subtle acoustic stuff when nobody is looking. This album is good enough, in short, that even though I already have it on CD, I plan to buy the remastered one _anyway_. 'Nuff said.
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