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Bet.e & Stef's singular take on Brazilian rhythms resulted in their striking 10-song debut CD, "Jazz/Bossa Nova" in 1998. Produced by Stef and Marc Dessaulles, it featured such bossa nova favourites as "So Danço Samba," and "One Note Samba."
Self-distributed and without even an issuing-label name, the CD has been an unparalleled success. Sales of jazz albums in Canada--for either international or domestic acts--rarely top 10,000 units. "Jazz/Bossa Nova," however, has soared to "gold" status (50,000 units), with sales primarily in Québec.
"That's never been done by an indie jazz band in Canada," says Bet.e "People just keep asking for it. They respond to the sincerity of it. There's a freshness and naiveté there. The songs are beautiful, and it sounds like two young cats just singing their hearts out."
From age 16, Stef played guitar in jazz and rock bands in Montréal. At 21, he traveled to Paris for four years to study vocal jazz, piano, and arranging. During his time there, he became attracted to the city's Latin music scene, and fell in love with the works of Brazil bossa nova's elder statesmen, Bahian singer/guitarist João Gilberto, pianist/arranger Antonio Carlos Jobim, Toquinho, and poet/lyricist/ diplomat Vinicius de Moraes.
Returning to Montréal "I needed to go back to my roots and see my friends"Stef then performed for two years with a band on the local club circuit.
Growing up in Trois-Rivières, Québec, in a musical family, Bet.e went to college in Montréal to study psychology, and then communications. She dabbled in theater, had a radio show on CIBL in Montréal, and studied modern dance for several years. When she decided to become a singer, Stef helped her by recording tapes of vocal exercises for her to do. He also introduced her to bossa nova.
"I fell in love with bossa nova," recalls Bet.e whose musical roots include '60s-style R&B. "I just immersed myself in the language, rhythm, and styles. I was bowled over by how beautiful this music was."
Bet.e & Stef's first engagement together happened when Bet.e's sister asked them to perform at her wedding. But it would be a year before the pair started performing regularly together, opting instead to build up their repertoire, work out arrangements for the songs and practice the Portuguese sounds, as well as their singing together as a duo. Several gigs in restaurants and private parties helped cement their partnership. In short time, the duo became a fixture in Montréal's lively lounge scene.
Bet.e adds, "Our relationship works because we both love bossa nova, jazz, and music in general. Also, our voices blend well together and the bond weve developed grows stronger every day."
Product Description
The very character of Bet.e & Stef's new album "Day By Day" is its intimacy and timelessness. Despite being complex and witty overall, its music feels natural and universal. Primarily produced by Bet.e & Stef with producer/arranger Michel Pépin, who has worked with Rufus Wainwright, and Emmy Lou Harris, it features gentle and reserved guitar by Stef who has a smooth precise voice; Bet.e's wonderful velvety vocals; and sparse, tasteful accompaniment.
"We try not to clutter up the songs," explains Bet.e. "We are with the 'less is more' approach. Pauses speak just as much as the notes and make listeners appreciate what's coming."
Adds Stef, "We're trying to stay timeless with our music."
The album features a body of superb originals including the title track "Day By Day," as well as "All is Well," "I'm There," "Wish You Well," "Lying Game," "Listen To The Night," and "It's Over."
About the song "Day By Day," Bet.e says, "The chorus' lyrics, 'Strength is not a stranger, I take it day by day,' represent our philosophy quite well."
Adds Stef about "All is Well," "I wrote that song with all my love to my newborn son. It marked the debut of my new life as a father."
There are outstanding covers of Brazilian repertoire including: "Zana," and Regra Tres," both written by pioneering Brazilian singer/guitarist Antonio Petti Filho, known as Toquinho; "Vagabond," originally sung by French vocalist Henri Salvador; and " Só Tinha de Ser Com Você," penned by Antonio Carlos Jobim, one of Brazil's most creative musicians.
"We rearranged 'Zana' considerably" says Stef. "It was already a party song. We took it one step further by adding modulation, and Bet.e sings it with a R&B feeling."
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