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The mysterious
Time Out is a riveting film, despite (because of?) the fact that hardly anything happening in it corresponds to our notion of movie "action." Vincent (Aurélien Recoing, a top French theater actor but cinematic newcomer) is an out-of-work family man living along the Swiss border. He's never told anyone he's lost his job with a U.N. bureau. He leaves home in the morning--when not working out of his (nonexistent) Geneva apartment--and does things like go to an all-glass office tower and hover as if he belonged. Vincent's excellent at seeming to belong; Recoing's performance is an uncanny symphony of collegial tics, benign watchfulness, and shy, tolerant shrugs. Eventually we gather that Vincent is running a swindle, the ease of which seems to quietly horrify him. However, the most unsettling thing about his fictional work posture is that we come to realize it's scarcely less genuine than, or different from, the shell game that is the real thing.
--Richard T. Jameson
Product Description
Vincent is a businessman on the move. Seemingly at the top of his game, Vincent speeds between meetings and conferences ... using his cell phone to share the smallest detail of his professional life with his admiring wife, Muriel. What she doesn't know is that Vincent is leading a double life. He was fired from his job and has constructed an elaborate fantasy of employment that has become his full-time occupation. His fictional new job provides "investment opportunities" for his old friends and even his parents. But the web of lies threatens to choke him when the investors start asking about their money. Vincent must now decide which of his lives is most important.
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