The Lord Of The Rings: The Two Towers (Limited Edition) [SOUNDTRACK]

Howard Shore

Product Details

• Audio CD (December 10, 2002)
• Original Release Date: December 18, 2002
• Number of Discs: 1
• Format: Soundtrack
• Label: Warner Bros / Wea
• ASIN: B00007BH9C
• Average Customer Review: 4.7 out of 5 stars  See all reviews (60 customer reviews)
• Amazon.com Sales Rank: #159,058 in Music (See Bestsellers in Music)

Track Listings

1. Foundations Of Stone

2. The Taming Of Smeagol

3. The Riders Of Rohan

4. The Passage Of The Marshes

5. The Uruk-hai

6. The King Of The Golden Hall

7. The Black Gate Is Closed

8. Evenstar - featuring Isabel Bayrakdarian

9. The White Rider

10. Treebeard

11. The Leave Taking

12. Helm's Deep

13. The Firbidden Pool

14. Breath Of Life - featuring Sheila Chandra

15. The Hornburg

16. Forth Earlingas - featuring Ben Del Maestro

17. Isengard Unleashed - featuring Elizabeth Fraser & Ben Del Maestro

18. Samwise The Brave

19. Gollum's Song - performed by Emiliana Torrini

20. Farewell To Lorien (bonus track) - featuring Hilary Summers

Editorial Reviews

Amazon.com

Howard Shore's music for the massively successful first film chapter of Tolkien's Ring saga won him the Oscar^® for Best Original Score, something of a surprise given the music's ambitious scale and determinedly dark overtones, factors that handily blurred the line between typical film fantasy music and accomplished concert work. Its sequel takes the same, often Wagnerian-scaled dramatic tack, following the film's story line into even more brooding and ominous dark corners. The previous film's Hobbit-inspired pastoralism is supplanted here by rich ethnic textures that expand the musical scope of Middle-earth and the World of Men; the Hardanger, a Norwegian fiddle, represents the Rohan and the North African rhaita colors the Mordor theme, while log drums, dilruba, wood xylophone, and cimbalon add intriguing textures elsewhere. The score's looming orchestral clouds are brightened by Shore's masterful choral writing, which infuses ancient liturgical influences with various solo turns by Isabel Bayrakdarian, indie-pop star Sheila Chandra, Ben Del Maestro, and Elizabeth Fraser. "Gollum's Song," the composer's concluding collaboration with lyricist Fran Walsh, is delivered with Björkish, postmodern angst by Emiliana Torrini, and helps punctuate the story's modern sense of allegory. --Jerry McCulley

Product Description

Limited digibook edition of the soundtrack to the eagerly anticipated 2002 film includes one bonus track, 'Farewell To Lorien' feat. Hilary Summers. Featuring contributions from The Cocteau Twins' Elizabeth Frazer, Sheila Chandra, & Emiliana Torrini, with a score from Howard Shore. Warner Brothers.

Customer Reviews

Most Helpful Customer Reviews

30 of 31 people found the following review helpful:

5.0 out of 5 stars A fine continuation of the trilogy, December 26, 2002

By	Leanna "moondance34" (South Deerfield, MA USA) - See all my reviews

After instantly falling in love with the music of "The Fellowship of the Ring," I was very anxious to get my hands on "The Two Towers" soundtrack to see if Howard Shore would be able to top his previous musical achievement. So I went out and bought TTT soundtrack on the first day.

Upon my first listen through, I discovered that it was very different from FotR. Some of the wonderful themes were either missing, only played briefly, or altered extensively, but many new themes were introduced to represent the new areas of Middle-earth that the members of the Fellowship explore throughout TTT. Overall, I was pleased with the score, although I felt that it wasn't as easy to hum along with as the first. However, I really did not care for "Gollum's Song" at first. Emiliana Torrini's voice just seemed out of place to me.

Because I generally liked the score, I decided to keep listening to it in an attempt to "memorize" most of it before I actually went and saw the movie. Am I ever glad that I did. The more I listened the more I grew to love the music and to appreciate all of its subtleties. I realized that it wasn't all that difficult to hum along with once I got used to it. Even "Gollum's Song" began to grow on me, so much so that it is now one of my favorite tracks. Shore uses unique instruments to give musical identities to the various cultures of Middle-earth (most notably the Hardinger fiddle for Rohan). He also uses choral work extensively, which gives the music incredible depth (particularly the Oratory School Schola Boys' Choir and soloist Ben Del Maestro).

The most notable difference between this soundtrack and that of FotR (besides the new music of course) is the pacing. FotR, for all that I love it, starts off rather slowly and doesn't really pick up until track 11 or so. TTT is more evenly paced. The exciting, slow, sad, or beautiful tracks all spread out fairly evenly.

I really only have once complaint about this CD and it has nothing to do with the music itself. The limited edition is not worth the extra money. The bonus track "Farewell to Lorien" is good, the booklet is a nice thing to have, and the fancy case is cool, but they are nowhere near worth the extra [$$].

Standout Tracks:
"The Uruk-hai"~ the Fellowship theme in its full glory with a hint of something new
"The King of the Golden Hall"~ the Rohan theme
"Evenstar"~ feels slightly sad; Isabel Bayrakdarian's singing is exquisite
"Treebeard"~ different from anything else on the CD; perfect for our favorite Ent
"Isengard Unleashed"~ my favorite track; the Boys' Choir is simply stunning
"Gollum's Song"~ it may take a while to get used to, but it will grow on you; the lyrics and Emiliana Torrini's voice wonderfully reflect Gollum's inner turmoil

Bottom Line: The perfect musical continuation of the trilogy and a joy to listen to, but don't waste the extra [$$] on the limited edition.

20 of 20 people found the following review helpful:

5.0 out of 5 stars Tragic and moving, December 16, 2002

By A Customer

This review may have minor spoilers for the next (and maybe the third) movie. It is my opinion that this soundtrack has more emotion than the Fellowship of the Ring soundtrack (with the exception of The Breaking of the Fellowship, which was heartbreaking). The Fellowship of the Ring's soundtrack introduced you to themes: Rivendell, Lothlorien, Hobbiton, etc, and was mainly exposition, and was appropriate to a beginning of a trilogy. This soundtrack takes those themes and instills them with heartfelt emotion. I'll review it track by track:

1) Foundations of Stone. This song begins subtly, with the Ring theme (the same theme that opened the credits to the Fellowship of the Ring.) It has beautiful woodwinds, but then moves to the music that accompanied Gandalf's stand against the Balrog, but then it moves to new ground. Intense, but ultimately triumphant.
2) The Taming of Smeagol. This begins with the hobbiton theme (For Smeagol). The beginning is sad, with a wonderful vocal backdrop. But then it gets slightly angry (for Gollum). It begins to have a strong sound, but ends quietly.
3)The Riders of Rohan. This begins with a strong and triumphant feel, then the Rohan theme is introduced, which is worth the entire cost of the album. Norse, slightly Celtic, and sad. Shakespearean, almost.
4)The Passage of the Marshes. Creepy, creepy, creepy. This song begins with strings, but then introduces a haunting choir. Who else but Howard Shore could give voices to those inhabiting the Dead Marshes? ("I saw them: grim faces and evil, noble faces and sad. Many faces proud and fair, and weeds in their silver hair." -Frodo.)
5) The Uruk-hai. This song begins optimistic, charged with the fervor of the Three Hunters. But then it has the themes of the orcs - those from Barad-dur and those from Isengard - clashing. I can't wait to see this fight.
6)King of the Golden Hall. This begins with the Rohan theme, but sadder. It speaks of a sad and noble people. But then it is menacing (Wormtongue and his cronies?), but it ends optimistic, and it is easy to identify the music that will accompany Theoden's healing.
7) The Black Gate is Closed. This begins with a clashing and loud version of the Barad-dur theme. Ominous and scary. The music rises in crescendo, to a climactic and somewhat hopeless sound, perfect for Sam and Frodo's feelings as they overlook the Black Gate. The Ring theme returns, and this song ends quietly - but no less intense.
8) Evenstar. This song is wonderful. The only quibble I would have is that the voice sounds slightly digital. But other than that, it is a beautiful song, fitting for the Evenstar herself. It is slightly sad and melancholy, portraying the feelings of Arwen in choosing to part from her people.
9)The White Rider. This song begins loud, loud, loud. Will it play during Gandalf with the Balrog on the peak of Zirakzigal? This song has a lot of brass in it, and ends mainly with a choir and strings.
10) Treebeard. I was slightly surprised with the oboe as Treebeard's instrument, but it works. Very well in fact. This song begins ominous and heavy, but lightens slightly as the oboe enters. With a some sort of drum?
11) The Leave Taking. This is the highlight of the soundtrack for me. Howard Shore takes the themes of Rivendell and Lothlorien and makes them even more sorrowful. The elves are fading from Middle-earth, and this music holds their emotion perfectly.
12)Helm's Deep. This song deals with the clashing of orcs and men. It is a very hurried song, but in the middle, there is a wonderful vocal piece, and sounds very victorious. This part of music is heard in one of the recent TV previews.
13)The Forbidden Pool. Very ominous and perilous, but eloquent. For a moment it is reminiscent of the Passage of the Marshes, but very brief. Then the music that played for the temptation of Boromir, that wonderful boy's choir, is the same that plays for the temptation of his brother. Great touch. The song ends on that note.
14) Breath of Life. This is another of my favorites. The voice is full of hope. It reminds me of The Mists of Avalon soundtrack, but still has a decidedly Shore sound. It ends triumphantly.
15) The Hornburg. Begins with the Rohan theme, and increases slightly in intensity, with a great choir in the background. Very optimistic, like the tide of Helm's Deep may turn in favor of mankind. A lone trumpet blares in the middle. There is an elven theme in here. I believe its Lothlorien, but in a manner I've never heard before.
16) Forth Eorlingas. This song is full of hope, drive, and determination. Great vocal work here. The Rohan theme in this song is so wonderful. Not sad, but victorious. The Fellowship theme enters, which surprised me. It ends with one boy singing, in elvish? I'm not sure.
17) Isengard Unleashed. This song begins with a woman singing, with a choir answering. I believe she is on the Fellowship of the Ring's soundtrack. This song must accompany the Ents destroying Isengard. It is full of clashing, tree vs. rock. The Isengard theme plays, but another theme overtakes it, defeating it.
18) Samwise the Brave. This song is probably the most like the Fellowship's soundtrack. The hobbit theme enters, and then is backed by an entire orchestra. Some of the same music from the Breaking of the Fellowship is re-visited.
19) Gollum's Song. I have a feeling that some fans are going to love this song, and some are going to hate it. The music is wonderfully sad and tragic. But her voice is different. But I believe it fits for Gollum. Sad and menacing. It is my opinion that the feelings of Gollum could not have been captured any other way.

In conclusion, Howard Shore has again brought Middle-earth to startling, vibrant life.

24 of 25 people found the following review helpful:

5.0 out of 5 stars A Masterpiece Continues, December 11, 2002

By	John D. Cofield - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

This soundtrack for the upcoming Two Towers film is an excellent successor to the beautiful compositions Howard Shore created for The Fellowship of the Ring. Several themes are repeated, including that used for the Fellowship as it traveled through Eregion and the one used for the hobbits, but most of the work is new and brilliant. There are elements evocative of Asian and African music, which helps depict the vast landscapes of Middle earth.

The Two Towers is a darker, more violent book than the Fellowship, and this is reflected in this soundtrack's music, especially in selections like Foundations of Stone and the Riders of Rohan. The Passage of the Marshes is the eeriest piece, with elements reminiscent of horror movies. Dark but very heroic are Helm's Deep and The Hornburg, which exemplify battle music.

I think my favorite piece is The King of the Golden Hall, which majestically evokes Meduseld, the palace of the Kings of Rohan. I also loved Evenstar, which is an ethereal reminder of Elven beauty.

Gollum's Song was probably the biggest surprise to me. Listening to it, I understood the pity Bilbo and Frodo felt for the miserable creature, consumed by the Ring and horribly aware of all he has lost forever.

If you buy the Limited Edition you get a nice leather like case and an interesting twenty page booklet with pictures from the movie and of the production crew. There are also lyrics to a couple of songs not included in the CD, including The Missing, which is rendered in Old English, and The Ents, which is in Sindarin.

As I listen to this CD and await the movie, this thirty year Tolkien fan can find much to admire, little to regret, and nothing to reject. It is a worthy companion to the first movie and sets the highest of standards for the third, standards I am sure will be met if not surpassed.