Most Helpful Customer Reviews
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19 of 20 people found the following review helpful:
5.0 out of 5 stars
A well-done, little-seen Sundance Beauty, August 8, 2000
Waking the Dead sort-of disappeared shortly after it's first viewing at the Sundace Film Festival this year, and it's really quite a shame. Written and Directed by Keith Gordon (Mother Night), Waking the Dead tells the story of Fielding Pierce (Billy Crudup), a young man hoping to change the world within the political system. He encounters Sarah Williams(Jennifer Connely), a charity oriented, kind spirtied woman who hopes to change the world in spite of the system. The two fall very deeply in love, easily overcoming their differences. The tone changes, however, and Sarah dies in a car bombing while helping to assist a small country. We catch up with Fielding several years down the road, caught up in an important political race. However, somewhere deep inside, we see that he's changed, and haunted by Sarah. He begins to believe he sees her throught his world. Suddenly he has to decide if she still lives, and if so, what is he willing to sacrifice to be with her again. The performances are what delivers this film. Crudup, who's curging career resemlbes that of his character, nails the role. Connely, who shakes off her earlier acting criticisms, compliments and hinges the film. Overall, I highly enjoyed and really related to this film. It creates wonderfully simplistic moments, and carries you through what would be a very depressing film at the hands of a less talented cast and crew
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
Superb performances, direction in this haunting love story, February 4, 2005
Keith Gordon has again bowled me over with a magnificent piece of filmmaking. "Waking the Dead" shares many of the same elements as his "A Midnight Clear" (still in my view the best WWII drama of modern times) -- a skillful adaptation of a powerful novel, intense performances from the entire cast, and careful attention to the rhythm and pacing of his story. And two other things that are especially rare in today's mainstream movies: the deliberate ambiguity of the ending and nuanced characters that are neither black nor white but multiple shades of grey. Hollywood must hate this, and it must baffle many moviegoers. The general public is force-fed so many lifeless, undemanding, predictable movies with cardboard characters that they probably didn't reward this gem at the box office (Gordon's commentary track implies that this movie was a semi-flop, commercially, which is tragic -- and probably makes it only harder for him to continue to shoot quality films). One hopes "Waking the Dead" will find its audience on home video, much as the well-respected "A Midnight Clear" (which I saw several times in the theatre) seems to have.
Another reviewer has pointed out the double-meaning behind the title -- the "dead" here refers to both Sarah, believed to be physically dead, and Fielding, who has found his soul wasting away since losing her. Can Fielding bring himself as well as Sarah back to life? The story is also tellingly noncommittal as to Sarah's actual status. By the end of the film, we still don't know if Sarah is secretly alive, a ghost from the other side, or simply a product of Fielding's mental breakdown. Everything in the script leaves the question wide open for interpretation, and the effect is both chilling and intensely moving. The emotional wave of the story builds to a final confrontation between the principle characters that is truly heart-rending.
I think this is one of those movies best served by a review that does not give away too many surprises or attempt to detail too much of the plotline. Suffice to say that if you appreciate a human-scale drama that operates on several levels of meaning, you will find yourself drawn in by this one and riveted by the performances of Billy Crudup and Jennifer Connelly. It's a film that only gets richer and more rewarding with every viewing. Looking for a love story/ghost story for grown-ups? "Waking the Dead" is a sure-fire winner.
Some parting notes:
Most directors today hit you over the head with the soundtrack music and then lazily try to let the songs carry the picture. While Gordon is not totally above this contemporary shorthand, he has enough good taste and filmmaking savvy not to let this technique dominate these scenes. And his musical selections are spot-on.
Although Connelly and Crudup are THE key players, the entire cast is outstanding, and deserves a bow.
The DVD extras are generous and revealing. Unlike the deleted scenes from Gordon's "A Midnight Clear," which did seem disposable, I felt all these cut scenes SHOULD have been restored for a "Waking the Dead" Extended Cut. It's sad that they can't be part of the regular narrative; they add a wealth of character development and detail that would have made the theatrical version even richer. Ed Harris, in particular, is deservedly singled out by Gordon's commentary and reviewers here for his exceptional portrayal of a disgraced congressman.
I read the book AFTER I saw the film, being inspired to learn more about this story's genesis. While very fine, I have to say that I still prefer the movie and its more immediate impact. But that's par for the course -- I tend to always prefer the medium in which I was first exposed to something, be it print form or cinematic. I would recommend the novel to anyone who likes the picture. But I note with some bemusement that Fielding seems a much less likable fellow in the book.
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16 of 19 people found the following review helpful:
4.0 out of 5 stars
Superb, but as usual, less than the book it was based upon, July 18, 2004
I read "Waking the Dead" a few months before watching the movie. I was thus certainly biased in a certain direction in favor of the book.
Keith Gordon, who also directed the outstanding and under-appreciated films "A Midnight Clear" and "Mother Night", stays pretty much faithful to the original material by Scott Spencer. It's obvious that films are different than books and directors need a certain amount lattitude to change the story as needed. Gordon certainly left a lot of the story on the cutting room floor and that is, for the most part, not a problem.
What is the problem is that Gordon didn't flesh out Sarah's story and, as a result, offers a skewed ending that the book doesn't share.
Spoiler Alert
Sarah and Fielding are not "opposites" as many suggest. They happen to agree politically. They're both "liberals." Where they disagree is on tactics. The problem with the film is that we don't really see enough of Sarah to understand just how different her tactics are compared to Fielding and why, ultimately, she chose to go away. The movie's ending is ambiguious about the fate of Sarah. Did she die or didn't she? The book shares some of this approach, but it strongly leans in the direction of Sarah having faked her death. In the book Fielding meets with a priest who states that Sarah is alive. And when Sarah and Fielding finally meet at the end Sarah explains how she is living underground and continuing her work. We're given, at least in the text, a reason why Sarah chose the path that she did. Gordon, however, mostly gives us Fielding's side of things. In the process he detracts from the central conflict and ends up with a rather wishy-washy ending.
I strongly recommend this film. The DVD has many interesting extras, including many deleted scenes and a commentary by Gordon. Unfortunately, there doesn't seem to be anything on the DVD from the original author, Scott Spencer. That's too bad because I think he could have added some really interesting insights about the story overall. And of course, read the book which is, as usual, even better than the movie.
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