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Bravo! Virtuoso and Romantic Encores for Violin
 
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Bravo! Virtuoso and Romantic Encores for Violin

Nikolaj Znaider (Artist)
5.0 out of 5 stars  See all reviews (1 customer review) More about this product

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Samples
Song Title Time Price
listen  1. Polonaise de Concert in D, Op. 4 5:08$0.99 Buy Track
listen  2. Romanza Andaluza, Op. 22 No. 1 4:38$0.99 Buy Track
listen  3. Vocalise, Op. 34 No. 14 4:50$0.99 Buy Track
listen  4. Solo Sonata, Op. 27 No. 3 "Ballade" 6:39$0.99 Buy Track
listen  5. Nocturne, Op. 27 No. 2, in D 6:49$0.99 Buy Track
listen  6. Nocturne, Op. 55 No, 2, in E-Flat 3:59$0.99 Buy Track
listen  7. Recitativo & Scherzo Caprice, Op. 6 4:42$0.99 Buy Track
listen  8. Hebrew Melody, Op. 33 6:25$0.99 Buy Track
listen  9. Estrellita 3:19$0.99 Buy Track
listen10. Variations on an Original Theme, Op. 15, in A12:08$0.99 Buy Track


Frequently Bought Together

Bravo! Virtuoso and Romantic Encores for Violin + Beethoven Violin Concerto in D/Mendelssohn Violin Concerto in E Minor + Brahms: Complete Works for Violin and Piano
Price For All Three: $27.95

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  • This item: Bravo! Virtuoso and Romantic Encores for Violin ~ Nikolaj Znaider

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  • Beethoven Violin Concerto in D/Mendelssohn Violin Concerto in E Minor ~ Nikolaj Znaider

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  • Brahms: Complete Works for Violin and Piano ~ Johannes Brahms

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Nikolaj Znaider: Nielsen - Violin Concerto & Max Bruch - Violin Concerto No. 1, G-minor

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Product Details

  • Audio CD (February 4, 2003)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: RCA
  • ASIN: B000084TRP
  • In-Print Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.com Sales Rank: #77,201 in Music (See Bestsellers in Music)

On this CD:
  1. Polonaise (No. 1) de concert, for violin & orchestra in D major, Op. 4
    Composed by Henryk Wieniawski
    with Nikolai Znaider, Daniel Gortler

  2. Spanish Dances, for violin & piano, Op. 22, No. 1, Romanza Andaluza, Op. 22/1
    Composed by Pablo de Sarasate
    with Nikolai Znaider, Daniel Gortler

  3. Vocalise, transcriptions for various instruments, Op. 34/14
    Composed by Sergey Rachmaninov
    with Nikolai Znaider, Daniel Gortler

  4. Sonata for violin solo No. 3 in D minor ("Ballade"), Op. 27/3
    Composed by Eugene-Auguste Ysaye
    with Nikolai Znaider

  5. Nocturne for piano No. 8 in D flat major, Op. 27/2, CT. 115
    Composed by Fryderyk Chopin
    with Nikolai Znaider, Daniel Gortler

  6. Nocturne for piano No. 16 in E flat major, Op. 55/2, CT. 123
    Composed by Fryderyk Chopin
    with Nikolai Znaider, Daniel Gortler

  7. Recitativo and Scherzo-Caprice for violin solo, Op 6
    Composed by Fritz Kreisler
    with Nikolai Znaider

  8. Hebrew Melody for violin & orchestra, Op.33
    Composed by Joseph Achron
    with Nikolai Znaider, Daniel Gortler

  9. Estrellita for voice & piano (or orchestra)
    Composed by Manuel Ponce
    with Nikolai Znaider, Daniel Gortler

  10. Variations on an Original Theme, for violin & piano, Op. 15
    Composed by Henryk Wieniawski
    with Nikolai Znaider, Daniel Gortler


Editorial Reviews

Amazon.com

On this record, the playing's the thing. The music ranges from effective but insubstantial original pieces to painfully bad transcriptions. However, Znaider's passion for the violin speaks through every note. He calls this album a "declaration of love for that elusive mistress, who has beguiled, teased, and tempted me, yet remained a sensitive and faithful companion." Born in Denmark to Polish-Israeli parents in 1975, Znaider is one of the most talented among the crop of stunning young virtuosos who have recently burst upon the concert scene. Winning the Queen Elisabeth Competition launched his international career; the live recording of his performance was followed by a CD of concertos by Prokofiev and Glazunov.

This program, though hardly designed to reveal intellectual or emotional depths, again proves his incredible virtuosity and his affinity for the 19th- and 20th-century repertoire. (Like similar recent releases, it also proves that nothing captures the public--and the market--like a selection of flashy showpieces.) Znaider's technique is simply breathtaking, and he clearly revels in his own acrobatics. His intonation is flawless even in long passages of double stops. His facility is unlimited, and he negotiates huge leaps with unfailing security. His tone is beautiful: warm, rich, and sweet but not cloying; it glows, shimmers, and soars with a great variety of dynamics, colors, and nuances. He can change it on a single note to fit the mood, but he also has an odd predilection for sudden pianos and fade-outs. Best of all, Znaider plays with charm, flair, style, and passionate abandon. His expressiveness is so genuine that it hardly ever lapses into sentimentality. --Edith Eisler


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5.0 out of 5 stars Glorious Playing! Virtuoso In All Respects, July 19, 2009
I would agree with most of the editorial review by Edith Eisler. However, I think she implies some subtle criticisms that border on the snide and that I disagree with. She talks about the shallowness of the repertoire on this recording. I think there is an art to playing flashy pieces that are normally reserved for encores in a way that gives them substance. Of course, there is nothing wrong with just enjoying them for what they are. Regardless, I find Znaider's playing of them to be near perfection. It goes without saying that his technique is as close to flawless as it can be. His tone gorgeous and his interpretation is superb.

It doesn't hurt that he is playing on one of the greatest violins still around from the golden age of the Cremona violin makers. On this recording he plays on the famous Kreisler Guarnerius Del Gesu violin made in 1747.

So what's not to love on this recording? In my opinion, nothing!
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