Most Helpful Customer Reviews
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20 of 21 people found the following review helpful:
5.0 out of 5 stars
Triumph, October 27, 2002
This is one of very few examples of how a great book can be made into an equally good movie. Screenplay is brilliant, story line is very closely kept with the book, which is always a must contrary to popular beliefs. Directing is excellent, casting even better. Watching these actors playing these characters almost made me forget that I was watching the movie and not the real life. Watching Astrid shad her innocence and step into womanhood through hardship and deception was as magnificent to watch as it was painful. And should I even speak of Michelle Pfeifer? She has an Oscar written all over her for that performance. Her glares alone deserve a recognition. Lets not forget excellent performances by Renee Zelwegger and Robin Wright Penn. For all those (man) who think this is a chick flick (much like I thought before I watched it) it is not. This is a story of love, deception, transformation and letting go. A story about how all of us have to find our own path in life regardless of obstacles. All filmmakers should take notes, because this is how you tell a story. Bravo
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11 of 12 people found the following review helpful:
5.0 out of 5 stars
Good and hard, October 13, 2002
This was an intense, powerful extraordinarily well done movie that is so good it hurts. Think Sophie's choice. It's about a teen-aged daughter whose mother gets herself sent to jail for a long time, leaving the daughter to drift from foster home to foster home. We see a sweet kid exposed to situations that turn her hard, angry, jaded. And while we watch this we know that this happens every day, every minute to kids all over the world, millions of them. Michelle Pfeifer is amazing as the self absorbed, possibly borderline possibly sociopathic mother who tries to manipulate her daughter remotely, from jail. Alison Lohman plays the teenage daughter. She does a great job and shows terrific promise as a versatile actor. With her next film, Matchstick men, directed by Ridley Scott, she's off to a great start, with a good half dozen films already under her belt. This is a great movie, but don't expect to walk out feeling uplifted. Try feeling like you've been hit in the stomach. Still, it is worth seeing, really worth it.
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14 of 16 people found the following review helpful:
5.0 out of 5 stars
Memorable Performances in a Highly Dramatized Movie, October 30, 2002
White Oleander, featuring Michelle Pfeiffer and Alison Lohman, is the movie based on the book by Janet Fitch. Viewers of the Oprah Winfrey daytime television show and readers will recall that this book was one of Oprahs book club selections. Now this compelling and disturbing book has been brought to the silver screen in what many viewers will agree was an intriguing and well-crafted movie. And rarely, if ever in my opinion, has a movie been so finely done or as faithful to the book as was done in this movie. In addition the cast was well chosen and the performances are creatively superb, handling a most difficult subject. Michelle Pfeiffer, in the lead role, plays Ingrid Magnusson, a single parent and artist who is raising her adolescent daughter Astrid played by Alison Lohman. Ingrid is an incredibly selfish woman with a Bohemian lifestyle who treats Astrid more like a friend than her child. While Ingrids life is dictated by her passions and whims, Astrid is merely a bystander to the lifestyle Ingrid dictates for them. When she is angered by the rejection of her current lover and while Astrid sits in their car, Ingrid poisons her lover with the inner juice of a white oleander plant ultimately killing this man. When Ingrid is arrested by the police, Astrid is removed from their home by social services and becomes a ward of the state. Now the focus of the movie shifts from Astrid as Ingrids daughter and work in progress to Astrid, a child who will become much too familiar with the foster care system in Southern California. Unfortunately for Astrid, the foster homes she stays in are less than happy situations for her and she also must contend with Ingrids views of her foster mothers as she goes from home to home, learning more about the seamier side of life than any child should have to learn at this pivotal time in her life. And all the while Astrid remains loyal to Ingrid as she continues to be subjected to her when she visits Ingrid in prison. This is a movie populated mainly by an all female cast. Michelle Pfeiffer plays Ingrid with a mixture of anger and compassion about her situation and Astrids circumstances. And both Renee Zellwegger and Robin Wright Penn shine as two very different types of foster mothers who greatly influence Astrids life. But if the movie belongs to one actor it is Astrid played by Alison Lohman who shines as the confused young woman forced to face life as an adult way before her time. And the last scene as Astrid becomes an artist in her own right and creates valises filled with the faces and objects of her life which remains with the viewer long after the movie ends. I found this to be an excellent movie especially since I read the book. The director and other associates are to be commended for tastefully presenting a difficult subject to the audience in such a fine manner. One is left with a feeling of hope that Astrid, despite her early difficulties will succeed as an adult.
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