A Passion Play [ENHANCED] [EXTRA TRACKS] [ORIGINAL RECORDING REISSUED] [ORIGINAL RECORDING REMASTERED]

Jethro Tull

Product Details

• Audio CD (May 20, 2003)
• Original Release Date: April 8, 2003
• Number of Discs: 1
• Format: Enhanced, Extra tracks, Original recording reissued, Original recording remastered
• Label: Capitol
• ASIN: B00008G9JM
• In-Print Editions: MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (58 customer reviews)
• Amazon.com Sales Rank: #9,782 in Music (See Bestsellers in Music)

Track Listings

1. Passion Play, Pt. 1

2. Passion Play, Pt. 2

3. Story of the Hare Who Lost His Spectacles [Enhanced Video Track]

Editorial Reviews

Amazon.com

Following quickly on the heels of their career-defining Aqualung and Thick as a Brick, Ian Anderson's Jethro Tull demonstrated that their musical and thematic ambitions were as muscular as ever on 1973's Passion Play. But if Thick was a bit tongue in cheek about its conceptual conceits, Passion was a dizzying example of the prog-rock era's overweening musical aspirations at their zenith. Anderson now sums up it its obtuse, theater-as-metaphor libretto as "the theme of post-death meanderings in another world," but the sheer propulsive tension of Tull's sprawling musical interplay insures its folk-rooted baroque and roll a tight orbit around this mortal coil for nearly the album's entirety. This digitally remastered, enhanced CD edition features the complete video for the album's Lewis Carroll-esque interlude "The Hare Who Lost His Spectacles," a theatrical program and typically self-effacing new introduction by Ian Anderson. --Jerry McCulley

Product Description

Digitally remastered reissue of 1973 album includes the enhanced bonus track 'The Story Of The Hare Who Lost His Spectacles' & theatre programme (enhanced section taken from the album 25 Years Of Jethro Tull Longform VHS video release). Includes liner notes written by Ian Anderson. Chrysalis. 2003.

Customer Reviews

Most Helpful Customer Reviews

23 of 25 people found the following review helpful:

5.0 out of 5 stars Familiarity breeds contempt., November 22, 2005

By	James P. Walters - See all my reviews (REAL NAME)

While so many of the rock bands of the seventies were "just a little touch of make up, just a little touch of bull, just a three chord trick embedded in your platform soul" (as Ian Anderson put it on "Crazed Institution") Tull were doing things that were in another space and time. And while not everything worked, they were never dull. A Passion Play has stood the test of time. Like a great piece of art, you can return to it endless times and discover something new. It is all at once pathetically shallow and profoundly deep, toe tappingly musical and irritatingly dischordant, it threatens to soar into brilliance, only to dwindle into nothingness, it is beautiful and clumsy, elegant and gawkish. It is music with a sense of humour. Like the comedy masters of the time who would never advertise a punch line, Tull keep you guessing. You never get what you expect. After all, familiarity breeds contempt.
A classic. Five stars.

23 of 26 people found the following review helpful:

5.0 out of 5 stars Rock and Roll Hall Of Fame ? Nahhhhhhhh, November 18, 2005

By	Nothintosay (usa) - See all my reviews

Actually 4 1/2 stars . A Passion Play is a bit more melodic than Thick As A Brick .There is less of Martin Barres guitar and more of John Evans synth . The themes of the album are quite similar to Thick ' ... one wonders if Gerald Bostock had a hand in penning the lyrics , although The Hare Who Lost His Spec-a-ticles would suggest otherwise . I've heard a lot of people mentioning the fact that Jethro Tull should be in The Rock And Roll Hall of Fame . Its albums like Passion Play that will probably keep them out . All of rocks royalty from the Stones to the Clash To Zepp to Aerosmith couldnt , in their wildest dreams come up with something as imaginative as Passion Play . And while these and future hall of famers like Nirvana and Metallica are at the podium having thier butts kissed by the industry and thier peers ...I'll be sittin at home grinning over the fact that Tull is not a part of this nonsense .

7 of 7 people found the following review helpful:

5.0 out of 5 stars Ridiculously brilliant. A masterpiece in a class by itself., September 11, 2006

By	James S. Morris "TheOverseer4003" (Durham, NH) - See all my reviews (REAL NAME)

Well let me start by saying that if you're sick of the music that's popular, uninspired, predictable, overplayed, and safely within the skill level of any old musician, then A Passion Play is your cure! It is the opposite of all these things. On the other hand, if you are perfectly happy just hearing "Honky Tonk Women" 5 times a day on the radio then stay AWAY from A Passion Play.
As a continuation of their parody of concept albums, Ian A. and Co. created this piece with the obvious intent of challenging themselves and their listeners to the utmost extent. It is brilliant and ridiculous, triumphant and melancholy, satisfying and disappointing. The music will lead up to what you hope will be a thrilling climax, and then completely die. It is easily one of the most densely inaccessible albums ever recorded. However, it is also ingenious. Another reviewer was right in saying that basically all the other rock & roll innovators combined could never have concocted such a ludicrously awesome creative masterpiece as this. The playing here is completely off the hook; the best you'll ever hear on a rock album, especially considering the extreme difficulty of the music. The lineup of Anderson, Barre, Hammond, Evans, and Barlow was, in my opinion, the best in Tull history. Ian's singing is so rich and full that his vocals on earlier albums just seem thin and tinny in comparison. The saxes and tastefully utilized synths are a nice addition, giving it a very distinctly different flavor from Thick as a Brick. In fact, I would say that the segment subtitled "The Overseer Overture" contains one of the saxophone's defining moments in rock music (not to mention that's the best part of the album too).
You won't find a lot of long instrumental solos here, as one might expect from more quintessential prog like ELP's Tarkus. It's all very tight and well thought-out. There are virtually none of the trippy, boring organ solos and white noise stuff often found in prog, which is a testament to Ian's strict no-drugs policy with band members. The lyrics are just nuts. Don't even try to make sense of them on the first time listening. I've listened to it like 20 times and I'd still be in the dark if not for the helpful online forums dedicated to deciphering its meaning.
I also find APP to be very funny. The music sounds like it would be perfectly at home during some kind of deranged circus act, and the lyrics contain endless oddities and wordplays. Everyone complains about the pointlessness of Jeffrey Hammond-Hammond's The Hare Who Lost His Spectacles. It's just a bit of fun, really, and it is pretty funny in a Monty Python sort of way. All in all, I'd say that this should not be your first Tull album, but fans should have it. Just remember: if you don't end up liking it at first, don't write it off as [...]. Give it some time and you may just find it to be a very rewarding piece of music after all.