Product Details

• Actors: Ted Danson, Shelley Long, Kirstie Alley, Allyce Beasley, Nicholas Colasanto
• Writers: Glen Charles, James Burrows, Les Charles
• Producers: Brian Pollack, David Isaacs, Gary Khammer, Hillel Wasserman, Jon Barbour
• Format: Box set, Closed-captioned, Color, DVD, NTSC
• Language: English (Dolby Digital 2.0 Surround)
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 4
• Rating: Unrated
• Studio: Paramount
• DVD Release Date: May 20, 2003
• Run Time: 539 minutes
• Average Customer Review: 4.8 out of 5 stars  See all reviews (54 customer reviews)
• ASIN: B00008NV4G
• Amazon.com Sales Rank: #5,933 in Movies & TV (See Bestsellers in Movies & TV)

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  Movies & TV > Comedy > Series & Sequels > Cheers

• For more information about "Cheers - The Complete First Season" visit the Internet Movie Database (IMDb)

• This is item 1 in The Cheers Series.

Editorial Reviews

Amazon.com

The definition of comfort television is this: You want to go where everybody knows your name. And you're always glad you came. Long one of DVD's most wanted, Cheers is at last open for business in this four-disc set that contains all 22 episodes of the first, and best, season of one of the defining series of the 1980s. Cheers inherited the mantle from Taxi as television's best ensemble-driven workplace comedy. It can be instructive to return to a long-running series' more humble beginnings. While Cheers got drunk on farce in its later seasons, it began life as a much more grounded human comedy. In these inaugural episodes, the action does not stray from the Boston bar owned by Sam Malone, a washed-up baseball player three years sober. The straws that stir the drink are the lineup of MVPs: Nick Colasanto as addled Coach; Rhea Perlman, the Thelma Ritter of her generation, as surly and fertile waitress Carla; George Wendt as quintessential barfly Norm; and John Ratzenberger as Cliff, the bar know-it-all ready with "little-known facts" (and blessedly far from the pathetic blowhard his character would evolve into).

Spiking this concoction is the palpable chemistry between Ted Danson's Sam and Shelley Long's Diane Chambers, fledgling waitress and self-described "student of life." The battle lines are drawn in the episode "Sam's Women": He's the "dim ex-baseball player" and she, "the post graduate." But, as Carla so indelicately puts it, they can't "put their glands on hold." In the first blush of lust, they were primetime's most potent mismatched couple until Moonlighting's David and Maddie bantered entendres. Here are little remembered facts: Sam was initially "an astute judge of human character." Guest stars Fred Dryer ("Sam at Eleven") and Julia Duffy ("Any Friend of Diane's") were among those considered for the roles of Sam and Diane. A pre-"Night Court" Harry Anderson stole his scenes in his recurring role as flim-flam man Harry ("Pick a Con...Any Con"). The lack of a commentary track is a disappointment, as are the extras that wouldn't fill a shot glass. Still, Cheers patrons can expect plenty of happy hours with this set. --Donald Liebenson

Product Description

CHEERS takes viewers back to the Boston bar where everybody knows your name. As former baseball star Sam Malone (Danson) and his colleague Diane Chambers (Long) fight their mutual attractions, they cater to their regulars including Norm Petersen (Wendt) and Cliff Claven (Ratzenberger). Talking about their problems, laughing at each other’s flaws and trying to be there when someone needs them, the gang are joined by naïve farm boy Woody (Harrelson, The Thin Red Line), bitter waitress Carla (Perlman), troubled psychiatrist Frasier (Grammer) and his wife.

Customer Reviews

Most Helpful Customer Reviews

46 of 52 people found the following review helpful:

5.0 out of 5 stars The best first season of any TV situation comedy ever, June 22, 2003

By	Lawrance M. Bernabo (The Zenith City, Duluth, Minnesota) - See all my reviews (TOP 10 REVIEWER)    (COMMUNITY FORUM 04)

"Cheers" is an atypical classic television situation comedy in that its first season (1982-83) is arguably its best. The show won the Emmys for Outstanding Comedy Series, Lead Actress in a Comedy Series: Shelley Long, Directing in a Comedy Series: James Burrows, "Showdown (Part 2)," Writing in a Comedy Series: Glen Charles, Les Charles, "Give Me a Ring Sometime," and even Outstanding Individual Achievement/Graphic Design and Title Sequences: James Castle, Bruce Bryant. This would explain why the series, which finished 75th in the Nielsens with a 13.1 rating, survived on NBC's Thursday night lineup.

Looking back on the series as a whole it becomes clear that one inherent advantage for "Cheers" was that no matter what joke the writers came up with there was the perfect character to tell it. If you had a sarcastic barb then that went to Carla (Rhea Perlman), a dumb comment would come out of the mouth of Coach (Nick Colasanto), the arcane bar trivia belonged to Cliff (John Ratzenberger), the caustic non-sequiters and marriage humor was the province of Norm (George Wendt), the intellectual bon mots went to Diane (Shelley Long), and Sam (Ted Danson) played the Lord of the Come Ons. Equally as important, the bar where everybody knows your name was an appropriate place for all of these types of humor. As Diane says in the first episode: "Where better than here to study life in all its facets? People meet in bars, they part, they rejoice, they suffer, they come here to be with their own kind."

But the most important thing was that "Cheers" made the opposite attract concept work. Televison has a hard time handling romantic comedy. Making it work, like on "Lois & Clark: The New Adventures of Superman" is the exception; the rule is Dave and Maddie imploding on "Moonlighting." But Cheers managed to make the story of Sam and Diane with its on again, off again, really off, back on, never going to happen, then again who knows for several seasons. On the eve of her elopement Diane Chambers comes to Cheers and while sitting on a barstool sees her entire life crumble before her eyes. By the end of the night she is a barmaid and although Diane and Sam have nothing in common, they are doomed. At the end of the season when Sam's brother shows up to sweep Diane off her feet with an invitation to Paris, we know that Sam will finally confess his feelings ("Showdown, Part 2"), although Diane has to threaten to run her fingernails on the chalkboard to get him to stay. Then comes one of the great final clinches of all time.

I always say that I liked "Cheers" before Sam left the show, which confuses people since it was Shelley Long's Diane who left the show (but managed to return a few times). But my point is that the Sam of these early years, and the first season in particular, was a much different character from the show's second half. There was a pathos to Sam, which disappeared when the mental image of him dancing with Diane when they were old and grey from her final episode faded away. Sam the womanizer was a joke during those final seasons: but in this first year you can see how charming he can be: the point is amply proven when Sam tells Diane where he remembers seeing the same color as he sees in her eyes. There is also an edge to Sam as an ex-baseball player ("Sam at Eleven" and "Endless Slump") that disappears later on as it becomes one giant joke.

When you watch the complete first season again on DVD you will see that there is a serious side to "Cheers." Watch Coach's daughter (Allyce Beasley) try to explain to her father that she is not beautiful in "The Coach's Daughter" without crying. Of course that was the episode they showed to honor Nick Colasanto when he passed away. But there is also the choice episodes that feature quick appearances ("Sam at Eleven") and complete episodes ("Pick a Con...Any Con") focusing on Harry the Hat (Harry Anderson). Another thing that helps take the pressure off the Sam-Diane potential romance is the bumbling antagonism between Diane and Carla. This is a constant note that can pop up at any time during an episode, but sometimes Carla goes out of her way to play with Diane's mind ("Truth or Consequences," "Father Knows Last").

This is my favorite season of "Cheers" and I am willing to take on any and all comers who want to offer rebuttal to my claim that this is the greatest first season for any situation comedy in television history. "I Love Lucy," "The Honeymooners," "The Dick Van Dyke Show," "The Mary Tyler Moore Show," "All in the Family," "M*A*S*H," "Seinfeld," "Friends," all got a lot better after their inaugural season. None of them started as great as "Cheers" did, and if you want to discuss this over a drink I will have a cola with a couple of cherries in it, please.

10 of 11 people found the following review helpful:

4.0 out of 5 stars At least all the episodes are here!, May 26, 2003

By A Customer

If you are Cheers fan, obviously this is a must have. Where else can you get every episode from the first season in one package? The lack of extras is unfortunate, but the reason I purchased the set and the reason I watch it is for the show itself.

Sadly, though, the episodes are not presented in their original order. How hard would it have been to put episodes 1-6 on disk 1, and so on? What's episode 7, Coach's Daughter, doing placed as the second selection of disk one? I may not watch every episode in order every single time I view the disks, but upon my first viewing I would have liked if I could watch the episodes in order without switching disks until I completed each disk.

9 of 10 people found the following review helpful:

5.0 out of 5 stars After all these years, Cheers still sparkles, May 23, 2003

By	William Moody (San Diego, CA USA) - See all my reviews (REAL NAME)

It has been a long wait for those of us addicted to Cheers. But patience is rewarded.

The clarity of the images makes it seem like one is watching each episode for the first time. It is easy to forget how REALLY good the first year was (and still is). The shows are very intelligent, noticeably more so than later years, and witty. It is fun to observe the inconsistencies in the characters -- in one episode Norm is clearly not married and Sam brings his "ex-wife" into the bar. But at the same time the characters, without the more clearly defined "roles" of later years, are often more interesting, most especially Carla.

I met Rhea Perlman and she was understandably not all that proud of the rather 2 dimensional Carla of the later years. Here the character is wise-cracking, but with more depth and Perlman's considerable talents have room to shine. Also, Coach is a a great character, expertly realised, and more. One episode has the scene with Coach and his daughter Lisa, who is "not comfortable with her beauty," that is arguably the most moving, and genuinely so, scene ever in a TV series. And the sexual tension between Sam and Diane is about as good as it gets. I marvel that this season's shows were the lowest rated program on TV -- it is simply great comedy, suberbly written, and well performed by a strong cast that is consistently "on." How extremely fortunate that NBC stuck with the show!

Technically, as mentioned above, it is amazing to see the familiar images in such detail and clarity. The sound quality too is much improved over broadcasts of the time and most of the reruns. And, of course, each episode is complete -- unlike the broadcast reruns which frequently cut lines, and occasionally scenes.

One quibble. The shows are not in their original broadcast order, which makes the inconsistencies in character development even more baffling. But it is a quibble.

Overall, magnificent. Highly recommended.

So now, when do we get season 2?