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Satie: The Complete Solo Piano Music
 
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Satie: The Complete Solo Piano Music [BOX SET]

Erik Satie (Composer), Jean-Yves Thibaudet (Performer)
3.3 out of 5 stars  See all reviews (3 customer reviews) More about this product

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Product Details

  • Performer: Jean-Yves Thibaudet
  • Composer: Erik Satie
  • Audio CD (June 10, 2003)
  • SPARS Code: DDD
  • Number of Discs: 5
  • Format: Box set
  • Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
  • Label: Decca
  • ASIN: B00008RWRB
  • In-Print Editions: MP3 Download
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon.com Sales Rank: #101,551 in Music (See Bestsellers in Music)

    Popular in these categories: (What's this?)

    #5 in  Music > Classical > Featured Performers, A-Z > ( T ) > Thibaudet, Jean-Yves
    #18 in  Music > Classical > Ballets & Dances > Baroque Dance Suites > Sarabande
    #23 in  Music > Classical > Ballets & Dances > Minuets

Disc: 1
1. Sarabandes (3) for piano: 1ère Sarabande
2. Sarabandes (3) for piano: 2ème Sarabande
3. Sarabandes (3) for piano: 3ème Sarabande
4. Gymnopédies (3), for piano (also orchestrated by Debussy): 1ère Gymnopédie
See all 22 tracks on this disc
Disc: 2
1. Valse-ballet, for piano
2. Fantaisie-valse, for piano
3. Fête donnée par des chevaliers normands en l'honneur d'une jeune demoiselle, for piano
4. Ogives (4), for piano: Ogive I
See all 32 tracks on this disc
Disc: 3
1. Passacaille, for piano
2. Prélude en tapisserie, for piano
3. Fugue-valse, for piano
4. Nouvelles pièces froides (New Cold Pieces), for piano: 1. Sur un mur
See all 51 tracks on this disc
Disc: 4
1. Préludes flasques; pour un chien (Flabby preludes; for a dog), for piano: 1. Voix d'intérieur
2. Préludes flasques; pour un chien (Flabby preludes; for a dog), for piano: 2. Idylle cynique
3. Préludes flasques; pour un chien (Flabby preludes; for a dog), for piano: 3. Chanson canine
4. Préludes flasques; pour un chien (Flabby preludes; for a dog), for piano: 4. Avec camaraderie
See all 38 tracks on this disc
Disc: 5
1. Le Nazaréen, incidental music (2 preludes) for piano: 1er Prélude
2. Le Nazaréen, incidental music (2 preludes) for piano: 2ème Prélude
3. Eginhard, prelude for piano from incidental music
4. Uspud, Christian ballet in 3 scenes for piano (orchestrated by Canby): Premier Acte
See all 26 tracks on this disc

On this CD:
  1. Sarabandes (3) for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  2. Gymnopédies (3), for piano (also orchestrated by Debussy)
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  3. Gnossienne, for piano No.5
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  4. Gnossiennes (6), for piano 1ère Gnossienne
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  5. Gnossiennes (6), for piano 2ème Gnossienne
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  6. Gnossiennes (6), for piano 3ème Gnossienne
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  7. Gnossienne, for piano No.4
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  8. Gnossienne, for piano No.6
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  9. Gnossienne, for piano No.7
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  10. Petite ouverture à danser, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  11. Pièces froides (Cold Pieces), pieces (6) for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  12. The Dreamy Fish (Le poisson rêveur), incidental music for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  13. The Angora Ox, for piano (reconstructed by Johny Fritz)
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  14. Allegro, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  15. Valse-ballet, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  16. Fantaisie-valse, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  17. Fête donnée par des chevaliers normands en l'honneur d'une jeune demoiselle, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  18. Ogives (4), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  19. Première pensée Rose + Croix, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  20. Leitmotiv du Panthée, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  21. Sonneries de la Rose + Croix, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  22. Danses gothiques (9), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  23. Pages mystiques (3), for piano Vexations
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  24. Modéré, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  25. Verset laïque et somptueux, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  26. Je te veux (I Want You), café-concert song for voice & piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  27. Tendrement, valse chantée for voice & piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  28. Poudre d'or (Gold Dust), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  29. La diva de l'Empire, song for voice & piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  30. Le Piccadilly, march for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  31. La belle excentrique, "serious fantasy" for orchestra (or piano, 4 hands) Légende californienne
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  32. La belle excentrique, "serious fantasy" for orchestra (or piano, 4 hands) 1. Marche franco-lunaire
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  33. La belle excentrique, "serious fantasy" for orchestra (or piano, 4 hands) 2. Valse du "Mystérieux baiser dans l'œil"
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  34. Passacaille, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  35. Prélude en tapisserie, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  36. Fugue-valse, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  37. Nouvelles pièces froides (New Cold Pieces), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  38. Fâcheux example, counterpoint excercise for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  39. Désespoir agréable, counterpoint excercise for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  40. Deux choses: 1. Effornterie, 2. Poésie, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  41. Profondeur, minuet excercise for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  42. Songe-creux, minuet excercise for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  43. Le prisonnier maussade, minuet excercise for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  44. Le grand singe, minuet excercise for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  45. Petits chorals (12), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  46. Prélude canin, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  47. Work(s) Arrière-propos
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  48. L'enfance de Ko-Quo, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  49. Nouvelles pièces enfantines, pieces (3) for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  50. Menus propos enfantins (Childish Chatter), for piano (from "Enfantines")
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  51. Enfantillages pittoresques (Picturesque Childishness), for piano (from "Enfantines")
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  52. Peccadilles importunes (Tiresome Peccadilloes), for piano (from "Enfantines")
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  53. Nocturnes (5) for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  54. Nocturne for piano No. 6
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  55. Premier menuet, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  56. Rêverie de l'enfance de Pantagruel, for piano (arr. of 1st "Petites pièce montées")
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  57. Cinéma: Entr'acte symphonique de Relâche, for orchestra (also piano; also arr. by Milhaud for piano, 4 hands)
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  58. Préludes flasques; pour un chien (Flabby preludes; for a dog), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  59. Véritables préludes flasques pour un chien (Truely Flabby Preludes for a Dog), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  60. Descriptions automatiques, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  61. Embryons desséchés (3 dried-up embryos), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  62. Croquis et agaceries d'un gros bonhomme en bois (3 sketches and exasperations of a big wooden fellow), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  63. Chapitres tournés en tous sens (Chapters turned every which way), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  64. Vieux séquins et vieilles cuirasses (Old sequins and armor), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  65. Sports et divertissements (Sports and diversions), pieces (21) for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  66. Heures séculaires et instantanées (Age-old and instantaneous hours), pieces (3) for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  67. Les valses (3) distinguées du précieux dégoûté (3 distinguished waltzes of a disgusted dandy), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  68. Avant-dernières pensées (Next-to-last thoughts), pieces (3) for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  69. Sonatine bureaucratique, for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  70. Le fils des étoiles, Chaldean pastoral, preludes and incidental music for piano Préludes
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  71. Le Nazaréen, incidental music and preludes for piano 1er Prélude
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  72. Le Nazaréen, incidental music and preludes for piano 2ème Prélude
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  73. Eginhard, prelude for piano from incidental music
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  74. Uspud, Christian ballet in 3 scenes for piano (orchestrated by Canby)
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  75. Prélude de La Porte héroïque du ciel (Prelude to "The Heroic Gate of Heaven"), incidental music for piano (or orchestra)
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  76. Jack-in-the-Box, pantomime ballet for piano (orchestrated by Milhaud)
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  77. La mort de Monsieur Mouche, prelude for piano from incidental music
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  78. Pousse l'Amour, operetta Chanson andalouse
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  79. Le Piège de Méduse, dances for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  80. Les pantins dansent (The puppets dance), for piano
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  81. Grimaces (5) for "A Midsummer Night's Dream," incidental music
    Composed by Erik Satie
    with Jean-Yves Thibaudet

  82. Ragtime, arrangement for piano (by Hans Ourdine, after "Parade")
    Composed by Erik Satie
    with Jean-Yves Thibaudet


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Average Customer Review
3.3 out of 5 stars (3 customer reviews)
 
 
 
 
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41 of 46 people found the following review helpful:
3.0 out of 5 stars good for completists, but..., May 18, 2004
I jumped at the chance to buy this set; a new digital recording of Satie's complete solo piano music. I had admired Jean-Yves Thibaudet in the past and had seen him perform Messiaen's "Turangalila Symphony"; a great performance. However, after listening to this set for three straight months, I'm rather frustrated with it, mostly on aesthetic grounds, since I can't deny Thibaudet's talents; I just disagree with some of his interpretations.

To start, most of the shorter, "lite" pieces are performed very well on disc 4. Even the most popular, (Gymnopedies, Gnossiennes) are excellent. I am also thankful I now have performances of "Uspud" and many of Satie's conservatory assignments, played expertly and with good humor. For these, the set is worth having.

But now, the bad news. As I have complained about in the past with Thibaudet's Ravel discs, I'm frankly rather put-off by his inexplicable, pointless staccato in many of the pieces. "Petite Overture a la Danser" is one of my favorite Satie miniatures, and here Thibaudet botches it by playing it way too fast with no pedal. It sounds like a joke, and I think he totally misses the point of the piece. In the "Nazareen" preludes, he adds his own extreme dynamics which are not indicated in the original scores, and the effect seems like a cheap attempt to add "spice" to what are supposed to be meditative sound constructions, based on poetry forms rather than classical forms.

"Prelude to the Heroic Gate of Heaven" is taken far too slow, and Thibaudet completely cuts out the "Curtain" coda in the original Salabert edition for no apparent reason; he seems determined to give the piece a more "proper" ending, and for this listener, it's a terrible, narcissistic, and disrespectful miscalculation.

I will keep this set since it is a complete document, flawed though it may be. But I still must insist that the best living interpreter of Satie's piano music is the ever-underrated Reinbert DeLeeuw, who is completely in-tune with Satie's sly magic. His tempos may be slow, his dynamics few, but that's the whole point; this is highly personal music, and DeLeeuw has an aesthetic I can personally agree with. For an audible explanation of what I'm talking about, compare the performances of "Petite Overture a la Danser" by DeLeeuw and Thibaudet, and you'll see what I mean.

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25 of 28 people found the following review helpful:
2.0 out of 5 stars complete but lacking, June 13, 2005
By Starry Vere (Silver Lake OH USA) - See all my reviews
While I am a fan of Thibaudet in general, he just seems lost here. Satie is deceptively difficult to judge as a performer, the music is at times mercurial or static, profound or frivolous, or all of the above. Yet one hardly needs to underline the oddness, it's perfectly revealed if you play it straight.
While some misread notes suggest he may not really know these pieces, Thibaudet manages to project something less than a competent sight reading. In such an endeavor he would certainly get the right feel occasionally by accident. Instead, he regularly puts the wrong foot forward, with odd accents and effects getting in the way, perhaps trying too hard to add spin to music whose mysteries refuse to unfold under such duress.
I would recommend collecting a number of different performers: Reinbert DeLeeuw, Pascal Roge, Anne Queffelec, JoAnna MacGregor and Michel Legrand have all made worthy contributions to the recent discography and their combined recordings would make a pretty-near complete survey.
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13 of 21 people found the following review helpful:
5.0 out of 5 stars Yes, its worth five discs, December 17, 2003
By granger (Ithaca, NY USA) - See all my reviews
  
Each disc averages about 75 minutes of music. Over six hours of Satie? Definitely yes. If you have an affinity for Satie's classic pieces you should not pass up this set. There are so many standout pieces in so many wonderful styles you can only leave this set with wonder. And Thibaudet seems made for this music. The best interpreter of Satie that I've heard. His technique is amazing with such a range of subtle fingering tempo and dynamics. Its as though I've heard some of these for the first time with new shocks of emotion I hadn't experienced before. Not to be missed.
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