Product Details

• Actors: Christoph Homberger, Mireille Delunsch, Jerry Hadley, Dale Duesing, Olaf Bär
• Directors: Don Kent
• Writers: Carl Haffner, Hans Neuenfels, Henri Meilhac, Ludovic Halévy, Richard Genée
• Producers: François Duplat
• Format: Classical, Color, Dolby, DVD, Widescreen, NTSC
• Language: English, French, Spanish
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.78:1
• Number of discs: 1
• Rating: NR (Not Rated)
• Studio: Arthaus Musik
• DVD Release Date: May 20, 2003
• Run Time: 170 minutes
• Average Customer Review: 1.8 out of 5 stars  See all reviews (5 customer reviews)
• ASIN: B00008RWWA
• Amazon.com Sales Rank: #106,606 in Movies & TV (See Bestsellers in Movies & TV)

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  Movies & TV > Musicals & Performing Arts > Classical > By Composer > Strauss, Johann

• For more information about "Johann Strauss - Die Fledermaus / Marc Minkowski - Delunsch, Hartelius, Klink, Bär, Duesing, Trissenaar - Salzburg Festival 2001" visit the Internet Movie Database (IMDb)

Customer Reviews

Most Helpful Customer Reviews

26 of 28 people found the following review helpful:

2.0 out of 5 stars Grotesque! An Atrocity. But the Music's Nice. <sigh>, May 10, 2003

By	J Scott Morrison (Middlebury VT, USA) - See all my reviews (TOP 10 REVIEWER)    (REAL NAME)

I have little good to say about this DVD of the 2001 Salzburg Festival production of Johann Strauss's 'Die Fledermaus' in Hans Neuenfels's grotesque staging. The production, while sumptuous in some respects, is so tawdry that I could barely force myself to watch it through to the end. I wouldn't have done so if I hadn't decided to write this review to warn people off it.

Neuenfels enjoys, if that's the word, a reputation as an enfant terrible of opera in Europe, although at his age - 60 at the time of this production - he should have grown up by now. His entire style seems to be based on shocking the bourgeoisie, in this case the well-heeled attendees at the Salzburg Festival, one of the most expensive musical venues in the world.

The production is set in roughly 1900. There is entirely new and often scatological spoken dialog by Neuenfels that makes unsubtle references to the hypocrisy and decadence of society, that of Austria in particular. He has made Prince Orlofsky into a cocaine-addict; the part is played by a "jazz musician" of whom I'd never heard, one David Moss, who is tricked out as a Rastafarian in dreadlocks and pajamas. His singing is all over the place, from Tom Waits-like growling to a girlish falsetto. He prances around the stage like someone in a junior high school play. We get to see him snort cocaine and offer it to his guests during the ball scene. Kewl!

The main singers are, in the main, quite good. I would single out particularly Mireille Delunsch (Rosalinde) and Malin Hartelius (Adele). Also, Dale Duesing (Frank) is fine, although he is required to wear a big white cylindrical contraption that makes him look like a walking wedding cake; the symbolism escaped me. Olaf Bär (barely recognizable as Dr. Falke) sings superbly as one expects from him, and his acting as the evil Falke is smarmily repellent. Frosch is taken by a 'comedienne,' Elisabeth Trissenaar, and her humor - cruel, solipsistic, ugly - eluded me entirely. I kept wishing for Jack Gilford in the old Met production! The Salzburg Mozarteum orchestra, led by Marc Minkowski, is fine.

The mise-en-scène is a single set that is varied artfully by the stage lighting. There are extras galore, chorus and dancers, who are required to do very strange and, at times, repulsive things. There are two added characters, the children of the Eisensteins, who look like they wandered in from a second-rate production of "Hänsel und Gretel." It is not clear what they add to the action, although they certainly ham it up a lot. Dr. Blind is actually blind (nyuk, nyuk!). Eisenstein is not only a figure of fun - that is, after all part of the plot - but a figure of cruel fun. There are gratuitous erotic acts (e.g., involving the two Eisenstein children) that are simply embarrassingly inappropriate.

I gave the DVD two stars merely because of the musical performance. And perhaps added a little in empathy for the embarrassment of the cast and musicians who had to perform in this travesty.

At the première of this production there was a near uprising by the audience; one hears booing from the audience during the curtain calls. One attendee reportedly sued to get his ticket money back. And it created a 'ein grosser Skandal' in European opera circles. It is no surprise that Gérard Mortier, the Intendant of Salzburg at the time of this production, is no longer there.

Scott Morrison

17 of 18 people found the following review helpful:

1.0 out of 5 stars BE CAREFUL!, January 28, 2004

By	Mr John Haueisen (WORTHINGTON, OHIO United States) - See all my reviews (REAL NAME)

Be careful! Don't buy this dvd unless it's your fully-conscious decision to go off the beaten path and perhaps into the briars and brambles.
I expect a really good production from the Salzburg Festival, and indeed there is some excellent singing here. But they've added more characters, new dialog, and bizarre changes to Strauss' original work.
Most startling is a Prince Orlovsky, in striped pajamas and dreadlock braids, alternately screaming, shrieking, gasping, and snorting cocaine. Eisenstein and Dr. Falke occasionaly appear wearing what can only be described as large wedding cake outfits--really!--that's what they look like: large singing wedding cakes. I tried to imagine what "social comment" the production was trying to make, but I'm at a loss.
Please, if you want to see good productions of Die Fledermaus, try Carlos Kleiber and the Bavarian State Opera, or Placido Domingo and the Royal Opera, Covent Garden (with Kiri Te Kanawa and Herman Prey). Another excellent dvd is Richard Bonyne and the Royal Opera House, which features among Prince Orlovsky's guests, Joan Southerland's touching farewell to The Royal Opera House.
If you have all three of these productions, and just simply must have every version of Die Fledermaus, then buy this one.
But don't say I didn't warn you!

7 of 8 people found the following review helpful:

1.0 out of 5 stars be warned ! avant garde to the point of absurdity !, January 24, 2004

By	ken koonce (beaverton, oregon) - See all my reviews

a cocaine sniffing prince orlofsky . a director who decided to rewrite the operetta putting in new dialogue. dark ,sadistic,amateurish. i knew i was in trouble when i started reading the booklet inside the dvd box. i wish they had put that information on the outside of the box. get the royal opera at covent garden dvd production with placido domingo conducting. one last comment . the costumes were out of some brechtian three penny opera,mother courage german expressionist nightmare.