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18 of 18 people found the following review helpful:
5.0 out of 5 stars
Pop vocal bliss, May 31, 2003
To be honest, I approached this album with apprehension. Unquestionably, Fahl has an incredible rich NATURAL voice (confirmed in live appearances). However, with her previous band, the October Project, Kohl was only the honeyed vocalist on top of their lush folk-cum-celtic-cum-pop-rock songs. In that band, the songs and arrangements were written by other members of the band. In fact, the band's disinclination to allow Fahl to contribute to the writing is one of the reasons Fahl cites for leaving the October Project. Nonetheless, the range, presence and tonal quality of Fahl's vocals with October Project were so great to give creedence to the old adage "she could sing the phone book and make it sound good."Flash forward a half decade and Fahl has finally re-emerged (somewhat ironically on a subsidiary of the same label--Sony/Columbia--that dropped the October Project). Happily...no, SURPRISINGLY, the songs on this album, all but three co-written by Fahl, are very good. The tone is considerably less traditional pop-rock than the October Project; here you'll find elements of Broadway pop, folk, world music (Ben Aindi Habibi), opera (Una furtiva lagrima) and even a slight touch of jazz (Dream of You), along with the celtic tone sometimes used in her previous band (The Dawing of the Day). And when Fahl meets a diva-worthy showstopper like Redemption, she's so good you sit mouth agape, hold your breath and hope this is just the beginning of a long career. Fahl could teach all the pop tarts that seemingly qualify for Diva today what a REAL Diva sounds like. This is a wonderful singer's album. A showcase album. The kind of album they don't make anymore. Well, mostly, anyway. On a pure musical level, this album betters the October Project's oevre. Heck, go ahead and place this album on the shelf beside the first few early Streisand albums. Yeah, it's that good. Yeah, SHE'S that good. David
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