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Judging by her current pose, the Material Girl has mutated into the Military Girl. Indeed, this time out Madonna launches an assault on the miscalculations of her past while also airing her grievances with a troubled world. Madonna has always jumped on trends, but, for the first time, she leaps and falls as she revisits the minimalist synth-pop that she helped define in the 80s and raps like
Debbie Harry about lattes and nannies. She also divulges career and personal missteps that her audience recognized all along, and had already forgiven--or embraced. With the exception of the entrancing Bond film theme "Die Another Day," the music doesn't measure up to 1999's
Ray of Light and