Most Helpful Customer Reviews
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46 of 53 people found the following review helpful:
5.0 out of 5 stars
Who's the mole?, December 22, 2002
Close on the heels of his ADAPTATION, screenwriter Charlie Kaufman scores again with CONFESSIONS OF A DANGEROUS MIND, based on the (fictional?) autobiography of the same title by Chuck Barris. It's also George Clooney's initial outing as Director.At the very beginning when the audience sees a bearded and naked Chuck Barris (Sam Rockwell) standing as if in a trance while a frumpy housekeeper vacuums around him, the viewer suspects that the film will be something special, outrageous, or both. This is the starting point for an extended flashback as Barris recalls his young adulthood, when it seemed everybody but him was having sex, to his successful career as a TV game show creator and low-brow polluter of the American airwaves ("The Dating Game", "The Newlywed Game", "The Gong Show"). Pretty standard stuff except that along the way Barris is seduced by a penchant for violence into a double life as a CIA contract killer, and the schizophrenia brought on by his double life almost proves his undoing. Rockwell is superb in the leading role, as is Director Clooney, who plays his square-jawed, no-nonsense CIA recruiter and control, Jim Byrd. (Byrd to Barris: "Listen, you're thirty-two years old and you've achieved nothing. Jesus Christ was dead and alive again by thirty-three. Better get cracking.") Drew Barrymore does a swell job as Penny, the on-again, off-again love of Chuck's life, but she's deliciously upstaged by Julia Roberts in a new sort of character for her, that of the seductive and deadly femme fatale spy, Patricia. ("Prove how much you love me, baby. Kill for me. Then I'm all yours".) Brad Pitt and Matt Damon have hilarious two-second cameos on stools. And there's one scene where a Federal official lectures The Dating Game contestants on the dire repercussions of introducing risqué material into their game show appearance that alone is worth the price of admission. I don't know who that actor was, but he deserves an Oscar for a one-minute speech. This is a movie that perhaps has to be seen twice to be fully appreciated for the deft and clever use of camera perspective, scene and timing changes, and almost-overexposed color, all of which keeps the audience on its toes wondering what's coming next. And the Big Question: who's The Mole? This is one of the best dark comedies that I've seen in a long while. It's one of the must-see films of 2002/2003. Bravo, bravo!
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
A Very Funny, Star-Packed, and Deeply Disturbed Romp, April 3, 2007
A movie that combines "Ocean's Eleven" stars and a core storyline from "A Beautiful Mind" with the TV progenitor of Simon Cowell? It seems unlikely, as does much of the book this film's script was based on, yet it all comes together well in a very weird, but hilarious piece of entertainment.
Sam Rockwell is dead-on as game show producer Chuck Barris, who created not only two staples of American television mediocrity (The Dating Game, The Newlywed Game), but also the "American Idol" of the 1970s -- The Gong Show. The only differences between Barris' production and today's "Idol" are that Barris featured ONLY bad wanna-bes, so there were no recording contracts and such offered, and his judges were a lot funnier, as was he. Of course, viewers were different back then, too, in that they didn't know what to make of a show on which struggling "talent" were verbally abused. Today, that's half of Idol's viewership. In any case, Rockwell's portrayal of him is perfect.
Equally good are Drew Barrymore, as Barris' on-again, off-again, on-again love interest, George Clooney as Barris' supposed CIA handler, and fellow assassin Julia Roberts. In fact, Barrymore is considerably better here than in most of her roles. The appearance of Rutger Hauer also made me laugh, especially given the tough guy roles he used to play. And cameos by Brad Pitt and Matt Damon are priceless.
As for the "A Beautiful Mind" reference, Barris' assertion that he served as a CIA assassin during that period is so absurd that it immediately made me think of the Russell Crowe/Jennifer Connelly film's delusional spy sequences. It's also fitting considering that the central message of Barris' book is that it is immensely painful to have a brilliant mind in early life, yet end up wasting it on developing cheap fodder like "The Dating Game." (Pretty much the story of American televison in general.)
Don't get me wrong -- this is NOT a movie classic. Still, Barris is such a weird yet bright man that the film is fun throughout. And its depiction of this period of TV-making in America is funny, believable, and all too insightful as to how we ended up with the flood of "reality" and game shows that pollute our TV screens today. The film blames Barris, because he did himself, but it's the networks that pushed and paid for this dreck, and still do.
If you have an absurdist bone in your body, you'll at least get several laughs out of this. Enjoy.
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12 of 15 people found the following review helpful:
3.0 out of 5 stars
I have a Confession...I don't understand this movie, January 28, 2003
I am a frequent watcher of the late night talk shows, and George Clooney has been on all of them lately to promote his new movie, "Confessions of a Dangerous Mind." The hosts and critics alike had very good things to say about this movie, so I dedided to see it. Here is my take....I don't understand.This movie is a biopic based on the life of game show creator Chuck Barris. He created, among other things, The Newlywed Game and The Gong Show. AND according to his book and this movie, he moonlighted as an assasin for the CIA. The movie was dark. The lighting was dark, the writing was dark, and the colors were dark. The actors spoke in hushed tones and there was a lot of jump cutting which affected the continuity of the movie. The movie was slow. Painfully slow. There was plenty of cursing and gratitious nudity, as well as some cameos by the Unknown comic, Gene the dancing machine, and Dick Clark. As for my opinion, I can see how the critics liked it. Its composition was original, its score and lighting extremely creative, and Drew Barrymore and Sam Rockwell gave great performances. BUT, it was extremely slow, dull, and at times just plain boring. I don't understand why the people who makes these things feel like they have to go over the top with the creativity and editing. Negatives aside, I do not believe for a second that Mr. Barris was a CIA hitman. He seems too frail and laid back to be able to pull off an assasination. But, the whole "Was he or wasn't he" argument is brilliant marketing by the distributors of the film. This movie was just OK. Nothing special.
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