Most Helpful Customer Reviews
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126 of 130 people found the following review helpful:
5.0 out of 5 stars
A magnificant opium dream of a gangster epic, May 21, 2003
Okay, a four hour gangster movie is not going to be everyone's cup of tea, especially when the pacing is absolutely glacial and DeNiro and Woods aren't on-screen for about half that time because of a childhood flashback that's longer than some full movies. But, if you take this movie on the terms director Sergio Leone sets, it's a richly rewarding cinemeatic experience. I've heard the film described as "an opium dream of a gangster movie" and the pacing seems to justify such a response. But it's slow and richly detailed, and a little odd at times, for very good reasons that pay off in spades by the film's emotionally titanic (though slightly anti-climactic} finale.Despite what can seem like turgidness on first viewing, this film is likely to stick to your ribs and merit repeat screenings. DeNiro smolders throughout, while James Woods delivers a teriffic scenery-chewing performance. The story is friendship (and betrayal, of course)--or is it Romulus and Remus? Greek tragedy, perhaps? Godfather parts 1 and 2 rolled into one film? Yes, and more. And viewers familliar with Leone only through his spagetti westerns are in for a surprise: Leone is a world-class film-maker here, capable of stunning beauty and cruelty, often within the same frame. Does it really need to be this slow? Does the flashback to childhood need to be almost and hour and a half long (don't worry--it's absorbing enough in its own right to keep you from noticing)? Does the the chronology need to be so screwy? Does that darn phone need to ring so long? Absolutely.
Fans of Woods, DeNiro, Leone, or gangster movies in general canot afford to pass this film up. The supporting cast, especially the young actors playing the gang members in thier childhood, is also consistently stellar. Best viewed on a cold wintry afternoon when you've got plenty of time. Opium not provided.
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160 of 173 people found the following review helpful:
3.0 out of 5 stars
ONCE UPON A TIME - ENTERTAINS, ENTHRALLS AND CAPTIVATES!, June 11, 2003
"Once Upon A Time In America" is director, Sergio Leone's stunning tale of organized crime and the destruction it unleashes into the lives of four life-long friends. Robert DeNiro headlines a cast of great talent that includes Joe Pesci, Treat Williams and James Woods. When this film first premiered in 1984 it was 229 minutes. However, the subject matter was considered so violent and shocking, and the pace so methodically slow that nearly 40 minutes were excised for general exhibition, rendering the story line practically incomprehensible. I am pleased to say that this new 2-disc set at last gives us the story as it was originally intended, full of robust characterizations, enthralling action sequences and filled with the sort of memorable moments that have reminded me why we all go to the movies - to be entertained (not overwhelmed with way-too-many, ultra-slick digital effects!).
Warner Brothers 2 disc set does have its drawbacks. First, the movie itself is spread over two discs and, there is no polite way to say it, the interruption is obtrusive. The break happens right in the middle of a crucial scene. Interruption aside, the DVD is marred by considerable film grain and a bit of digital grit that make most of the images digitally harsh instead of creamy smooth. Many scenes offer remarkable clarity and depth while others, mostly night time or dark scenes suffer from a loss of fine detail that disappears into a haze of undistinguished muddy blacks, browns and blues. Edge enhancement, pixelization, shimmering and aliasing are present throughout the transfer, sometimes distractingly so. The audio is remixed 5.1 and is strident and lacking in tonal bass.
Extras: Pretty much a retrospective and audio commentaries. Some toss away stuff. That's it, that's all!
BOTTOM LINE: For its sheer mastery in the art of cinema story telling, I recommend "Once Upon A Time In America". The transfer leaves something to be desired but hey, it's nice to have this American classic back in the spotlight and, finally, in its full running time.
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41 of 41 people found the following review helpful:
5.0 out of 5 stars
Brilliant, May 3, 2000
When "Once Upon A Time in America" was initially released, there wasn't much of a stir in America due to the well-documented excision of around an hour and half of footage. But, on its release to home video, the restored, uncut version was suddenly available to American viewers. Thank God. This is a deeply moving, emotionally-wrenching film that deserves its ranks in the annals of some of the greatest motion pictures ever filmed. Movie lovers will delight in this film from frame to frame. Top-notch performances, extended sequences with attention to detail that rival the best Kubrick films, and plot twists told through inventive flashback sequences make this a movie-lovers paradise. I remember when it first came out, I was mesmerized by it for three reasons. Firstly, when it was released there was possibly never a more violent film than this one, with the possible exception of Scarface. Thus, the action is first-rate. Secondly, the performances were all compelling. One performance that went overlooked, I think, was Tuesday Weld's volatile performance as the damaged and emotionally scarred girlfriend of the equally volatile Woods. DeNiro, of course, holds every scene he's in; there's a great sequence in the film involving crooked cop Danny Aiello and a sick practical joke played on him by the gangsters seeking to influence him; additionally, a young Jennifer Connelly gives a fine performance as the childhood sweetheart of one of the gang-members. Thirdly, the pacing of the film was deliberately extended in several sequences to allow for Ennio Morricone's haunting, melancholic, and most deeply felt musical score. When Morricone's music swells, so collectively do we, and the play on the screen becomes the ultimate tragedy that can never have a happy ending. Some of the visuals of the film are especially striking, not the least of which is the aerial shot of DeNiro lying under a mesh cover on a mattress in an opium den, grinning goofily while he allows the opium to take its effect, and wipe away the memories of his betrayal. Other standout visuals include the shot of a frisbee flying through the air to introduce yet another flashback sequence, the opening sequences of horrifying violence, and a final sequence involving a garbage truck. All of this together creates an unforgettable movie experience, one that will stay with the viewer for a long time.
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