From The New Yorker
Michael Steinberg's movie is set in the Southwestern town of Enfield. A young, unloving couple called Nick (Tim Roth) and Beth (Bridget Fonda) are about to leave town; instead, they leave each other. Nick drives off into the desert, thirsting vainly for his roots, while Beth stays home and goes to bed with a slimy housepainter, Sid (Eric Stoltz). Why she should do this is anyone's guess; but then private motivation, like as much else about the film, seems arbitrary and floating. Steinberg wants to tell a tale of boredom, of a generation almost too cool to take decisions, and it's no surprise that his movie should fall prey to the same failings; as time passes, and as Stoltz's character labors us with dud hippie mantras, it becomes hard to care what happens to these people. Tim Roth survives by the sheer prickly push of personality, and Phoebe Cates has some upbeat moments as his ex-girlfriend, but it's a struggle all the way. The camera follows suit; the crisp, sunbaked images of the first half-hour promise a clarity that slowly blurs and fades. -Anthony Lane
Copyright © 2006
The New Yorker
Product Description
Four twentysomething friends explore love, desire and commitment in this irresistibly charming, critically acclaimed romantic comedy. Rebelling against his dreary life in a small Arizona town, TV salesman Nick (The Legend of 1900's Tim Roth) abandons his girlfriend, Beth (Singles' Bridget Fonda), and strikes out onto the highway in search of... something else. Encouraged by her best friend, Carol (Fast Times at Ridgemont High's Phoebe Cates), Beth reluctantly accepts the romantic attentions of a local housepainter (Pulp Fiction's Eric Stoltz). But when Nick's impulsive road trip leads him back home again, the stage is set for a wildly comic chain reaction among four people whose lives have suddenly become hopelessly, hilariously intertwined!