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Berlioz Edition (Box Set)
 
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Berlioz Edition (Box Set) [BOX SET]

Thomas Allen (Performer), John Shirley-Quirk (Performer), Joseph Rouleau (Performer), Jules Bastin (Performer), Raimund Herincx (Performer), Richard van Allan (Performer), Ian Herbert (Performer), Roy Jowitt (Performer), Hector Berlioz (Composer), Colin Davis (Conductor), Edo de Waart (Conductor), Francis Nolan (Performer), Richard Taylor (Performer), Renata Scheffel-Stein (Performer), Gillian Knight (Performer), Janet Baker (Performer), Josephine Veasey (Performer), BBC Symphony Orchestra (Orchestra), London Symphony Orchestra (Orchestra), Royal Opera House Chorus and Orchestra Covent Garden (Orchestra)
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On this CD:
  1. Benvenuto Cellini, opera, H. 76a, Op. 23
    Composed by Hector Berlioz
    Performed by BBC Symphony Orchestra, Bela Dekany
    with Jules Bastin, Robert Massard, Christiane Eda-Pierre, Raimund Herincx, Jane Berbie, Robert Lloyd, Janine Reiss, Roger Soyer, Derek Blackwell, Hughes Cuenod, Nicolai Gedda
    Conducted by David T. Shaw, Sir Colin Davis

  2. Béatrice et Bénédict, opera, H. 138
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Jules Bastin, Helen Watts, Christiane Eda-Pierre, Richard van Allan, Robert Lloyd, Sir Thomas [baritone] Allen, Robert Tear, Dame Janet Baker
    Conducted by David T. Shaw, Sir Colin Davis

  3. Les Troyens, opera, H. 133a
    Composed by Hector Berlioz
    Performed by Charles Taylor, Covent Garden Royal Opera House Chorus and Orchestra
    with Peter Glossop, Josephine Veasey, Ian Herbert, Ian Partridge, Anthony Raffell, Wandsworth School Boys' Choir, Jon Vickers, Dennis Wicks, David Lennox, Ryland Davies, Pierre Thau, Berit Lindholm, Elizabeth Bainbridge, Raimund Herincx, Anne Howells, Heather Begg, Roger Soyer
    Conducted by Sir Colin Davis

  4. Symphonie fantastique for orchestra ("Episode de la vie d'un Artiste...en cinq parties"), H.48 (Op. 14)
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  5. Tristia, for chorus & orchestra (or piano), H. 119 (Op. 18) No.3: Marche funebre pour ola derniere scene d'Hamlet
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  6. La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ("légende dramatique") H. 111 (Op. 24) Menuet des follets
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  7. La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ("légende dramatique") H. 111 (Op. 24) Marche hongroise
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  8. Lélio, ou Le retour à la vie, for 2 sopranos, alto, 3 tenors, 3 basses, chorus & orchestra ("monodrame lyrique"), H. 55 (Op. 14bis)
    Composed by Hector Berlioz
    with Roy Jowitt, Renata Scheffel-Stein, John Constable, Sir Thomas [baritone] Allen, Jose Carreras
    Conducted by Sir Colin Davis

  9. Symphonie funèbre et triomphale, for band, strings & chorus ad lib, H. 80 (Op. 15)
    Composed by Hector Berlioz
    with Denis Wick
    Conducted by Sir Colin Davis

  10. Harold en Italie (Harold in Italy), symphony for viola & orchestra, H. 68 (Op. 16)
    Composed by Hector Berlioz
    with Nobuko Imai
    Conducted by Sir Colin Davis

  11. Les Troyens, opera, H. 133a Act III, Part III: Prelude "Les Troyens a Carthage"
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  12. Les Troyens, opera, H. 133a Act IV, No.29: Chasse Royale et orage-Pantomime
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  13. Les Troyens, opera, H. 133a Act IV, No.32: Marche pour l'entree de la reine
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  14. Les Troyens, opera, H. 133a Act IV, No.33, Part A: Pas des Almees
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  15. Les Troyens, opera, H. 133a Act IV, No.33, Part B: Danse des esclaves
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  16. Les Troyens, opera, H. 133a Act IV, No.33, Part C: Pas d'esclaves nubiennes
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  17. Rêverie et caprice for violin & orchestra ("romance"), H.88 (Op. 8)
    Composed by Hector Berlioz
    with Arthur Grumiaux
    Conducted by Edo de Waart

  18. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17)
    Composed by Hector Berlioz
    with John Shirley-Quirk, Robert Tear
    Conducted by Sir Colin Davis

  19. Overture to Béatrice et Bénédict, opera, H. 138
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  20. Overture to "Benvenuto Cellini" (Grande Ouverture de Benvenuto Cellini) for orchestra, H. 76b (Op. 23)
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  21. King Lear Overture (Grande Ouverture du roi Lear), for orchestra, H. 53 (Op. 4)
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  22. Grande Ouverture des Francs-Juges, for orchestra, H. 23d
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  23. Waverly Overture (Grande Ouverture de Waverly) for orchestra, H. 26 (Op. 1)
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  24. Le Corsaire, overture for orchestra, H. 101 (Op. 21)
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  25. Le carnival romain (Roman Carnival Overture), ouverture catactéristique for orchestra, H.95 (Op. 9)
    Composed by Hector Berlioz
    Conducted by Sir Colin Davis

  26. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 1. Introduction. Combats - Tumulte - Intervention du Prince
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    Conducted by Sir Colin Davis

  27. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 1. Prologue. D'anciennes haines endormies
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Patricia Kern
    Conducted by Sir Colin Davis

  28. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 1. Strophes. Premiers transports que nul n'oublie!
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Patricia Kern
    Conducted by Sir Colin Davis

  29. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 1. Strophes. Heureux enfants aux cœurs de flamme
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Patricia Kern
    Conducted by Sir Colin Davis

  30. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 1. Scherzetto. Bientôt de Roméo - Mab, la messagère - Bientôt la mort est souveraine
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Robert Tear
    Conducted by Sir Colin Davis

  31. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 2. Roméo seul - Tristesse - Concert et bal -
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    Conducted by Sir Colin Davis

  32. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 2. Grande fête chez les Capulets
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    Conducted by Sir Colin Davis

  33. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 3. Ohé, Capulets! Bonsoir, bonsoir!
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    Conducted by Sir Colin Davis

  34. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 3. Scène d'amour
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    Conducted by Sir Colin Davis

  35. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 4. Scherzo. La reine Mab, ou la fée des songes
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    Conducted by Sir Colin Davis

  36. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 4. Convoi funèbre de Juliette
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    Conducted by Sir Colin Davis

  37. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 4. Roméo au tombeau des Capulets
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    Conducted by Sir Colin Davis

  38. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 4. Finale. Quoi! Roméo de retour!...Récitatif. Je vais dévoiler le mystère!
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with John Shirley-Quirk
    Conducted by Sir Colin Davis

  39. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 4. Air. Pauvres enfants que je pleure...Mais notre sang rougit leur glaive
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with John Shirley-Quirk
    Conducted by Sir Colin Davis

  40. Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17) Part 4. Serment. Jurez donc par l'auguste symbole
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with John Shirley-Quirk
    Conducted by Sir Colin Davis

  41. L' Enfance du Christ, oratorio for soprano, 2 tenors, baritone, 3 basses, chorus & orchetsra ("trilogie sacrée") H. 130 (Op. 25)
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Jules Bastin, Francis Nolan, Raimund Herincx, Joseph Rouleau, Philip Langridge, Renata Scheffel-Stein, Eric Tappy, Sir Thomas [baritone] Allen, Richard [recorder] Taylor, Dame Janet Baker
    Conducted by Sir Colin Davis

  42. La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ("légende dramatique") H. 111 (Op. 24)
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra, John Brown
    with Jules Bastin, Josephine Veasey, Alex Taylor, Richard van Allan, Geoffrey Browne, Nicolai Gedda, Gillian Knight
    Conducted by Sir Colin Davis

  43. Requiem (Grande Messe des morts), for tenor, chorus & orchestra, H. 75 (Op. 5)
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Franco Tagliavini
    Conducted by Sir Colin Davis

  44. Te Deum, for tenor, 3 choruses, brass bands, organ & orchestra, H. 118 (Op. 22)
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Franco Tagliavini, Nicholas Kynaston
    Conducted by Sir Colin Davis

  45. Les Nuits d'été, song cycle for voice & piano (or orchestra), H. 81 (Op. 7)
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Roy Jowitt, Renata Scheffel-Stein, John Shirley-Quirk, Josephine Veasey, Frank Patterson, Sheila Armstrong
    Conducted by Sir Colin Davis

  46. Lélio, ou Le retour à la vie, for 2 sopranos, alto, 3 tenors, 3 basses, chorus & orchestra ("monodrame lyrique"), H. 55 (Op. 14bis)
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with John Constable, Sir Thomas [baritone] Allen, Jose Carreras
    Conducted by Sir Colin Davis

  47. La Mort de Cléopâtre, for soprano & orchestra, H.36
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Dame Janet Baker
    Conducted by Sir Colin Davis

  48. Herminie, cantata ("scène lyrique") for soprano & orchestra, H. 29
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Dame Janet Baker
    Conducted by Sir Colin Davis

  49. La Belle voyageuse ("Elle s'en va"), song for voice & piano (Neuf Mélodies irlandaises), H. 42a, Op. 2/4
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Sheila Armstrong
    Conducted by Sir Colin Davis

  50. Le Chasseur danois, for baritone & piano (or orchestra), H. 104
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with John Shirley-Quirk
    Conducted by Sir Colin Davis

  51. La Captive for voice & piano (or orchestra), H. 60 (Op. 12)
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Josephine Veasey, Sheila Armstrong
    Conducted by Sir Colin Davis

  52. Le Jeune Pâtre breton, for voice & piano & horn ad lib (Fleurs des landes), H. 65 (Op. 13/4)
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    with Frank Patterson
    Conducted by Sir Colin Davis

  53. Zaïde, boléro for voice, castsnets & piano or orchestra (Feuillets d'album), H. 107 (Op. 19/1)
    Composed by Hector Berlioz
    Performed by London Symphony Orchestra
    Conducted by Sir Colin Davis


Editorial Reviews

Amazon.com

Sir Colin Davis has long been considered the world's finest Berlioz conductor, and over the years, Philips has released all of the composer's major works with Davis at the helm. Now, they're all here, in a 24-CD box, and it is an astonishing achievement. This treasure trove consists of the definitive, available readings of Les Troyens, Béatrice et Bénédict, and Benvenuto Cellini; a wonderfully energetic, passionate Roméo et Juliette; a Te Deum which is huge yet clear and not over-the-top for its own sake; Les Nuits d'été with different singers (of varying ranges in different songs), as Berlioz wanted them performed; the young Dame Janet Baker superb in Herminie and La Mort de Cléopatre; a relaxed, sweet Enfance du Christ; a Requiem which could knock you over; a Damnation de Faust which is both lyrical and exciting; a performance of Lélio which almost makes sense of that strange work; a Symphonie Fantastiquewith atmosphere and thrills; along with 7 overtures, 5 songs, and more. In addition to the moderate price, the packaging is such that the 24 CDs takes up less space than just the earlier releases of Cellini and Troyens together. This is one-stop shopping at its best. --Robert Levine

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