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Editorial Reviews
Amazon.com
Winner of the prestigious Golden Palm award at the 2002 Cannes film festival, The Pianist is the film that Roman Polanski was born to direct. A childhood survivor of Nazi-occupied Poland, Polanski was uniquely suited to tell the story of Wladyslaw Szpilman, a Polish Jew and concert pianist (played by Adrien Brody) who witnessed the Nazi invasion of Warsaw, miraculously eluded the Nazi death camps, and survived throughout World War II by hiding among the ruins of the Warsaw ghetto. Unlike any previous dramatization of the Nazi holocaust, The Pianist steadfastly maintains its protagonist's singular point of view, allowing Polanski to create an intimate odyssey on an epic wartime scale, drawing a direct parallel between Szpilman's tenacious, primitive existence and the wholesale destruction of the city he refuses to abandon. Uncompromising in its physical and emotional authenticity, The Pianist strikes an ultimate note of hope and soulful purity. As with Schindler's List, it's one of the greatest films ever made about humanity's darkest chapter. --Jeff Shannon
From The New Yorker
Roman Polanski's drama about the survival of a real-life Polish Jew, the pianist Wladyslav Szpilman (Adrien Brody), during the grim days of the Holocaust is a movie that has been perfectly produced. The sense of scale and detail is exact, and the violence is neither exaggerated nor minimized but presented with clear-eyed accuracy. Yet this is not a work of great originality or imagination. Its protagonist lacks depth, and the theme of survival through hiding is, by its very nature, redundant. The playwright Ronald Harwood adapted the 1946 book that Szpilman wrote about his experiences without attempting to open up the hero at all. Is he ashamed, defiant, guilty? Grateful for his luck? We haven't a clue. His survival is an anomaly, a mistake, a joke-and that may be why the story appealed to Polanski. Shot largely in Warsaw. -David Denby
Copyright © 2006 The New Yorker
Winner of the prestigious Golden Palm award at the 2002 Cannes film festival, The Pianist is the film that Roman Polanski was born to direct. A childhood survivor of Nazi-occupied Poland, Polanski was uniquely suited to tell the story of Wladyslaw Szpilman, a Polish Jew and concert pianist (played by Adrien Brody) who witnessed the Nazi invasion of Warsaw, miraculously eluded the Nazi death camps, and survived throughout World War II by hiding among the ruins of the Warsaw ghetto. Unlike any previous dramatization of the Nazi holocaust, The Pianist steadfastly maintains its protagonist's singular point of view, allowing Polanski to create an intimate odyssey on an epic wartime scale, drawing a direct parallel between Szpilman's tenacious, primitive existence and the wholesale destruction of the city he refuses to abandon. Uncompromising in its physical and emotional authenticity, The Pianist strikes an ultimate note of hope and soulful purity. As with Schindler's List, it's one of the greatest films ever made about humanity's darkest chapter. --Jeff Shannon
From The New Yorker
Roman Polanski's drama about the survival of a real-life Polish Jew, the pianist Wladyslav Szpilman (Adrien Brody), during the grim days of the Holocaust is a movie that has been perfectly produced. The sense of scale and detail is exact, and the violence is neither exaggerated nor minimized but presented with clear-eyed accuracy. Yet this is not a work of great originality or imagination. Its protagonist lacks depth, and the theme of survival through hiding is, by its very nature, redundant. The playwright Ronald Harwood adapted the 1946 book that Szpilman wrote about his experiences without attempting to open up the hero at all. Is he ashamed, defiant, guilty? Grateful for his luck? We haven't a clue. His survival is an anomaly, a mistake, a joke-and that may be why the story appealed to Polanski. Shot largely in Warsaw. -David Denby
Copyright © 2006 The New Yorker
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