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All-Star Blues Jam
 
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All-Star Blues Jam

Bob Margolin
4.0 out of 5 stars  (1 customer review) More about this product

List Price: $17.98
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Better Together

Buy this album with My Blues & My Guitar ~ Bob Margolin today!

All-Star Blues Jam My Blues & My Guitar
Buy Together Today: $35.96

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Product Details
  • Audio CD (May 27, 2003)
  • Original Release Date: May 27, 2003
  • Number of Discs: 1
  • Label: Telarc
  • ASIN: B000096FU9
  • Average Customer Review: 4.0 out of 5 stars  (1 customer review)
  • Amazon.com Sales Rank: #240,986 in Music (See Bestsellers in Music)

Track Listings

1. Brutal-Hearted Woman
2. Sweet (Little) Black Angel
3. One Day You're Gonna Get Lucky
4. I'll Take Care Of You
5. Juke
6. Mean Old Chicago
7. Always On My Mind
8. Easy To Love You
9. Last Time
10. Maybe The Hippies Were Right
11. Country Boy
12. Crazy 'Bout You Baby
13. My New Baby Owns A Whiskey Store
14. Goin' Down Slow
15. Just A Closer Walk With Thee

Editorial Reviews
Amazon.com
This meeting of Muddy Waters Band alumni thrives on subtle turns of virtuosity. Session leader Margolin proves how beautifully he can approximate Waters’s soul-probing, staccato slide guitar as he adds its whinnying tone to Pinetop Perkins’s barrelhouse piano and voice on "Sweet (Little) Black Angel." Harp legend Carey Bell puts a sharp edge on "One Day You’re Gonna Get Lucky," spitting out lyrics and letting his harp rock the melody. And drummer Willie "Big Eyes" Smith incites the Elmore James-inspired shuffle "Always on My Mind," shouting and pounding out its heartbreak as Margolin slides again. "Last Time" is a rare acoustic showcase for guitarist Hubert Sumlin. And there’s room for newcomers, too. Jimmy D. Lane picks slow and easy like his dad, the late Jimmy Rogers, on "Mean Old Chicago," and Margolin’s bassist Mookie Brill comes off as an MVP, offering laid-back propulsion throughout and singing his campy original "My New Baby Owns a Whiskey Store." Together they all raise the spirit of great early Chicago blues so effectively that, if not for its excellent sound, this album could have been cut in the late 1950s. --Ted Drozdowski