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11 of 11 people found the following review helpful:
5.0 out of 5 stars
Tubular Bells - The way it deserves to sound!, May 31, 2003
After a 25-year clause in his contract with the EVIL Richard Branson of the Virgin mega-empire, Mike Oldfield was able to re-record his defining masterpiece. This album alone has influenced more musicians during the last 30-years then I dare say Mozart, Bach, and Beethoven (even though the Introduction of Tubular Bells is based on a section from Bach's Tocatta and Fugue in D-minor) or anyone else's instrumental music. You can even hear a copy cat variation of TB's Introduction in the 50-cent hit "In Da Club." Even Janet Jackson used Tubular Bells in her hit "The Velvet Rope." This re-recording is hopefully the last we will hear of the Tubular Bells franchise. I do believe that Mike kept making TB albums (TB2 and TB3) to deal with his own disappointment with the original and not being able to re-record his original. Tubular Bells 2003 is TB the way it should sound. The beauty of the melodies is truly brought out in this recording! Every track from the original 1973 version is brought to life and given a new life in TB2003 - while remaining faithful to it's roots. The only downfall of this re-recording is the use of synths in sections. In my opinion that is what dates an album - keyboard synths. According to Oldfield only 10 percent of this album is keyboard and 90 percent is played by hand. Some of the highlights of this album is the beautiful and constant use of the Mandolin. Breathtaking!! In the track 'Harmonics' you can hear, about 30 seconds in, a beautiful vocal by Sally Oldfield (Mike's sister) - very haunting! The strong points in this album are the more relaxing tracks - Latin, A Minor Tune, Ghost Bells, Russian, Harmonics, Peace, and Ambient Guitars. One of my favourite tracks is the track 'Blues'. Haunting and when you aren't expecting it, the track blows up into this heavy Blues guitar - full throttle! 'Thrash' was a bit of a disappointment as it didn't do as I thought it should have - seemed a little too programmed and perfect. 'Finale' is very good and John Cleese adds a subtle humor to his MC's of the instruments in his Basil Fawlty-esque voice. As opposed to Alan Rickman's MC'ing on Tubular Bells 2 (1992) - Classy. Mike does employ the use of real Tubular Bells instead of keyboard bells - nice and refreshing change from the other bell albums. For those who understand time signatures - the track bounces along nicely a constant 4/4 (as in club music beats.) After John Cleese annouces 'PLUS Tubular Bells' the beat changes - with the beat on 1 and 3 instead of a constant 1-2-3-4. Took some getting used to. The drums are electronic - I believe. Funny really Tubular Bells has now employeed two Harry Potter stars Alan Rickman (Professor Snape) on TB2 and John Cleese (Nearly-Headless Nick) on TB2003. Now my favourite album and book series have something in common! :) The 'Caveman' section is indeed a big change from the original 1973 version. There is a cavewoman with the caveman. And an army of Cavemen in sections - nice touch! The only complaint with this track is the use of electronic-esque drums. For those who care and are wondering why you have this screaming Caveman in the first place need not wonder anymore... In 1972 when Mike was trying to get a record company to buy into Tubular Bells, they all told him to throw some vocals on there and they'd consider it. Well, Mike in his sense of humor got trashed one night during the one-week of recording given to him by Richard Branson - hence all the technical imperfections in the original -Mike started screaming at the top his lungs into a microphone and then replied to the record companies by saying 'here's those vocals you asked for!' It was also based on an archeologist hoax of that time called 'Piltdown Man.' Subtle humor really. The screaming caveman and woman sound alot like two Star Trek Klingons speaking Klingon and Mike is a huge fan of Star Trek - go fig! :) The Sailors Hornpipe - otherwise known to American's as the Popeye theme - is cleaned up and sounds more brilliant than ever. As for the most famous part of TB - the Introduction - made famous through its use in William Blakes 'Exorcist' is brilliant in its sound quality. The only unusual change is the synth bass played by way of midi on an actual guitar. Whether this remake will hold up in the test of time as the original 1973 version did- is up to time itself. Either way Tubular Bells will remain one of rock music's classic albums which will brave the tests of time to still be remembered in 50 years and beyond - as Beethovens Nineth Symphony (Ode to Joy). As a matter of fact, I do believe it was Rolling Stone magazine who stated that Tubular Bells is rocks equivalent to Beethoven's Nineth. Bottom line - BUY THIS CD!!! You will NOT be disappointed!!! Plus you will hopefully be sending a message to Mike's record company - that Mike Oldfield still has a fan base here in America and they should release this album here and Canada. We shouldn't have to constantly import his music. And the RIAA wonders why people just download music instead of purchasing it. MAKE IT AVAILABLE at a reasonable price in our country and we wouldn't need to download it!!! wink wink ;) PS I have bought - in spite of the outrageous import price - the Complete TB and TB2003 single album. PLEASE SUPPORT MIKE OLDFIELD - BUY THE ALBUM!!!
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