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37 of 41 people found the following review helpful:
4.0 out of 5 stars
Two Great Horror Spoofs, October 28, 2003
This DVD contains two movies with similar casts and similar black humor.In Comedy Of Terrors, Vincent Price, Boris Karloff, Peter Lorre and Basil Rathbone team up in a tragi-comedy of an undertaker who decides to increase business through murder. Many wonderful scenes and plenty of Shakespearian references (not just the title), my favorite being Karloff enacting the poison scene from Romeo and Juliet with Price. Well done. In the Raven, Price, Karloff and Lorre are joined by Jack Nicholson. The film opens with Price reading a tome of forgotten lore when there is a rapping at his chamber door. The rapping is a raven at the window. It enters and lands on a bust. Price asks it if he shall ever again see Lenore (his dead wife) and the raven responds, "How the hell should I know!" And thus the tone is set. Price is a wizard and must confront an evil wizard (Karloff) which, after many plot turns, results in one of the finest magic battles ever filmed. Dark comedy and excellent acting abound in both of these films. A wonderful disk.
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18 of 21 people found the following review helpful:
4.0 out of 5 stars
Quoth The Big Budget...Nevermore!, November 20, 2005
I love Vincent Price and Peter Lorre, not to mention Poe, so I was certainly looking forward to watching these.
The first movie is The Comedy of Terrors and it really is quite funny. Since you've read the plot a million times on these reviews, I'll cut to the chase. Vincent Price and Peter Lorre try to drum up more business for a funeral home through murder, hence more customers.
Vincent Price is laugh out loud funny, and really does have a talent for comedy, as does Peter Lorre. The facial expressions of Price are fantastic, as they were in Tales of Terror and it's an enjoyable film to watch. Watch for the actress called "Beverly Hills" in this one. (You'll recognize her by her, uh, name.) On a last note with this movie, Joyce Jameson, sexy as always, plays the wife of Vincent Price in this, and it's just so nice to watch a film where you know that all the women involved have natural figures from the waist up. No guessing here. This era has passed.
The second film was pretty good, which is The Raven. Based on Poe's poem, The Raven, is named as a "comedy" and has its moments, but I enjoyed it more as a fun drama than a straight ahead gag reel. Price and Lorre are good as always and Jack Nicholson even pops up here as the son of Peter Lorre, which is odd enough. The movie is basically about a couple of powerful wizards (Price and Boris Karloff) who end up fighting each other for supremecy. A big budget film this is not, which is funny, considering that Corman says in one of the special features that this is one of the highest budget films in the Poe line. The ending battle between Price and Karloff is hysterically bad (in a good way). It is so utterly cheesy, you just have to laugh. I believe a Godzilla sound effect even makes itself known somewhere in the sequence.
Both of these movies are brilliant....brilliantly bizarre, especially Comedy of Terrors.
You really have to have a certain type of black humor to enjoy these, which I do, so it worked out well. I would recommend buying this. Also, the transfers are very good, in widescreen, anamorphic format, which is cool.
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7 of 8 people found the following review helpful:
5.0 out of 5 stars
A pair of Richard Matheson written comedy thrillers, November 14, 2004
Director Roger Corman figured that the Poe adaptations he had been making at American International starting with "House of Usher" had pretty much run its course, so in a final masterstroke he decided to start playing up the humor. The result might be more like "Abbott and Costello Meet Frankenstein" than "The Pit and the Pendulum," but you have to admit "The Raven" is one of the best comedy-thrillers ever made. Even though Corman did not do "The Comedy of Terrors," it is a fitting counterpart to "The Raven" because not only do you have the same veteran horror actors in both films, but because writer Richard Matheson wrote both scripts. Matheson wrote the best of the AI films and deserves to be considered one of the best scripters of horror films of all time.
"The Comedy of Terrors" has a very simple premise. Vincent Price plays Waldo Trumbull, an undertaker who has not been getting any business so he decides to make some for himself by bumping off rich people. Also along for the fun are Boris Karloff, Peter Lorre, and Basil Rathbone, who tend to throw in a lot of Shakespeare quotes in the proceedings (Matheson wrote the whole script in blank verse). Lorre is Price's assistant and Karloff plays the senile father of Price's wife (Joyce Jameson). Joe E. Brown shows up to play the cemetery keeper as well (anybody remember when he played Shakespeare in 1935's "A Midsummer Night's Dream"?).
The film, also known as "The Graveyard Story," is directed by Jacques Tourneur, who first made a name for himself with "Cat People" when he headed the horror unit at RKO. Still, many viewers will be surprised that this was not a Corman film and, indeed, he seems to be the only one of the usual cast of suspects not involved in the film. The end result is pretty funny, especially when the boys are trying to keep Rathbone's "MacBeth" quoting John F. Black in his coffin. Some people will be grossly offended by these comic hijinxs, but those people should already know that going in and can just avoid this DVD.
"The Raven" begins "straight" with Dr. Erasmus Craven (Vincent Price) intoning Poe's poem, to an actual raven. But then the raven responds on cue...with Peter Lorre's voice! It turns out the raven is really another magician, Dr. Bedlo, who has been victimized by Dr. Scarabus (Boris Karloff). Craven turns Bedlo back into a human, and Bedlo agrees to help Craven find his beloved Lenore (Hazel Court). Going along on the journey are Craven's daughter (Olive Sturgess) and Bedlo's son (Jack Nicholson--this explains a lot, huh?). The film's climax is an epic magical duel between Price and Karloff (why even bother with the characters' names anymore?), where the two sorcerers keep trying to top each other.
Ultimately the credit for this one goes mainly to the script from Matheson. This is another one of those early films with Nicholson that must have been a great source of embarrassment to him once upon a time, but Price, Karloff and Lorre are having so much fun hamming it up in this one that you have little choice but to enjoy the indignities heaped upon the future Oscar winner. This 1963 film, which came out a year before "The Comedy of Terrors," should not be confused with the film with the same name Karloff made in 1935, although they would certainly make a rather obvious double-bill for a Saturday night.
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