Most Helpful Customer Reviews
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109 of 112 people found the following review helpful:
5.0 out of 5 stars
Neil at his very best., November 9, 2003
As 57 year old "child of the 60's" and former 70's and early 80's FM Radio Rock DJ, and guitarist, I've been a fan and close follower of Neil's music, and politics (the two are often inseperable) from the beginning, and own a fairly complete library of his works. I haven't always liked everything Neil has done and I can be critical of his music (and politics). I've also never felt compelled to write a review before, so believe me when I say that Greendale really grabbed me. This is Neil Young from the very bottom of his soul and at his very best! Neil has gone back to the classic Concept (album) format to tell an ingeniously entertaining tale and deliver his message of peace, love and respect for planet Earth. Characters that captivate the imagination, tongue in cheek humor, some directed at Neil himself, tragedy, death and serious message intertwine throughout. The electric music on the CD is simply great basic from the gut blues based Rock-n-Roll, including great guitar chops, Neil, not trying to be dazzling or fancy, just delivering solid riffs and solos that have me listening time and again. To top it all off the Bonus DVD solo acoustic performance recorded in a small club in Ireland is more than worth the price alone. Thousands of words will be written about Greendale but in my estimation one word says it all, BRILLIANT! Unfortunately, in today's sad narrow minded rock and roll radio market the general public isn't likely to hear much, if any, of Greendale. As previously mentioned I've never felt compelled to write an online review before but listen to Greendale and you too will likely be driven to spread the word. Collectively, we owe that to Neil for coming up with such a great work absoultely worthy of multi-Platinum sales status. Thanks, Neil Young, for more great music I will enjoy for the rest of my life.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars
Greendale grows on ya, September 28, 2005
The more I listen, the more I've come to believe "Greendale" is one of Neil's true masterpieces. At first, it seems like just another Crazy Horse album with the volume, distortion and anger turned way down. But, like a Steinbeck novel, its brilliance grows on you. For a Crazy Horse collaboration, there is an intimacy to these songs that I find thrilling. Without question their best work since "Ragged Glory". The feeling is one of sitting on a beat-up couch in a garage some lazy summer evening while Neil and the boys jam and tell you the story of small town dreams, both dashed and realized. "Carmichael" and "Grandpa's Interview" are nearly perfect both musically and lyrically; the beauty lies in a masterful balance of Ralph and Billy's propulsive rhythms and Neil's barely-restrained fuzzed guitar and seemingly stream-of-consciousness singing. The rest of the album is just as satisfying, especially the way-too-cool-for-words rockabilly anthem "Double EE" and the opening track "Falling from Above," which so wonderfully sets the stage for the hour+ journey. A definite candidate as a desert island disc.
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10 of 11 people found the following review helpful:
4.0 out of 5 stars
Something old, something new, something blue..., September 6, 2003
A very cohesive solid album, but rather than extol it, I'd rather address the reviewer who asks "If this is the Worst Neil album ever?" Obviously, he/she feels differently.1. Complaint: the lyrics are banal. Answer: Neil is speaking through plain spoken small town folks. His voice is true to his characters. There is nothing new under the sun. Therefore, we look for inspired delivery. I absolutely love the delivery when Neil's Granpa says, "It ain't an honor to be on TV. And it ain't a duty either." Since I work in electric policy, I do love when Sun Green takes on the semi-fictitious "Power-Corp." I'm not sure it is my speakers, but my one production complaint is that the megaphone lyrics should ring out more clearly. Compaint 2. That the music never goes anywhere. Answer 2: Except for Sun Green, these lives generally don't go anywhere! From the start, the best Neil (ALL NEIL!) matches the music to the content. Do you want "Grandpa's Interview" to sound like Southern Man? I don't think so. If you need that, play that. Furthermore, Neil is giving detached omniscient narrative. There is enough melodramatic impassioned first person in the arts. This is not that. He already wrote "Down by the River." Neil is not going to write the exact same song twice. Even professional reviewers seem to make this type of mistake. Neil knows just how far or little the travels or "goes!" It is exactly how he wants it, or it is not released. With a novice artist, you can ask this question. If it is Neil, you can't ask that question -- you must ask WHY the music doesn't seem to go anywhere. This reviewer reminds me of two fans that I saw commenting on "Going Home" of "Are You Passionate." They had no idea why a song that opens with an image of Custer's Last Stand would end abruptly and unexpectedly! And there's another reason to study history! And generally not one of the reason's that you're fed. I find the music to be a different flavor of smoldering and the melodies quite sweet. I'm headed for another play.
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