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31 of 32 people found the following review helpful:
4.0 out of 5 stars
A "best of", not really a Christmas record, March 26, 2004
Potential purchasers should bear that in mind. As with the Medieval Baebes debut album it contains a small proportion of `holiday season' material, but most of it can be listened to without embarrassment at any time of the year. (In my experience, all of it can - even on a warm spring afternoon I can't bring myself to program out `In Dulci Jubilo', `The Holly...' etc).Another thing potential purchasers should bear in mind - this compilation winds up being a better "best of" than the album of that name. It's more representative - career-spanning and able to demonstrate the increasing ambition and complexity of the arrangements, and of Katharine Blake's compositions. (Of course, some of their experiments with modern instrumentation on the `Undrentide' album didn't work, but they don't appear here). It's also more enjoyable on a basic musical level - there are no over-repetitive pieces, no odd song-fragments...nothing that drags. Or maybe there are a couple of weak spots - "I Am Eve" which goes on a little too long, and Audrey Evans's rendition of "L'amour de moi" which is suprisingly weak, and no substitute for the original featuring the much-missed Dorothy Carter - but these are easily forgiven. Even if you can't understand what's being said, even if you understand it well enough to spot the mispronunciations here and there, it will be hard to resist the ethereal beauty the Baebes' voices, and of songs like `Quan Vey La Lauzeta', `There Is No Rose of Swych Vertu' or `Blow Northern Wind'.
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