From The New Yorker
A romantic comedy, of sorts. The romance is airy and distant, because the lovers never meet until the final scene, and the comedy is kind of wistful, because it was directed by Nora Ephron. She is still a writer at heart, and it shows-there are scenes here that linger well past their bedtime, all for the sake of a few good lines. Tom Hanks plays Sam, left miserable by the death of his wife, with only his young son, Jonah (Ross Malinger), to console him. The consolation goes a bit far; Jonah rings up a radio talk show to say that his dad needs love (this is almost unwatchable, but grit your teeth and stay with it). Many listeners melt with sympathy, none more so than Annie (Meg Ryan), in Baltimore, shortly to be married and none too happy about it. For the rest of the movie, fate-and Jonah-do their best to bring the couple together, despite the continent that divides them. The result is sweet and moody, and richly photographed by Sven Nykvist, but you can't help feeling shortchanged; Hanks and Ryan have quick wits, and funny faces to match-they should be striking sparks off each other, not mooching around waiting for something to happen. Hanks has a few goofy outbursts, and there is lively backup from Rosie O'Donnell and Rob Reiner as helpful friends, but anyone expecting another "When Harry Met Sally ...'' will be disappointed. At least Harry
met Sally. -Anthony Lane
Copyright © 2006
The New Yorker
Product Description
Sam Baldwin (Tom Hanks) is a good father and a successful architect. But he's also a lonely widower. One night his precocious 8-year-old son Jonah calls a late-night radio talk show seeking a cure for his father's despondency. When Sam hesitantly takes the phone and discloses the story of his magic-filled marriage, he proves to be a deeply feeling and gentle man. His plight profoundly moves the program's sympathetic female listeners, and thousands of women write in offering to help him `recover' from his mournful insomnia. Recently betrothed Annie Reed (Meg Ryan) is one of the many listeners touched by Sam's story. To complicate matters, she's afraid her upcoming marriage promises stability and security but no excitement. Although Annie's supposed to be driving to her future in-laws' house for the holidays, she knows that she's already fallen in love with Sam and is on the road to destiny. Academy Award Nominations: Best (Original) Screenplay, Best Song ("A Wink and a Smile").