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26 of 27 people found the following review helpful:
4.0 out of 5 stars
Unconditional Love for This Movie, August 3, 2003
A common housewife seeks adventure after her husband leaves her. A Dead Pops stars gay lover seeks recogniton after his death. An unlikely trio stalks a serial killer. It may sound like three seperate movies, but P.J. Hogan's (Muriel's Wedding, My Best Friend's Wedding) Unconditional Love is a wonderful mish-mash of a movie that kept me howling.Not everyone will love this movie. In fact, some will downright hate it, but I loved it. It received no theatrical release in the US (except for the Philadelphia Gay and Lesbian film festival) and isn't set for DVD release until October, but the Starz Cable Movie network is now showing it, and boy am I glad. Not everything works in the film. The plots don't always gel, and you spend quite a bit of time trying to make sense of it all. Hogan is a bit self-indulgent, but if you trust him, and let go of your conventional idea of what a good movie should be, you'll have a hell of a lot of fun. Bates is fantastic as a put-upon house wife Grace Beasely, who adores Pop Icon Victor Fox (Jonathan Pryce). Her husband (Dan Akroyd) tells her one morning that he doesn't have enough danger in his life, and he's leaving. Determined to start living herself, and at the urging of her dwarf daughter-in-law Maudey (ilariously portrayed by Meredith Eaton) Grace manages to score a ticket to a taping of his Christmas special. Unfortunately, that morning, Fox is found the victim of the Cross-bow Killer under the streets of Chicago. Grace, pushed to a point of know return, decides to go to England for the singer's funeral. There she meets Dirk (Everet), his Valet and long-time companion. Dirk is holed up in the singers home, which is much in the demand of Victor's three sisters, who want to turn it into a Graceland like tourist shrine. The two form a strange bond, and decide to return to Chicago to find the serial killer and avenge his death, Dirk will claim his rightful in history place as Victor's companion, Grace will get her husband back, and maybe even Maudey will reconcile with her husband. Yeah, that's a lot of movie. And to top it all off, there's Salley Jesse Raphael, Barry Manilow and Dame Julie Andrews to keep you on your toes. Despite all this, Hogan keeps it all going and the laughs coming. We all loved the singing numbers in Hogan's previous films (Abba, Dionne Warwick) and there's plenty of that here. It's off beat, so off beat that it's rhythm is hard to find, but that's all made up for by great performances. Bates is central to this, and in her capable hands, the character of Grace walks a very thin line between pathetic and obnoxious, but gives her enough empathy and humor to make us route for her through it all. Everet again creates a wonderfully complex character that we start out not liking very much, but warm too as he peels back the layers. Lynn Redgrave and Stephanie Beacham are superb as two of Victor Fox's uptight sisters, and I can't say enough womderful things about Eaton. She scores with her fantastic delivery of the line: "Nobody messes with a dwarf in a red raincoat". With Everet and Bates, stalking the serial killer in the bowels of Chicago, the Housewife, Gay guy and Dwarf are a trio to be reckoned with. I'll admit, it doesn't know what kind of movie it wants to be, but so what? It tells a great, funny, poignant, often corny (we're talking Barry Manilow and Julie Andrews here) story about people needing to find fulfillment and meaning in their lives. It all wraps up in sacharine sweet happy ending and a pseudo musical number that had me grinning from ear to ear. It was also great to see again the wonderful country house used in Merchant Ivory's "Howard's End", which serves as Fox's much coveted childhood home. Yes, it has it's it's faults, but I love it anyway. But, after all, isn't that what you would call Unconditional Love?
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