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Dr. Jekyll & Mr. Hyde Double Feature (1932/1941)
 
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Dr. Jekyll & Mr. Hyde Double Feature (1932/1941) (1931)

Starring: Mel Blanc, Fredric March Director: Friz Freleng, Rouben Mamoulian Rating: Unrated Format: DVD
4.2 out of 5 stars  See all reviews (68 customer reviews)

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Frequently Bought Together

Dr. Jekyll & Mr. Hyde Double Feature (1932/1941) + The Wolf Man - The Legacy Collection (The Wolf Man / Werewolf of London / Frankenstein Meets the Wolf Man / She-Wolf of London) + Frankenstein - The Legacy Collection (Frankenstein / Bride of / Son of / Ghost of / House of)
Total List Price: $68.94
Price For All Three: $50.47

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Dr. Jekyll and Mr. Hyde (1931)
Fredric March won an Oscar® for playing the protagonist (and antagonist) of Robert Louis Stevenson's story. Dr. Henry Jekyll is an honorable man of science, albeit frustrated at the enforced celibacy of a delayed wedding date. Hyde is the fearsome creature he turns into after drinking a potion, and Hyde's appetites (mostly expressed with Miriam Hopkins's Cockney dance-hall wench) are decidedly unrestrained. March's performance is pretty theatrical, but it's fun to watch; his Hyde twitches and squawks and lopes around like an ape in a tuxedo. Rouben Mamoulian's direction has plenty of the brio of early-thirties Hollywood, and the transformations from Jekyll to Hyde are ingenious for the time. This film followed Dracula and Frankenstein into theaters by a few months, and it stands well with those horror classics--and it's a darn sight more fun (and much more down and dirty) than the 1941 MGM version of Stevenson's tale. --Robert Horton

Dr. Jekyll and Mr. Hyde (1941)
Classy MGM was not the studio most likely to make a horror movie in 1941, and in fact its production of Dr. Jekyll and Mr. Hyde ended up looking more like a glossy costume drama than a B-movie frightfest. The mood of Robert Louis Stevenson's tale of a divided doctor is ably captured in Joseph Ruttenberg's Oscar-nominated cinematography--more so, perhaps, than in Spencer Tracy's lead performance. Tracy wasn't especially happy about playing the role, although his transformations from good Dr. Jekyll to evil Dr. Hyde are convincing enough. One of the main reasons to see this version of the story is the young, impossibly beautiful Ingrid Bergman, then still a year shy of Casablanca. Bergman was cast in the good-girl part, but proved a shrewd judge of material, even this early in her Hollywood career; she finagled her way into playing the floozy instead, thus securing a more colorful acting platform than Lana Turner, who ended up in the more respectable role. Director Victor Fleming's previous movie was a little number called Gone with the Wind, and the Big Picture approach to that project may have influenced his work here--this Dr. Jekyll is just a bit too stately, too polished to really engage. The picture is so dignified it never cuts loose with the kind of wild invention that marked the 1932 version of the story, which won Fredric March an Oscar. It's the tale as imagined by Jekyll, rather than Hyde. --Robert Horton



Product Description

Studio: Warner Home Video Release Date: 09/13/2005

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68 Reviews
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Average Customer Review
4.2 out of 5 stars (68 customer reviews)
 
 
 
 
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45 of 45 people found the following review helpful:
5.0 out of 5 stars Five Stars for the 1932 Version, February 8, 2004
By Louis Barbarelli (San Francisco, CA USA) - See all my reviews
(REAL NAME)      
This is a two-sided DVD that contains two versions of the Robert Louis Stevenson classic. As many other reviewers here have said, the 1932 Frederick March version is far superior to the 1941 Spencer Tracy version. The older version, directed by a 34-year-old Rouben Mamoulian, is a masterpiece and part of movie history. The later version, directed by Gone With the Wind and Wizard of Oz director Victor Fleming, seems like an uninspired copy of the earlier one. Frederick March understood the role and seemed to revel in it. But, oddly, while he overacts a bit as Jeykyll, he seems totally believable as the monstrous Hyde. Tracy seemed uncomfortable with both personalities, playing Jekyll as too much of a saint and Hyde as too much of a leering sadist. March conveys the personality of Hyde as joyfully enervated by the full release of Jeykll's baser instincts. His Hyde has fun with his own badness. Tracy's just drowns in it.

The special effects in the older version are also superior, and there is lyrical Freudian symbolism in the sets, statues, paintings, etc, that really adds to the drama and continually reminds us of Mamoulian's power as a visual director. The newer version attempts some symbolism (for example, the two whipped horses transform into the two leading ladies) but its symbolism is so heavy handed that it makes the earlier film seem profoundly subtle by comparison.

Even the makeup in the older version is superior. In the Tracy version, Mr. Hyde's appearance seems inconsistent from cut to cut within the same scene. And the use of a masked double for Tracy, even in non-stunt scenes in the London fog, is painfully obvious. You don't even need to pause the DVD to see it.

The earlier version is so technically dazzling, it's hard to believe it was filmed only a couple of years after the silent Lon Chaney classic, Phantom of the Opera. I've never seen an early 30's film that looked so crisp and sounded so good. And no review of this version should leave out the excellent and sexy performance of Miriam Hopkins. She's convincing as a love-starved hooker and even more convincing as the terrified victim of a depraved client. In many ways, her performance seems less theatrical, and therefore more contemporary, than March's.

The Greg Mank commentary on the 1932 version is entertaining and informative, in a gossipy as well as scholarly style. Through his commentary, you find out things about the film and crew that really do add to your insight and enjoyment of the film. There is no commentary on the 1941 version, but Mank does disciss it a little (in too forgiving a way, I think) near the close of the 1932 version. Overall, I think this is a great collector's DVD, and will be one of the most treasured in my collection.

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31 of 33 people found the following review helpful:
5.0 out of 5 stars CLASSIC VINTAGE HORROR....., November 9, 2003
There's the silent 1920 version with John Barrymore, there's the lamentable 1941 version with Spencer Tracy (and an excellent Ingrid Bergman), and then there's Rouben Mamoulian's classic 1931 version which brought Fredric March an Oscar as Jekyll/Hyde. This, to me, is the best. Not only is March's Hyde a hideous monster but the carnality between Jekyll/Hyde and the Cockney bar wench Champagne Ivy (Miriam Hopkins) is more explicit. This was Pre-Code Hollywood. Rather faithful to Stevenson's story, the film is brilliantly cast and directed. The atmosphere of 1800's London is thick with Victorian attitudes on one end and soaked with sex and sin on the other. It is between these two worlds that Dr. Henry Jekyll finds himself torn after experimenting with mind (and personality) altering drugs that bring out the bestial Mr.Hyde. The transformation scenes are well done for 1931. London's tawdry side of town is where Hyde seeks out the lustful Ivy and takes her forcibly as his mistress. Jekyll had already met her while "slumming" with a friend. Her image stuck with him as her bare garter-clad leg dangled seductively in his mind while her voice purred, "You'll come back, won't you?" But it's Hyde who goes back and dooms the helpless Ivy to a life of hell. In one of the scarier moments, Hyde hisses at the terrified Ivy "I'll show you what horror is!" And proceeds to do so. March deserved the Oscar for his masterful portrayal of the dual personality that is Jekyll/Hyde and Hopkins is perfect as Ivy. Rose Hobart is Jekyll's wealthy fiancee and the rest of the cast is grand. The classic organ score adds the right creepiness and morbid tone for this beautiful b&w melodrama. A welcome addition to DVD and a collector's dream, 1931's "Dr.Jekyll & Mr.Hyde" is a horror classic and not to be missed by afficianados.
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13 of 13 people found the following review helpful:
5.0 out of 5 stars A true horror masterpiece, April 17, 2002
This film without a doubt is the very best version of the many that have been made of the classic horror story by Robert Louis Stevenson.
Fredric March has the great distinction of being the only actor to win an academy award for best actor for a performanc ein a horror film.
I find this film a real viewing experience, from the superb cast ..Miriam Hopkins yet again proving what a truly wonderful actress she was especially in the scenes when she is literally a prisoner of Hyde's, through to the superb sets and period atmosphere. Although filmed entirely in Hollwood the film reeks with Victorian London atmosphere, from the costumns to the gas lamps, fog etc. I love the film for its look alone but the whole tragic story is brought vividly to life in March's towering potrayal of the dedicated Doctor who interfers in the creation of life. For the time the transformation scenes when he turns into Mr. Hyde are truly remarkable and the look and manner of My Hyde is very scary and quite confronting. March's version is far superior to the Spencer tracey version, fine film that that is as well. March's Hyde has a far more vicious, almost animal quality to it and his physical appearance is much more dramatci as well.
Knowing what a refined actor Fredric March was, his performance as Hyde is incredible and its a very energetic performance as well.
I couldn't fault this fine production, superb in every department. One of the best horror films ever created and with a knockout performance by one of Hollywood's greatest actors Fredric March. Watch this late at night with the curtains pulled shut for extra effect!!
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Most Recent Customer Reviews

4.0 out of 5 stars Well-Crafted
Everyone knows the story of Dr. Jekyll and Mr. Hyde. Dr. Jekyll is a scientist who believes each man has two sides, the good and the bad. Read more
Published 5 days ago by Samantha Kelley

5.0 out of 5 stars Voluntary Evil
This review is primarily about Frederick March's 'Jekyll and Hyde'. I've seen the Spencer Tracy version but, other than the wonderful young Ingrid Bergman, I find the March... Read more
Published 2 months ago by Ron Braithwaite

4.0 out of 5 stars (3.5 STARS) Not the best Adaptaion, But Still Worth Watching Because of the Stars
Looking back from now, the 1941 version of "Dr. Jekyll and Mr. Hyde" looks more like a psychological drama (or melodrama) with a love triangle in it than a horror movie. Read more
Published 2 months ago by Tsuyoshi

5.0 out of 5 stars Two versions of the Stevenson classic!
Double-sided disc contains both the 30's and 40's version of the Stevenson classic. As a student of film a great aid in studying the same subject filmed roughly 10 years apart,... Read more
Published 3 months ago by Art Fisher

5.0 out of 5 stars Classic Fred March Version is Horrific & Fun!
Dr. Jekyll & Mr. Hyde

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Published 3 months ago by James "Scotman" April

5.0 out of 5 stars Classic Thriller (1932 version)
Dr. Jekyll and Mr. Hyde

Paramount Pictures, released December 31, 1931 (which is why it is sometimes referred to as being 1932)
Directed by Rouben Mamoulian... Read more
Published 4 months ago by Marie Hibbard

4.0 out of 5 stars The Best of The Dr. Jekyll Movies
This is the best of the Dr. Jekyll movies I have ever seen and I think I have seen them all. Spencer Tracy actually did the most intense Mr. Hyde. Read more
Published 5 months ago by Linda L. Bessemer

5.0 out of 5 stars Best of Spencer Tracy
You get two (2)movies on this DVD - one starring Fredric March (Who does a rather weak job) and one starring Spencer Tracy (Who is wonderful). Read more
Published 5 months ago by Richard Franks

4.0 out of 5 stars A classic that has been remade again and again
Like Frankenstein's monster this has become a classic of early sci fi horror films. The early time lapse special effects of the transformation in the Spencer Tracy character makes... Read more
Published 7 months ago by R. Bagula

2.0 out of 5 stars AWFUL..BORING..DID NOT KEEP ME INTRESTED AT ALL!!!
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Published 7 months ago by Sheree D. Waites

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