Product Details

• Actors: Patricia Benedict, Annette Bening, Abraham Benrubi, Kim Coates, Diego Diablo Del Mar
• Format: Closed-captioned, Color, NTSC
• Language: English
• Rating: R (Restricted)
• Number of tapes: 1
• Studio: Walt Disney Video
• VHS Release Date: January 20, 2004
• Run Time: 139 minutes
• Average Customer Review: 4.2 out of 5 stars  See all reviews (367 customer reviews)
• ASIN: B0000TANUS
• Amazon.com Sales Rank: #9,829 in Video (See Bestsellers in Video)

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Editorial Reviews

Amazon.com

Released almost exactly 11 years after Clint Eastwood's Unforgiven, Kevin Costner's Open Range proved yet again that the Western is the classic American genre. While it lacks the thematic impact of Eastwood's masterpiece, Costner's first film since 1997's ill-fated The Postman returns the actor/director of Dances With Wolves to the open prairies of America--in this case the free-range frontier of 1882--where legal "free-grazing" cattle drives were falling prey to empire-building land-owners. In the wake of territorial murder, free-grazing cowboys Boss (Robert Duvall) and Charley (Costner) seek vengeful justice against the ruthless rancher (Michael Gambon) who threatens their law-abiding survival. A feisty ally (the late Michael Jeter, in his next-to-final film role) and a doctor's sister (Annette Bening) offer support during climactic shootouts, masterfully staged with the shock and suddenness of real-life gunfire. Rich in character development and thick-hided humor, this handsome production redeemed Costner's directorial career with a well-told story (by Craig Storper, based on Lauran Paine's novel The Open Range Men), flawless performances, and stunning Canadian locations. --Jeff Shannon

From The New Yorker

A slow-moving, traditional Western shot in the high, green valleys of the Canadian Rockies, a darkly beautiful landscape that unfurls across the screen like velvet. Robert Duvall and Kevin Costner are "freegrazers"-cattlemen who roam through the land with their herds-and Michael Gambon is the viciously corrupt big landowner who wants to exterminate them. There's nothing terribly striking about the film, but in a time of hyperkinetic spectacle, the lethargy of "Open Range" is almost soothing. With Annette Bening as the voice of civilization-a doctor's assistant waiting for a man. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

Most Helpful Customer Reviews

288 of 305 people found the following review helpful:

5.0 out of 5 stars Gus is back!, August 23, 2003

By	Joseph Haschka (Glendale, CA USA) - See all my reviews (TOP 500 REVIEWER)

For those viewers who fondly remember, and miss, Robert Duvall's role as Augustus McCrae in the 1989 TV miniseries LONESOME DOVE, take heart. Duvall is back in the saddle again as "Boss" Spearman in OPEN RANGE. It's been way too long.

The lead role in this western actually belongs to Kevin Costner, who plays Spearman's trail partner and employee, Charlie Waite. Boss is a cattleman that practices free-range grazing, i.e. driving his herd from place to place, only staying long enough for the animals to deplete the available food supply. But it's 1882, ranchers are beginning to fence in the West, and freegrazers are an endangered species. So, its no surprise when Charlie and Boss are ordered to take their beeves and get out of Dodge, so to speak, by big time rancher Baxter (Michael Gambon), who also owns the local town and its sheriff. Waite and Spearman are soon backed into a corner when the latter's two other hired hands, Mose (Abraham Benrubi) and Button (Diego Luna), run seriously afoul of Baxter's thugs.

It would be hard to choose between the better performance - Costner or Duvall - both playing characters so strong, self-reliant and silent that neither knows the other's full name. And they've been riding the West together for ten years! Nor does Boss know Charlie's violent history, which included being a Civil War raider, and then a hired gun much like the ones now working for Baxter. When Charlie falls in love with Sue (Annette Bening), the spinster sister of the local sawbones, his guilt over his rough-edged past is a self-imposed handicap that Sue, who sees Waite's inner goodness, must overcome.

Moviegoers accustomed to a steady diet of mindless, FX-laden action thrillers may find the first three-quarters of OPEN RANGE slow going. It's called "character and plot development", an intelligent change of pace. And when the final shoot-out comes, it's perhaps the best ever filmed. While most such western confrontations seem like a choreographed ballet, this one shows them for what they were: relatively short, extremely violent, chaotic, and lacking in fancy gunplay and sharpshooting finesse.

Big Screen westerns are such a rarity nowadays that it's hard to compare this one with any other in recent memory. Though perhaps not as memorable as DANCES WITH WOLVES, this Old West morality play is certainly the best since UNFORGIVEN. Admittedly, we've seen similar plots before: the small homesteader/Big Ranching feud in the classic SHANE, and Big Mining vs. the small prospector in PALE RIDER, Clint Eastwood's transparent re-scripting of the former. However, the acting, cinematography and costuming of OPEN RANGE are excellent. Duvall surely deserves a Best Supporting Actor nomination, and the production as a whole may merit a Best Picture nod. My only complaint lies with the editing, which left in one too many leave-takings between Charlie and Sue, the last being completely superfluous. That said, however, this is a five-star tribute to loyalty, rugged individualism, integrity, and simply doing what's right. I think, sometimes, that Hollywood has forgotten what those qualities are all about.

124 of 139 people found the following review helpful:

5.0 out of 5 stars OPEN RANGE--A Hopeful Revival For The Western, August 23, 2003

By	Erik North (San Gabriel, CA USA) - See all my reviews (TOP 1000 REVIEWER)

For all the hits and misses he has had in front of and behind the camera, Kevin Costner never fails to put his money where his mouth is. Such is the case with OPEN RANGE, which I hope will revive that most American of film genres, the Western.

Set in 1882, OPEN RANGE stars Costner and veteran Robert Duvall as cattlemen only trying to drive their cattle across the open prairie of Montana. But they soon run afoul of a ruthless land baron (Michael Gambon) out to rid the land of free-grazers like Duvall and Costner; and to prove his point, Gambon has one of Duvall's men (Abraham Benrubi) killed and another (Diego Luna) seriously wounded. The stage is set for a traditional but classic shoot-out to the finish.

If not on the epic level of Costner's 1990 Oscar-winner DANCES WITH WOLVES, or the standards set by people like Clint Eastwood, John Ford, Howard Hawks, or Sam Peckinpah, OPEN RANGE nevertheless demonstrates Costner's comfortability with the Western. His is a determined performance, and his direction is equally fine, with stunning photography, done on location in southern Canada, and a fine Michael Kamen score. Gambon is about as nasty a villain as there has been in any film in recent times, and James Russo does his natural evil best as a half-crazed town sheriff. It is Duvall, a veteran of many westerns (TRUE GRIT; LAWMAN), however, who really shines, as is typical of this kind of caliber actor. Always offering some wry advice but ready to take retaliation for having been wronged, Duvall is a tower of strength. Annette Benning also does good work as the town doctor's sister, who also becomes Costner's love interest.

The Western genre has not run out of stories or ideas, and never will; it just needs people of integrity like Costner to keep it going. OPEN RANGE proves that in spades.

19 of 20 people found the following review helpful:

4.0 out of 5 stars "Open Range" is Good Entertainment, July 26, 2005

By	James Koenig "konedog" (Minnesota) - See all my reviews (TOP 100 REVIEWER)

This review is from: Open Range (DVD)

As a long time fan of western movies, I eagerly look forward to new western releases. When I viewed the trailer for "Open Range", and saw that it had Robert Duval and Kevin Costner, I had very high hopes, as both actors have 5-star classic western movies under their belts (Lonesome Dove, and Dances With Wolves respectively). I am pleased that "Open Range" continues the tradition of quality modern western fare. Although certainly, not a "classic" western (thus my 4-star ranking instead of 5-star), "Open Range" still pleases with good character development, an interesting plot with a huge shoot-out, excellent acting, and a love story (for the wives and girlfriends of the men who primarily make up the western movie-going crowd!)

The movie boasts beautiful scenery shots that literally take your breath away, although these are best appreciated on the big screen of a movie theatre than one's tv set. Even so, the cinematography is gorgeous and the western town of Harmonville is accurately reconstructed as a typical isolated range town.

What makes this film is the acting of Duval and Costner. Both are superb in their respective roles, Duval as an aging but rugged cattleman and Costner his younger able partner. There is no better crusty "cowboy" than Duval, who reprises some of the same acting mannerisms of his classic character Agustus McCrae (from Lonesome Dove). Costner is as visually perfect as a cowbay can be, with his long lean body, and his "matter of fact" acting style. The two make this movie work.

The plot unfolds rather slowly, after all, this is nearly a 3-hour movie. Adequate time is spent developing the characters, and there is enough tension/conflict to keep the movie rolling along without it bogging down. In a nutshell, Duval and Costner's two cowhands and small cattle herd are threatened by a powerful cattlebaron, who views "freegrazers" (those men who freely graze their cattle on the open plains) as nothing more than varmints or trespassers when they skirt his town. The conflict escalates quickly and leads to a final wild main-street showdown shootout. There is so much action from so many different guns, that it is hard to follow the intense action (which is probably more accurate in a shootout than just one or two shots. In this shootout, people actually miss their target (!), which I liked).

Annette Benning is Costner's fledgling love interest. Without make-up, Benning still makes a stunning portrait as the middle-aged, never-married sister of the town's doctor. She is excellent in her role, and her acting skill makes her a true "co-star" in this male dominated film. The love story between Costner and Benning is perhaps the weakest link in this film, as they go from being strangers to being engaged in the span of just 2 days! Even so, the budding awkward relationship between the two is intriguing.

On the down side, this movie is not suitable for children due to the gunfighting and considerable (but appropriate in an adult context) cursing.

This may not be your favorite western movie of all-time, but it is entertaining, and the performances of the principal actors give this movie its charm. Throw in the breath-taking visuals, and you have a good night's entertainment.

Jim Konedog Koenig