|
|
8 of 9 people found the following review helpful:
3.0 out of 5 stars
3 and a half... Very surprising., December 28, 2003
Very poetic, moving, and surprisingly distinct score from Mr. James Horner, one of the most emotionally-captivating film composers of the past few decades, as well as the most leeched for his unoriginality and plagiarism. The reviews of the film were hysterically bad -- I never saw it -- and that, I believe, caused this score to come and go (even within the film music community) with the wind... It's a shame, because this is a worthy score that should be heard by Horner nay-sayers.The score isn't structurally as engaging as it is on a purely thematic level. There's a boatload of themes, many of the utmost quality, performed by strings, piano, and choir. Very good stuff. Likewise, there's also some very interesting, and different, synthesizer work from Horner ("Cambodia II") that is a nice change of pace. I guess ultimately, however, the reason I find this score less than, oh, "excellent" is because it doesn't seem to function as much as one score, with one narrative, as it does a compilation of sorts. That makes sense, too, after looking at the track titles. There's not a whole lot of coherence, in my opinion, and despite containing some gorgeous melodies, it's in fact not a very memorable score. Still, oh-so-pleasant on the ears...
|