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Black Tie White Noise
 
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Black Tie White Noise [ENHANCED] [EXTRA TRACKS] [LIMITED EDITION] [ORIGINAL RECORDING REISSUED] [ORIGINAL RECORDING REMASTERED]

David Bowie
3.7 out of 5 stars  See all reviews (31 customer reviews) More about this product


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Product Details

  • Audio CD (January 13, 2004)
  • Original Release Date: January 2004
  • Number of Discs: 3
  • Format: Enhanced, Extra tracks, Limited Edition, Original recording reissued, Original recording remastered
  • Label: Virgin Records Us
  • ASIN: B00011V8CW
  • In-Print Editions: MP3 Download
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (31 customer reviews)
  • Amazon.com Sales Rank: #163,841 in Music (See Bestsellers in Music)

Disc: 1
1. Wedding
2. You've Been Around
3. I Feel Free
4. Black Tie White Noise - David Bowie, Al B. Sure!
5. Jump They Say
6. Nite Flights
See all 12 tracks on this disc
Disc: 2
1. Real Cool World
2. Lucy Can't Dance
3. Jump They Say [Rock Mix]
4. Black Tie White Noise [3rd Floor US Radio Mix] - David Bowie, Al B. Sure!
5. Miracle Goodnight [Make Believe Mix]
6. Don't Let Me Down & Down [Indonesian Vocal Mix]
See all 12 tracks on this disc
Disc: 3
1. Introduction [Multimedia Track]
2. With Lester Bowie [Multimedia Track]
3. On Reeves Gabrels [Multimedia Track]
4. You've Been Around [Multimedia Track]
5. Expanding and Experimenting [Multimedia Track]
6. Nite Flights [Multimedia Track]
See all 18 tracks on this disc

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Customer Reviews

31 Reviews
5 star:
 (13)
4 star:
 (8)
3 star:
 (4)
2 star:
 (1)
1 star:
 (5)
 
 
 
 
 
Average Customer Review
3.7 out of 5 stars (31 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
19 of 20 people found the following review helpful:
4.0 out of 5 stars Black Tie and Red Shoes Required, January 24, 2004
By joe449 (Lakewood, NJ United States) - See all my reviews
It's good to see the re-emergence of 'Black Tie White Noise' after having been unavailable for years. The album itself seemed to get lost in the shuffle during the 90s, and after the radical 'Outside' and 'Earthling,' it was something of a distant memory.

In truth, BTWN deserves to be re-discovered. While it might not be a Bowie classic, anyone who enjoyed 'Young Americans' and 'Let's Dance' should check out this album. It's all about rhythm here, and along with the two above mentioned albums, you can dance to it! The production is very dense, with an emphasis on the groove and texture. Highlights include "Miracle Goodnight," the Tin Machine reject "You've Been Around," and the terrific "Nite Flights," originally penned by Scott Walker. There's also David's excellent cover of Morrissey's "I Know It's Gonna Happen Someday," which sounds like it could have been straight off of 'Young Americans.'

The deluxe packaging also includes an excellent companion CD full of extra tracks and remixes, and a DVD of the 1993 documentary which was originally available on home video to support BTWN. This contains a revealing interview with David, promo clips, and studio performance shots of several tracks from the album. My only gripe about the DVD is the editing of the interview. David can't even finish a sentence before it cuts to him speaking about something else. This goes on back and forth throughout the entire interview. It would have been a nice touch to add an extra menu option to watch the interview unedited, without the annoying cuts.

Overall, it's good to see this album back on the shelves with the extra goodies. It still sounds great, and is recommended for anyone who might have missed it the first time.

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10 of 10 people found the following review helpful:
5.0 out of 5 stars A good deal a decade later, February 18, 2004
By Charles A. Miller (Baltimore, Maryland U.S.A.) - See all my reviews
I must take this opportunity to both praise this reissue and try to get the overall rating up due to a one-star review by a previous critic. Hey, if you don't like the packaging, complain about it in your review, but don't bash the music itself by giving the album a single star. This gives the reader the impression that the music is bad, which it isn't.

Yes, it is frustrating when artists reissue their older work with a couple of bonus tracks as the earlier reviewer pointed out. It is even more frustrating when they seem to intentionally do this by releasing the "deluxe" version only a few weeks after the "regular" edition. However, this is not the case here. The bonus material is not merely a few bonus tracks, but rather, a 74-minute CD with 12 previously unheard tracks. And, as if that wasn't enough, there's a pretty good DVD to boot. Finally, this reissue comes a decade after the original release, not just a few weeks later. After all this time, the additional material is certainly justified.

Are the remixes and the DVD individually as good as the original single CD release? Of course not, but the $30 price tag for all 3 discs is really not bad, even for those who already own the original release. There is 3 hours of material here. And, if you liked the original release to begin with, the remixes are certainly nothing to complain about. At the very worst, they are fun to listen to. At the best, they expand and enhance the original experience.

I certainly agree with another reviewer that packaging itself is unnecessarily bulky, but here, in the review, is where that should be mentioned, not in the overall rating. It would have been better if the two music discs were packaged in the two-pack slimline jewel case, giving the DVD its own jewel case, and thereby, more convenient to leave next to the DVD player, but that's a small quibble. I would not lower the rating over issues like these.

All that said, this album is a forgotten classic from Mr. Bowie. While very much unlike many of his releases (certainly unlike the magnificent "Outside" and "Earthling" that followed), it demonstrates beyond a shadow of a doubt that David Bowie is a consummate artist, capable of exploring the realms of jazz as easily as his more edgy works. Actually, I was not crazy about this album when it originally was released as it seemed a bit slick and over-produced at the time. But hey, people mature, and being confronted with this flashy reissue demonstrated to me how valid this work was to begin with.

Buy it before it's gone folks... you'll kick yourself if you don't, or pay way too much for it on eBay after it's gone.

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8 of 9 people found the following review helpful:
4.0 out of 5 stars overlooked early 90s record well worth big package, January 15, 2004
By A Customer
You may have missed this record first time around. The label collapsed near its release and there was very little promotion, although it received critical praise. If you enjoy Bowie for his expansiveness and you like funky, clean r&b delivered suave & British, then you should like this. I read Nile Rogers (who co-produced) say Bowie's a sax player like Bill Clinton's a sax player, which may not be the highest praise, but his style works very well on these tracks. (And of course there are technically better players, but Bowie's artistry is what shines.) If you did buy this record the first time around, you know he made it shortly after marrying Iman and that it feels smooth but edgy, confident, romantic, and soulful, and you probably like it very much, but may be wondering about buying it again for the extra CD and DVD. The second CD feels very familiar to the first, and for me that's a compliment. The bonus tracks from the original issue move to the second disc here, and included are numerous club style remixes and single versions--great for evening drives. The DVD is a great addition; always compelling visually, Bowie just looks really cool here & suited to his element. Full videos and entertaining, well-produced interviews throughout. This was a groovy period for an always interesting and usually brilliant artist. Recommend getting this edition while you can. I'm thankful that a record that deserved a wider audience is getting such lavish treatment 10 years later--it deserves it.
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Most Recent Customer Reviews

3.0 out of 5 stars The 2nd Disc is Brilliant
Is the Glass Half Empty or Half Full?

BLACK TIE WHITE NOISE understandably evokes mixed reviews. I'm a little mixed up about how I view this album as well. Read more
Published 1 month ago by G. YEO

1.0 out of 5 stars Feeling sleepy
If this CD won't put you to sleep nothing will! You don't need Night Quill just pop in this CD. Bowie's 90's music is so far the worst. Read more
Published 3 months ago by David Disch

5.0 out of 5 stars Black Tie White Noise
One of his better CDs. The more I listen, the more I like it. Especially the bonus cd. One of his best
Published 7 months ago by Keith D. Christenson

5.0 out of 5 stars Underated and ignored
This is one of my favorite Bowie efforts, a much more engaging effort than most of his 80s and 90s works. Read more
Published 11 months ago by David Thierry

2.0 out of 5 stars Another poor album from Bowie's "wilderness years..."
Yeah, man. This is what I've always wanted. David Bowie combined with trip-hop, techno, and house music. Read more
Published 15 months ago by finulanu

1.0 out of 5 stars Phew-eeee, what a stinker!
Bowie predictably feasts on the eras current music trend and squeezes out a malodorous techno dance scented turd. Don't step in this one.
Published 24 months ago by Jed

3.0 out of 5 stars I'm being generous here
I'm a huge Bowie fan, and buy into the idea that most of his 90's and 21st century works have restored his artistic credibility to a large degree. Read more
Published on June 27, 2006 by D. Schaaf

5.0 out of 5 stars Refined Funk with a Twist of Klimt
This album contains some of Bowie's better compositions and expands on the sound he put forth on Station to Station. Read more
Published on March 27, 2006 by Gustave O. Frey

3.0 out of 5 stars Well, It's Certainly Better Than Any Clarence Clemons Album!
For the first time in his career, Bowie has made an album that relies as much on his sax playing as it does on his vocals, and the results are promising. Read more
Published on November 4, 2005 by Thomas D. Ryan

5.0 out of 5 stars Real Soul: Putting on the black tie/blocking out the white noise.
I have issues with some of the reviews for this album, as I find them unqualified and misleading in reference to the work of David Bowie, when they criticize. Read more
Published on October 27, 2005 by Randolph Bradley

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