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57 of 58 people found the following review helpful:
5.0 out of 5 stars
All The Hits and a Few Wonderful Surprises, February 24, 2004
In honor of the 50th anniversary of the Four Tops' formation in 1954, this Anthology compiles all of their significant chart hits over the years, with a couple of nice surprises thrown in. Motown of course is where they recorded the bulk of their hits and that tenure is represented on the first 30 (of 48) recordings. The leadoff track - 1964's "Baby I Need your Loving" - was the Tops' first collaboration with the songwriting-production team of Holland-Dozier-Holland. It established a winning formula: lyrics that entail Levi yearning for or proclaiming his love for a girl he has lost or can't have; pulsating music cut in a (high) key out of Stubbs' regular vocal range, the subsequent strain causing his pleas to sound even more dramatic; background vocals with a full, almost Spectorian resonance, thanks to the addition of Motown's resident session singers, the Andantes. After a mediocre "Baby I Need Your Loving" soundalike "Without The One You Love" stiffed, the Tops rebounded in 1965 with the majestic ballad "Ask The Lonely," their first number one smash "I Can't Help Myself" and "It's The Same Old Song" (and truly the latter was, a melodic retread of "I Can't Help Myself"). The Tops reached their commercial peak in late 1966 to early 1967 with some of the most exciting recordings they ever cut: "Reach Out ("I'll Be There)," "Standing In The Shadows Of Love," "Bernadette," and "Seven Rooms Of Gloom." In late 1967, however, Holland-Dozier-Holland abruptly left Motown in a dispute over financial compensation. This prompted the label to release year-old remakes of "Walk Away Renee" and "If I Were A Carpenter" as follow-up Tops' singles. They are proof that the Tops could make a hit out of practically anything. In 1968 and 1969, other Motown writer-producers like Ivy Jo Hunter, Johnny Bristol, and Norman Whitfield attempted to fill the void left by Holland-Dozier-Holland's exit. None of their work with the Tops, however, penetrated the pop or r & b top 20 (although the ponderous "What Is A Man" ranks with their best recordings). In 1970, Frank Wilson took over as the Tops' producer for the landmark Still Waters concept album. Wilson ditched the Andantes from the background and put more emphasis on the Tops harmonies. As evidenced by the hits "It's All In the Game" and "Still Water (Love)," the Tops had risen to new melodic heights. They were followed by more of Frank Wilson's well-crafted singles like "In These Changing Times" and "(It's The Way) Nature Planned It" as well as the stunning "A Simple Game," a one-off collaboration with the Moody Blues. Unfortunately these 1971-1972 singles received little promotional support from Motown and struggled on the charts. Frustrated, the Tops left the label in late 1972 and signed with ABC subsidiary Dunhill Records. At Dunhill, they immediately hit with the urban message song "Keeper Of The Castle," the Shaft in Africa theme "Are You Man Enough," and the multi-format symphonic smash "Ain't No Woman (Like The One I've Got)." With the countrified "Sweet Understand Love" and their funkiest recording ever "One Chain Don't Make No Prison," the Tops maintained the high quality through 1974, but their 1975-1976 r & b hits (including the disco "Catfish," the reggae in molasses "Midnight Flower") were duds. This period concludes with the Tops' dance smash "H.E.L.P." which is finally making its cd debut (pleasant surprise number one). In 1981 the Tops signed with Casablanca, where they released two of their strongest albums ever. They are represented here by the retro smash "When She Was My Girl," its amorous follow-up "Tonight I'm Gonna Love You All Over," the wedding staple "I Believe In You And Me" (Levi's performance buries Whitney Houston's hit version), and the Grease II theme "Back To School Again" (the only redeeming component of that film). Bringing this retrospective to a close are "I Just Can't Walk Away" a stirring ballad from their shortlived return to Motown in 1983, and "Indestructible," their final top 40 entry from their lone 1988 Arista album, plus Levi Stubbs' wondrous contribution to the Little Shop Of Horrors film, "Mean Green Mother From Outer Space" (pleasant surprise number two). The Tops also recorded many great album tracks over the years (most of which can be found on their box set FOUREVER). But if you only want the hits - all of them - this double-disc collection is the set to get.
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