Most Helpful Customer Reviews
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42 of 43 people found the following review helpful:
5.0 out of 5 stars
Corpse-dealers and deserters and devil's faces, October 19, 2004
The Noh mask in and of itself is a frightening thing. Featureless and unmoving, it is designed to change expressions when the wearer turns their head a certain way, and captures shifting shadows and light. Filmed in color, it would not have nearly the same impact as the devil's face that leers at us in "Onibaba." Director Kaneto Shindo has utilized the full power of this ancient Japanese artifact, using its supernatural powers to show us the true face of a very human evil.
The story is of the flotsam and jetsam of war, the left-over non-combatants who must still live by whatever means they can while commerce and industry is devastated and all able-bodied men are soldiers. In this harsh environment an old woman and her daughter-in-law become carrion crows, murdering lone samurai who have escaped wounded from a battle, then selling their arms and armor to a dealer who then sells it back to the armies, to strap around more corpses-to-be and eventually be recycled into more profits for the women.
Into this self-sustaining cycle comes Hachi, a friend of the old woman's son and young woman's husband, who claims that the son/husband is dead and he intends to leave behind the fighting and settle near the two women. The young woman is still young, and lusts for the life and vitality she senses in Hachi. The old woman, fearing abandonment and starvation, plays on the superstitious fears of the young woman, haunting her with a stolen Noh mask of a devil's face.
The transformation from the death-cycle of the old and young woman, to the living passion of Hachi is a powerful transition in "Onibaba." The raw, naked sexuality between Hachi and the young woman (who is never given a name) is unexpected in a black and white film, and thus all the more powerful. The impotent, cool rage of the old woman, who would seek to stifle that fire and merely sustain existence as it was until she dies is terrifying in its selfishness. She would pull all such things into the deep, dark hole where she flings the corpses of the samurai she murders. Hmmm...a deep, dark hole that is the end of men's lives...there must be a metaphor there somewhere.
"Onibaba" is a triumph of taking the masks of society away from human beings, and seeing them bare and naked in their primal state, surviving as they can under dire circumstances. Some choose life, some choose death.
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21 of 21 people found the following review helpful:
4.0 out of 5 stars
The Sensuousness of Shindo, August 29, 2006
The deconstrunction and demystification of the samurai myth had been a project Akira Kurosawa had taken upon himself and that had seemingly reached a conclusion in YOJIMBO (1962), but Shindo's ONIBABA (1964) takes it a step further by presenting them as bedraggled and exhausted, hungry and at the mercy of two seemingly innocuous women. Shindo's world is hot and sultry, the characters weak and vulnerable. This is a very good depiction of the affects of war on the fringes of society and the lengths certain parties must go to in order to survive. As well as exploring this theme Shindo also adds several intriguing layers, sexuality and jealousy make a potent combination, as does the inserion of old Japanese folk tales. The result is a film that shows the eroticism of human beings in their most natural and stripped down state. Be hypnotised by the swaying grass fields and the sumptious black and white cinematography in this Japanese gem. Criterion's disc is very good.
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25 of 26 people found the following review helpful:
5.0 out of 5 stars
oh man, this is a scary movie!, May 3, 2006
OK, it probably helped that I saw this film in a college dining hall when it first came out, and not comfortably ensconced on my couch with a PAUSE button. But you still won't catch me running through tall grass in the dark!
As more than one reviewer has noted, the swamp grass is one of the main characters of this film. What an accomplishment!
I would rank this with Throne of Blood as great Japanese film. The acting is superb. The story is gripping. The musical accompaniment is intense and cosmopolitan. Not a month has gone buy over the last 30 years that I haven't been scared of this film.
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