Faking the Books

Lali Puna

Product Details

• Audio CD (April 20, 2004)
• Original Release Date: April 20, 2004
• Number of Discs: 1
• Label: Morr Music / M.M.
• ASIN: B0001BPRDI
• Also Available in: Vinyl  |  MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (14 customer reviews)
• Amazon.com Sales Rank: #72,816 in Music (See Bestsellers in Music)

Editorial Reviews

Sleaze (UK), april 2004

Bolstering their micro noise with footstomp drums and guitar right-hooks, Lali Puna’s heroics are ripe for your love.

Product Description

"Faking The Books", Lali Puna’s third album, is a maverick display of pop sensibilities applied to a world gone wrong. All the ingredients are there : The killer hooks, the subliminal fusion of generic undertones, Valerie Trebeljahr’s alluring vocal delivery that at first soothes the senses and at second glance portrays the system in all its celluloid, deceptive glory.

The band have already provoked glowing responses from the highest-profile listeners - adored by Radiohead, championed by Andrew Weatherhall, re-arranged by Bomb The Bass, backed by Radioactive Man, remixed by Two Lone Swordsmen and closely followed by an ever-expanding ripple of admiration from a now substantial body of fans. A band made up of members from projects as central to the guitar-pop scene as The Notwist, Tied and Tickled Trio, Console and more. And when you receive support at that level (reaching a peak with the release of their last album "Scary World Theory") - where do you go?

For Lali the progression came with confidence : the amplifiers turned up,the instruments plugged in, the voice placed higher up in the mix and the storytelling edged closer to our confused, lawless, modern version of the world. "Faking The Books" is all about the signs of our times, inverting the Zeitgeist into something that not only explores the musical fusion of raucous instrumentation and layered, soothing production, but that also tells its story with a multi-coloured grip on our peculiar reality. The songs direct themselves with a pop conviction that isn’t afraid to mix vintage synths, vocal effects, garage drum workouts, detroit strums, carefully arranged strings, electronic bass drums and a homage to all the bands that have paved the way for such diversity - you know, the one’s that have made the current crop of guitar-pop heroes role-models for a new generation.

Deceived by the system, the vapours of uncertainty hang over "Faking The Books". A world where nothing is quite as it seems, a world where no one can be trusted. The only certainty comes with connection, a connection to a band forging through stereotypes and inviting you to immerse yourself in songs that, once exposed to, will refuse to let go.

Shlom Sviri / City Centre Offices, Manchester

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Customer Reviews

Most Helpful Customer Reviews

14 of 14 people found the following review helpful:

4.0 out of 5 stars Music To Navigate Troubled Times, August 6, 2004

By	Juan Mobili (Valley Cottage, NY USA) - See all my reviews (REAL NAME)

Probably, if I was to choose one country that has consistently given us people and bands that explored how Electronica could find fruitful bridges to Rock and Pop, I'd have to choose Germany. Whether you think of Tangerine Dream, Rodelius, Neu or Kraftwerk -to name a very few- Germans have led the way.
Now, or at least in recent years, it's the turn of Lali Puna, a band that is beginning to gain the recognition they deserve, although they remain the delight of select groups -and it's Thom Yorke's favorite German band, assuming such tidbit increases their appeal for you.
This is their third album, after the wonderful "Scary World Theory," and it's probably as satisfying a musical experience as its predecessor, perhaps fiercer, louder, and further defining their singular musical identity.
This is Electronica and Pop in a seamless dialogue, reaching some dark places which normally may not be associated with either musical form.
This is part of the soundtrack of the world post 9/11: somber and hopeful, reaching for firm ground in an unsteady ship. "Faking The Books" or "Call 1-800-fear" are particular examples of this.
And then, there's Valerie Trebeljahr's voice that crystallizes the band's mood, at once tender and fragile, guiding these songs without imposing herself yet making them special and more meaningful.
If you are interested in the new edges of popular music, the kind that attempts to move you without compromising its own vision, "Faking The Books" deserves your attention.

12 of 13 people found the following review helpful:

4.0 out of 5 stars Longtime lali puna fan, October 3, 2004

By	Jeremy Eagles "dirtbag_slimeball" (Chicago, IL United States) - See all my reviews (REAL NAME)

It has taken me at least 6 or 7 times listening to this album to really start to like it. If you are familiar with lali puna, you will probably be patient and give it a chance like I did. If this is your first time ever hearing this amazing group, check out the first two albums first. They are a lot more palatable and less experimental.

Trirecorder is, in my humble opinion, one of the top 5 downtempo electronica albums of all time. other bands rarely serve up an entire album worth of great tracks, free from pop-references or tongue-in-cheek wit.

other downtempo groups that are great, such as ISAN and the notwist, are often too inhuman and devoid of any standard song structure to have wide appeal(with the strong exception being notwist's "pick up the phone" claymation video, one of the groups' best). Lali Puna's first two albums consist of electronica "songs" that should be appealing to anyone seeking beautiful melodies and thoughtful lyrics. (i also recommend dot allison's first album, and everything by the kings of convenience. a rare but interesting cd is the debut by canadian group "park avenue music" if you find it)

Another great thing about lali puna's first two albums are the vocals, and how they blend effortlessly with the melodies. While this third album is outstanding, the vocals on some tracks are more of an instrumental quality, with only three or four words repeated over and over again. I feel like such verbal repetition should be left to dance floor tracks. I want a little more from downtempo than catchphrases.

There are some exceptions on "faking the books." Track one (title track) is absolutely brilliant, very similar to the first two albums. Just enough substance in the lyrics to create a mental picture where you can loose yourself among the hypnotic melodies.

if you listen to this album for the seamless blending of disparate musical genres into downtempo musings on the social environment, then this album gets 5 stars. if you want to hear ethereal female vocals layered over peppy yet dreamy synthetic landscapes, this album gets 5 stars. however, if you are comparing this third album to the first two lali puna albums, where the group not only creates an electronic masterpiece of emotive power, not only has great female vocals, but also makes you think about the world with interesting lyrics, then this third album falls short of the first 2. therfore, i only give it 4 stars.

4 of 4 people found the following review helpful:

5.0 out of 5 stars And now we try to forge ourselves..., October 16, 2005

By	Etc "et cetera" (Los Angeles, CA) - See all my reviews

You know you've found something great when the repetition of the same lyric over and over again gets you gradually more choked up as the song builds towards it's conclusion. There's something simple and understated about this music. It doesn't jump out and try to get your attention, it seeps in under your skin and lodges in your head.

Lali puna seeems to be taking equal cues from the worlds of trip-hop, downtempo electronic, IDM, and the My Bloody Valentine school of rock to create something altogether unique and emotionally powerful.

These songs could be seen as bittersweet anthems to lonliness and perserverance, and there's a hidden beauty to practically every track. It's a deceptively optimistic record, and it manages to find a light and delicate side to whatever "genre" it is taking on. After a few listens, it becomes almost impossible to go without this album. It is adventurous albums like this one that defy simple genre classification and pave the way for the endless possibilities of future music to come.

If you're already a fan, I'd recommend picking up the remix/b-side double-disc "I Thought I Was Over That," which features some really great songs that didn't make the cut, as well as some amazing remixes which manage to work within the strangely atmospheric mood that Lali Puna has created. In particular, the Boom Bip mix is very good.

On a similar musical note, I would recommend The Notwist's "Neon Golden" album, which is also indespensible. You might also like M83's "Red Seas, Dead Cities, and Lost Ghosts," or the Themselves/Notwist collaboration under the name 13 & God. There's a similar (if poppier and more electronic) drive running through the sadly overlooked Duo 505 album "Late" as well, and it deserves to be given a listen.

It is music like this that is restoring my faith in things to come.