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3 of 3 people found the following review helpful:
5.0 out of 5 stars
TGUK find a beautiful middle ground from their last 2 albums, March 3, 2004
When it comes to The Get Up Kids (TGUK) there are some definitive lines in the opinions of their fan base. There are those that loved the early releases leading up to "Something to Write Home About", but were devastated by the changes in style made with "On a Wire." Another less abundant group loved these changes, as well as the newest release from the similar sounding side project "The New Amsterdams." So naturally there were also those who were in between and thought "On a Wire" was alright, but were a little bit let down by the transformation. What TGUK have done with their most recent offering, "Guilt Show", is try to find a happy medium where everyone will be able to find something they like, and as a general rule they succeed. The sound is similar to that of OaW, which was partly carried over from The New Amsterdams. However, this sound has definitely been given a poppier, catchier overhaul in the vein of STWHA. "Never Be Alone," "Sympathy," and in places "Wouldn't Believe It" are probably the most reminiscent of the old sound, and are definitely stand out tracks. Then there's tracks like "The One You Want," and "Martyr Me" which are catchy little numbers that sample styles from both albums, and also sound great. Another thing worth pointing out is that TGUK have also added a few new tricks to their repertoire, which is particularly evident in the track "Is There a Way Out?" The track is very instrumental and includes some strings as well as an array of techno-beep sounds that are reminiscent of The Postal Service (not a bad thing). I'm glad that this type of thing didn't become a regular element of their sound, but it is really interesting to hear it once on a more experimental dynamic track near the end, just as a change of pace. This is followed by "Conversation," another primarily instrumental track that rounds out the album well with another different style. There are only a few downfalls to this overall great release. First, until you listen to the album for quite a while it's sort of hard to discern between many of the tracks. While this eventually wears away and becomes less of an issue, its just not as instantly accessible as STWHA was. Nothing to scoff at too greatly though. Secondly, I still miss some of the simplistic acoustic or piano ballads of yester-year. I'd love to hear something akin to "Close To Home" or "I'll Catch You". I'd also like to hear a bit more of Matt singing louder and harder in his unique almost sing-song screaming voice. He hints at it a few times, particularly in the chorus of "Wouldn't Believe It," but I wouldn't mind hearing it a bit more. Little grievances aside, this is a tremendous album that really shows the band exploring itself more and finding some great new sounds, while still holding true to their past work. I have enjoyed this album more than I did "On a Wire," though I definitely give that album more credit and praise than many other fans seem inclined to. Overall I think that this is a superb release from one of my closest held bands. Anyone who considers themselves a fan of any of TGUK's previous works owes it to themselves to check this album out because it has a lot to offer. Definitely recommended.
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