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Patrizia Ciofi & Joyce DiDonato - Amor e gelosia (Handel Operatic Duets)
 
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Patrizia Ciofi & Joyce DiDonato - Amor e gelosia (Handel Operatic Duets)

George Frideric Handel (Composer), Alan Curtis (Conductor), Il Complesso Barocco (Orchestra), Patrizia Ciofi (Performer), Joyce DiDonato (Performer)
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Product Details

  • Performer: Patrizia Ciofi, Joyce DiDonato
  • Orchestra: Il Complesso Barocco
  • Conductor: Alan Curtis
  • Composer: George Frideric Handel
  • Audio CD (June 1, 2004)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Virgin Classics
  • ASIN: B0001CTKD0
  • In-Print Editions: MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon.com Sales Rank: #79,820 in Music (See Bestsellers in Music)

 
1. Poro, rè dell'Indie, opera, HWV 28: Duetto. Caro amico amplesso!
2. Rinaldo, opera, HWV 7: Duetto. Scherzano sul tuo volto
3. Rodelinda, regina de' Langobardi, opera, HWV 19: Recitativo. Non ti bastò, consorte; Duetto. Io t'abbraccio
4. Silla, (Lucio Cornelio Silla), opera, HWV 10: Recitativo. Mio diletto, che pensi?; Duetto. Sol per te, bell'idol mio
5. Sosarme, re di Media, opera, HWV 30: Duetto. Per le porte del tormento
6. Faramondo, opera, HWV 39: Recitativo. Del destin non mi lagno; Duetto. Caro, tu m'ascendi
7. Atalanta, opera, HWV 35: Recitativo. Amarilli?; Duetto. Amarilli? Oh Dei! che vuoi?
8. Muzio Scevola, opera, Act III, HWV 13: Duetto. Vivo senz'alma, o bella
9. Orlando, opera, HWV 31: Duetto. Finché prendi
10. Poro, rè dell'Indie, opera, HWV 28: Recitativo. Perfidi! ite di Poro; Cavatina. Se mai più sarò geloso
11. Poro, rè dell'Indie, opera, HWV 28: Recitativo. Macedoni guerrieri; Aria. Se mai turbo il tuo riposo
12. Poro, rè dell'Indie, opera, HWV 28: Sinfonia to Act 3
13. Serse (Xerxes), opera, HWV 40: Duetto. Gran pena è gelosia!
14. Poro, rè dell'Indie, opera, HWV 28: Recitativo. Lode agli Dei; Duetto. Se mai turbo il tuo riposo
15. Admeto, Rè di Tessaglia, opera, HWV 22: Duetto. Alma mia, dolce ristoro
16. Flavio, Rè di Longobardi, opera, HWV 16: Duetto. Ricordati, mio ben
17. Teseo, opera, HWV 9: Duetto. Addio, mio caro bene

On this CD:
  1. Poro, rè dell'Indie, opera, HWV 28 Duetto. Caro amico amplesso!
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  2. Rinaldo, opera, HWV 7 Duetto. Scherzano sul tuo volto
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  3. Rodelinda, regina de' Langobardi, opera, HWV 19 Recitativo. Non ti bastò, consorte; Duetto. Io t'abbraccio
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  4. Silla, (Lucio Cornelio Silla), opera, HWV 10 Recitativo. Mio diletto, che pensi?; Duetto. Sol per te, bell'idol mio
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  5. Sosarme, re di Media, opera, HWV 30 Duetto. Per le porte del tormento
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  6. Faramondo, opera, HWV 39 Recitativo. Del destin non mi lagno; Duetto. Caro, tu m'ascendi
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  7. Atalanta, opera, HWV 35 Recitativo. Amarilli?; Duetto. Amarilli? Oh Dei! che vuoi?
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  8. Muzio Scevola, opera, Act III, HWV 13 Duetto. Vivo senz'alma, o bella
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  9. Orlando, opera, HWV 31 Duetto. Finché prendi
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  10. Poro, rè dell'Indie, opera, HWV 28 Recitativo. Perfidi! ite di Poro; Cavatina. Se mai più sarò geloso
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  11. Poro, rè dell'Indie, opera, HWV 28 Recitativo. Macedoni guerrieri; Aria. Se mai turbo il tuo riposo
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  12. Poro, rè dell'Indie, opera, HWV 28 Sinfonia to Act 3
    Composed by George Frideric Handel
    with Alan Curtis, Il Complesso Barocco

  13. Serse (Xerxes), opera, HWV 40 Duetto. Gran pena è gelosia!
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  14. Poro, rè dell'Indie, opera, HWV 28 Recitativo. Lode agli Dei; Duetto. Se mai turbo il tuo riposo
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  15. Admeto, Rè di Tessaglia, opera, HWV 22 Duetto. Alma mia, dolce ristoro
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  16. Flavio, Rè di Longobardi, opera, HWV 16 Duetto. Ricordati, mio ben
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco

  17. Teseo, opera, HWV 9 Duetto. Addio, mio caro bene
    Composed by George Frideric Handel
    with Patrizia Ciofi, Alan Curtis, Joyce DiDonato, Il Complesso Barocco


Editorial Reviews

Amazon.com

In baroque opera, the spotlight was usually reserved for the bravura arias, designed to show off the singers' brilliant coloratura and skill in improvising ornamentation. The ensembles, on the other hand, were left to languish in the shadows. This record aims to right that wrong in a program of 17 duets drawn from 13 mostly unfamiliar Handel operas. In an attempt to create some cohesion, these primarily short selections are arranged under the heading "Love and Jealousy," with love predominating and usually prevailing. If the title sounds a bit gimmicky, never mind: the music's the thing and it is wonderful. Expressed with Handel's inimitable dramatic intensity and deeply felt inwardness, it encompasses every amorous emotion from tenderness, ardent protestation and rapturous joy to fear of loss, anguish and mournful farewell, using an infinite variety of form, texture and character. Some duets begin with a recitative; the voices separate and unite, conversing, interweaving, joining in imitation or harmony. The orchestra, a period-instrument group of soloists, provides introductions, interludes and postludes which set mood and atmosphere and contribute greatly to contrast and diversity. The performances are splendid. The two singers prove that the duet is as fertile a vehicle for virtuosic display as any aria, and they find plenty of opportunities for ornamentation in the da capos. Their voices can blend and merge as well as remain distinctly individual in timbre and color, and they succeed in creating, or at least suggesting, situations and personalities even in the shortest selections. The playing is impeccable: rhythmically crisp and pungent, texturally transparent, and very expressive. The only cavil is that the selections often follow each other without a pause, making it difficult to be sure where one ends and the next begins. --Edith Eisler

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Average Customer Review
4.7 out of 5 stars (9 customer reviews)
 
 
 
 
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21 of 22 people found the following review helpful:
5.0 out of 5 stars A feast, September 27, 2004
By Roy U. Rojas Wahl (Teaneck, NJ United States) - See all my reviews
(REAL NAME)   
The programme maybe disjointed, but it doesn't matter, because the singing is some of the most glorious I have EVER heard. A shining feast of articulation, phrasings and harmonies, heavenly executed by Ms Ciofi and Ms Di Donato.

Just buy it for an unparalleled vocal chord experience; marvel at the singing. Any other considerations are entirely oblivious.
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21 of 22 people found the following review helpful:
5.0 out of 5 stars A sumptuous feast of Handel, August 4, 2004
Alan Curtis has here chosen to bring to life some of the more memorable duets of Handel's many operas. Quite apart from chewing over some of the more well-known operas he has chosen some duets from Silla, Sosarme (Per le porte del tormento), Faramondo, Atalanta, Poro and Muzio Scevola, few of which have had decent recordings in the last number of years.

His band is small, one player per part, withe the resultant effect rather to make the duets seems like chamber music. There is a danger in that with duets such as Io t'abbraccio (end of Act 2 Rodelinda) taken out of context that the dramatic moment of the music would be lost. However, by arranging the duets in a sequence (as Curtis writes in the notes) from love's joy through self-doubt and jealousy, back to undying love, the duets out of context sound superb.

Both singers, Patrizia Ciofi (Soprano) and Joyce di Donato (Mezzo) sound thoroughly at home in the idiom of baroque opera, and in fact their cadenzas and ornamentation are delightfully understated, rather than the sort of shrieking 'I can go higher still' of some more lauded performers. I look forward to Curtis' forthcoming recordings of Lotario, Rodelinda and Radamisto, if these performers are to be retained.

In short this is a delightful enterprise showing the genious of Handel in dealing with the most basic of human emotions - love and jealousy. Well done Alan Curtis!

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18 of 19 people found the following review helpful:
5.0 out of 5 stars From still waters to fireworks in baroque singing - Duets sung exquisitely, November 27, 2005
Handel was a master of his medium - his music paints with elegance and soul-stirring emotion upon the canvas of the human heart. His duets often exhibit particular indebtedness to Steffani (truly a genius of duet writing), and they are gorgeous duets indeed!

I note that some other reviewers quibble with a) duets only on this recording; and b) a sense of disjointedness.

Addressing both of those issues, let's admit that any recital disc is going to give some disjointedness in the absolute and literal sense. To take a portion of an opera out of its setting and perform it separately is a sort of amputation, be it an album of arias OR an album of duets. Should singers then avoid putting out solo recordings of Handel arias? I find no reason to come to THAT conclusion - and for the same reason, I have no quarrel at all with the recording of an album of Handel duets.

Of course, to enjoy Handel to the fullest degree, do get full recordings as well... but even in Handel's time, singers would pull specific bits of their roles out of context, perform them separately... so it's a time-honoured practice! Let us simply enjoy the high standard of the music without worrying about context in any recording of arias, duets, trios, or operatic scenes.

Handel's duets vary so much in their shape, melodies, harmonies, rhythms - there's plenty of variety. It comes down to a question of the singers involved having suitable voices, singing appropriately for the style, the playing of the orchestra, and the particular variety of duets chosen.

On all points, this album scores highly! Both Ms Ciofi and Ms Di Donato have beautiful voices, clearly trained in baroque singing, and they have equally clearly put in a lot of work to achieve a lovely blend and similar approach within these duets. What a joy to hear gifted singers perform these duets with such intelligence, emotional involvement and lovely, lovely tone!

This recording is a favourite of mine - not just because I perform many of the duets on this CD with another soprano, but because I am genuinely delighted to hear appropriately performed Handel singing in a duet album. I've found fault with some other duet albums because I consider them under-rehearsed, insufficiently blended, and inappropriately embellished - but this album shows none of those faults, and I am very happy to recommend it highly and without reservation. Beautiful singing, beautiful works - you can scarcely wish for more!
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Most Recent Customer Reviews

5.0 out of 5 stars A uniqe CD
First, I need to reveal my bias. I have been a Didonato fan since I first heard her at the Met auditions and a recital during her college days. Read more
Published 13 months ago by S. A. LEWIS

5.0 out of 5 stars Stellar Singing
I must admit that, before becoming a dedicated Joyce DiDonato fan, I probably wouldn't have purchased a CD of Handel duets, or any Baroque duets for that matter. Read more
Published on January 3, 2007 by Bruce Varner

4.0 out of 5 stars Supreme Handel Duets Lack Dramatic Context But Still Lovely
I was fortunate to see and hear Renée Fleming and the astounding David Daniels sing "Io t'abbraccio" together in the magnificent Stephen Wadsworth production of Handel's... Read more
Published on January 7, 2005 by Ed Uyeshima

5.0 out of 5 stars Exemplary singing
This disc has been in particularly heavy rotation on my stereo, and the tunes go through my head all day. Read more
Published on July 6, 2004

4.0 out of 5 stars Stunning singing, beautiful music, but a disjointed program
I picked this disc up with the desire to hear Di Donato, and also because I love Handel. After giving it several listenings, I have to say that it is fantastic singing. Read more
Published on June 16, 2004 by Joe Nelson

4.0 out of 5 stars Excellent singing, fabulous music, but not a cohesive progra
I picked this disc up with the desire to hear Di Donato, and also because I love Handel. After giving it several listenings, I have to say that it is fantastic singing. Read more
Published on June 16, 2004 by Joe Nelson

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