Product Details

• Actors: David Wilson-Johnson, Carol Vaness, Eva Marton
• Format: Classical, Color, Dolby, NTSC
• Language: English (Dolby Digital 5.1)
• Subtitles: German, English, French, Spanish
• Region: All Regions
• Aspect Ratio: 1.78:1
• Number of discs: 2
• Rating: NR (Not Rated)
• Studio: BBC / Opus Arte
• DVD Release Date: May 18, 2004
• Run Time: 184 minutes
• Average Customer Review: 3.3 out of 5 stars See all reviews (9 customer reviews)
• ASIN: B0001RVRX6
• Amazon.com Sales Rank: #108,125 in Movies & TV (See Bestsellers in Movies & TV)

  Popular in this category: (What's this?)

  #17 in

  Movies & TV > Musicals & Performing Arts > Classical > By Performer > Marton, Eva

Editorial Reviews

Product Description
This DVD records the Teatro Real’s unearthing of a living treasure – the world premiere of Albéniz’ Merlin, an unperformed and virtually unknown work of genuine power. Many believed the score was lost, until the conductor José de Eusebio reconstructed it from various manuscript sources and publishers’ proofs. Commissioned by an eccentric English Lord who supplied the libretti for the work, Merlin was meant to be the first of a trilogy of operas devoted to Arthurian legend and loosely based on Malory’s Morte d’Arthur – a sort of British counterpart to Wagner’s Ring Cycle. Unfortunately, the trilogy was never to be finished -- Albéniz died while working on the second installment, Lancelot, and never began the score of Guenevere, which was to be the third. Alas, the composer only heard the opening orchestral prelude to Merlin performed in his lifetime. In this stunning production, director John Drew has created a world of magic and fantasy, using evocative sets and splendid lighting. Merlin’s story begins just before Arthur pulls the sword from the stone. Morgan Le Fay suspects Merlin's magic trickery at work in Arthur’s success, which has denied her son Mordred the Kingdom. Although Arthur shows mercy in pardoning the mother and son after they engineered an uprising against his rule, Morgan is single-minded in seeking revenge against Merlin and the king. In the end, she is victorious -- Merlin is seduced and trapped in the Cave of Gold by Nivian, his own slave, who is working under Morgan le Fay's direction. Special Features: Interviews with Carol Vaness, David Wilson-Johnson and conductor José Eusebio Picture Format: 16:9 anamorphic • Subtitles: GB / D / F / ES Sound Format: Dolby 5.1 Surround & LPCM Stereo

Customer Reviews

Most Helpful Customer Reviews

13 of 16 people found the following review helpful:

4.0 out of 5 stars A good looking production but you will need the subtitles, May 20, 2004

By	F. Behrens "Frank Behrens" (Keene, NH USA) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Back in the last decade of the 1800s, a rich man's son named Francis Burdett Money-Coutts (Coutts is mentioned in "The Gondoliers" as bankers) decided to write the librettos to a trilogy that would do for England what Wagner's Ring cycle had done for Germany. He chose the story of King Arthur and wrote the librettos for "Merlin," "Lancelot" and "Guenevere." The composer who accepted the challenge was Isaac Albeniz, known mostly today for his piano music and only recently given respectful attention by Spanish musicologists.

Well, the music for the latter two is still lost, but conductor Jose de Eusebio made it the task of many years to restore "Merlin" and at long last we have a DVD recording on the BBC Opus Arte label (OA 0888 D) of a complete performance given at the Teatro Real de Madrid.

First of all, the text is in English, but you will understand very little of it without using the subtitle feature (in English, German, Spanish, or French). Sopranos are notoriously difficult to understand in any language (so much do they love vowels at the often total expense of consonants), and casting Eva Marton as Morgan le Fey makes even her vowels fairly incomprehensible. The Nivian of Carol Vaness is a touch better.

As often happens, the men fare better on the enunciation side. David Wilson-Johnson (Merlin) and Stuart Skelton (Arthur) are not exactly exemplary, but at least half the words come across.

Several of the choruses are off-stage, so understanding the words is out of the question; those choruses sung onstage are little better. Still the singing is of a high quality, so back to the subtitles!

On the acting side, there is little to recommend. Nowhere do I see any depth of characterization; but these are standard mythological and legendary (yes, there is a difference) creatures. Angel Odena plays the evil Mordred looking too much like *** of the Monty Python group in the Spanish Inquisition sketch to elicit anything but a smile; but Vaness nearly makes a believable character as the Ariel-like slave of Merlin who turns to Morgan for her freedom. Marton's acting is of silent-film vintage.

Interestingly, the characters of Lancelot and Guenevere show up only as dancers in this opera.

The sets and costumes are minimal and symbolic, the costumes fetching. Much of the opera is given over to ballet and the opening to Act III is stunning. Most of the solo singing is of the post-Wagner declamation genre but without the wonderful use of leitmotif that Wagner used as the basis of his scores. Only in a chorus or two will you find any melody. But all in all, with the video aspect, the music takes on a timeless quality that seems right for the action on stage.

For once, some of the bonus material is very informative, namely the interview with the conductor concerning the work, Albeniz, and the problems of reconstructing the music. What Marton and Wilson-Johnson have to say is of less interest.

Two serious complaints. How many "live" performance DVDs must be issued before some engineer copes with the problem of acoustically dead spots on stage? And when will so many editors of the program notes stop using white print against grey textured backgrounds? I found the Merlin booklet practically unreadable and sent yet another e-mail to BBC about this. They never do answer.

On two DVD discs, the opera runs about 155 minutes. The picture is wide screen (16:9 ratio)

4 of 4 people found the following review helpful:

3.0 out of 5 stars Good looking......but................, June 10, 2004

By	Robert Petersen (Durban, South Africa) - See all my reviews

A beautifully costumed production with wonderful music. Although sung in English you need the subtitles to understand some fo the words. The casting of Eva Marton as Morgana was really inappropriate. Her vibrato is excessive to the point of distraction. As a leading character, She really should not have been cast in this production

3 of 3 people found the following review helpful:

2.0 out of 5 stars A disappointment, October 18, 2005

By	Richard M. Teeter (Walnut Creek, CA USA) - See all my reviews (REAL NAME)

I like the piano and guitar music of Albeniz, and I have a very large collection of videos, music, and, primarily, books on the subject of King Arthur, so I leapt at the chance to buy "Merlin". Unfortunately I bought it directly from the producer rather than Amazon so it cost me almost twice the Amazon price. I'm afraid it wasn't worth it. Other reviewers have complained about Eva Marton's vibrato. Vibrato is supposed to aid the singer in establishing an accurate pitch. In this case, that vibrato was so overwhelming it made it very difficult to discern the pitch. The opening scene was spactacular, as were most of the rest of the sets. The lighting was also first rate. I thought the costumes of the knights to be ridiculous. I am glad I have this performance on DVD, but primarily because it extends my collection of Arthuriana. Having looked at and listened to it once, I expect it to just sit on the shelf, untouched, for a very long time.