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The entire program and Mr. Trevisani's solos are immeasurably enhanced by his collaboration with Constantine Orbelian and the Moscow Chamber Orchestra. Stylistically secure string playing, all rococo grace combined with structural strength, supports the soloist's most extravagant utterances and completes the portrait of the flute soloist as the newest prima donna on the musical scene in an 18th century Italy addicted to the vocal beauties of grand opera.
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